The first Canon L series lens I ever used was the now classic 24-105mm f/4. I rented the lens and used it on my T1i. Yeah, that was many years ago and I was blown away at the change in quality of overall performance compared to the 18-55mm kit lens that came with the T1i body. At the time the 24-105mm f/4L was the kit lens for the now legendary EOS 5D body.
Soon after I rented the 70-200mm f/2.8L and from the very first day it became and still is my all-time favorite lens for faces, sports, pets, animals in general and much more. The 70-200mm f/2.8 IS USM II was the very first L series lens I purchased. I don’t think there has ever been a day I have walked out the door and not had that lens in my bag. Then of course there was the time I became “that guy” and dropped it. It’s a long story posted here.
Over time I tried many lenses and settled on a set I would call my “go-too” lens. This would consist of the 70-200mm, 24-70mm, 50mm, and 85mm. I have other lenses and bring them out for specific situations as needed. For years I shied away from wide angles. I always wanted a 16-35mm L, but never got around to getting one. If I needed one for a job, I would just rent it and bill it to the customer. I learned early on how different focal lengths can affect the outcome of your capture. Afterall, I fell in love with the 70-200mm because of the compression it could give to a face.
Then one day while looking back at an image I had shot in the studio of a model several years earlier and thinking how I had used the 24-70mm to capture the image. I was shooting at 24mm but standing very close. The model was very thin, and the wide angle gave that weird look you get when standing too close to your subject. The effect was not too much, but just enough. The image was shot on a white background to later be used as part of a composite to be created in Photoshop. While looking at the image it hit me as to “why haven’t I pursued doing this more?” … capturing people with wide angle lenses? Sure, it has been done before and is nothing new, but why haven’t I done it.
In due time and when budget allowed, I purchased a Sigma 14-24mm f/2.8 DG HSM ART lens. I got the lens in October of 2022 and would be traveling to Thailand in December. I travel to Thailand for 30 days almost every year because my wife still has her house there. This would be a great opportunity to really get out and use the lens. I wasn’t really thinking of capturing people, I was thinking more of using it on a Platypod Max and doing a lot of low angle perspective shooting of temples, both inside and out.
Once back home I soon started looking for opportunities to use it for people. I scheduled a project shoot with Nicole a model I have been recently shooting with. She decided on an outdoor location that had a lot of graffiti… like everywhere. It was the ruins of an old brick factory in Southern Jersey. I couldn’t wait, this would be a lot of fun. Shooting with Nicole is always a fun day, and this will only add to it.
I started shooing with the 24-70mm and soon moved to my 70-200mm, I waited until we were about halfway into the shoot before I put the wide angle on. First thing is, we need to get warmed up. Good shots always come in the middle or at the end of a shoot, at least for me. It worked great, all I was looking for was one good shot from the lens. Of course I will need to take several shots, but one must be that one that just stands out. While shooting with the wide angle lens the first thing that I noticed that could have been potentially a huge problem was that fact that I had to get extremely close to get the effect I wanted. This of course felt weird to me, and it felt even weirder to her. Even though we have shot together many times, and we are good friends it just felt strange to be so close to the person’s face. Now I could have backed away a bit and cropped the photo in post. However, at the time I was shooting I was doing both, up close and standing back a bit. I needed to do this to see where the sweet spot was going to be depending on how much distortion I wanted.
As I was driving back from the shoot, I felt really good, I knew I had a few good shots with the Sigma wide angle that I would be really happy to edit. Then I started thinking back to my earlier years and remembering how often I would pass-over using a wide angle lens. There was a time when I truly believed wide angle lenses were only good for landscapes. Then again, I hated broccoli as a kid, and I love it today. One day I asked myself “why do I hate broccoli?” I couldn’t really answer the question, so I tried it, and it was delicious.
Upon returning from the shoot and jumping into Lightroom, I realized I hadn’t shot as many photos as I thought I did with the 14-24mm and that was a good thing. I did get about 10 good shots and 3 really good shots. Of course it is all subjective, what I like is not necessarily what the model is going to like.
Coinciding with this shoot I was also creating a review video for Dehancer Photo to be posted on YouTube. I don’t normally do reviews of anything, and I don’t consider myself a “YouTuber”. I usually make videos just showing how and why I use a product or piece of gear. However, someone from Dehancer had contacted me and asked if I’d make a video reviewing their software and this was perfect timing for editing my wide-angle images of Nicole.
The image I liked most gave me sort of a 1970’s “album cover” vibe. The image had a nice array of colors, Nicole with very red hair, muted lip color and those cat-eye sunglasses along with the graffiti and lastly the tree. The tree is hardly noticeable, yet still kind of out of place. Most images of people and graffiti are captured in a city setting, but this was captured in literally the South Jersey Pine Barrens. Then there is the wide-angle effect that the average (non-photographer) person would not really notice. Her head is just a little larger than it should be, and her arms are a tiny bit smaller than they really are. There is also a slight effect on her nose due to it being ever so slightly closer to the lens than the rest of her face. She looks “badass” and that is hilarious because in real life she is a very sweet and kind person, anything but “badass”.
The editing was performed starting in Lightroom to Photoshop, and then in Dehancer Photo using all manual adjustments with no presets. Some final little tweaks were made back in Lightroom. Dehancer Photo is a software that will emulate shooting on film. This image is not meant to look like it was shot on film, but rather have just a slight cinematic effect. I like it and at the end of the day that’s all that really matters.
Hey, thank you for stopping by and reading, I hope you come back again… I’m harmless. Have a great day.