My most recent photo shoot with a motocross racer was a success. I was a little nervous going into this project for the simple fact that the racer had never really done a studio style shoot. And given the fact that I was not going to be just doing the standard portrait style of “say cheese and click we’re done.” While I was surely going to do those standard headshots as I always do, after all everybody can use a fresh headshot. This is also a way to break the ice and let the new model get a feel for the whole environment of the all the crazy flashing and softboxes ect. But soon I would move on to the creative lighting that I so crave and must create and get it done in a timely fashion. I don’t want to burn the model out, new or experienced it doesn’t matter; I want the person to go away feeling that working with me was a good experience and a fun time. This then lets me leave the shoot feeling very confident that if I need to reshoot or just work together again in the future that getting a “yes” will be almost a given.
So the little bit of nervousness that I was feeling was that I had high hopes this young man could take direction well. While most people can do what you ask of them, they do feel a little strange when I get into the creative mode and start asking them to do things that don’t really make sense at a standard photo shoot. Or at least it doesn’t really seem to match up with what they envisioned a shoot should be. Example; I ask the model to turn their back towards me and look over their shoulder. See, you must know that part of my creative technique is not really going into detail about what I’m doing. Not because it is a secret, but rather if I sit and try to explain what and why I’m doing something I am wasting both our time. They may not know an f/stop from a focus ring, so why bother. Most times they have seen my work and know it is not run of the mill and therefore I just say “it is creative so it may seem a little weird” and most times they’ll just roll with whatever I tell them to do.
But Greg was an ace, not only did he do as I asked, he pretty much nailed it. I only had to shoot each pose three clicks of the shutter. I always do three clicks because of eye blinks and the like. I got the feeling that he picked up on the vibe of what I was doing because the shoot flowed along rather well. I would shoot a few poses and we would review them together on my tablet and quickly move on to the next set of poses.
Now for the rest of the story… So this shoot was taking place in a garage bay next to the area where the motorcycles are worked on. When we started we were alone, but Scott who is Greg’s father soon arrived and wanted to see what we were doing. Now I have to tell you Scott has a look and presence that would make most nightclub bouncers cringe. He is an amazing guy I could tell, why just in the short time I was there I heard him speaking to other friends and family members and his words of wisdom were being felt and absorbed by everyone whether they knew it or not. I quote “you don’t fight with your friends, if you’re fighting with your friends… well then they are not your friends.” Hey the guy is dead on right as far as I’m concerned. Don’t let the ink fool you, I could damn well tell this man is a good leader, father and most likely that friend that would always be there for you. But with all that said, what are the chances of just getting him to step in front of the camera with his son? I want to do it and really I have to do it. Because I know truly how photography works. This photo is going to mean a lot to somebody. I know it, I feel it and… ah what the heck. So I say “hey Scott what da ya say… I want you to step in here and let me just get one shot with you and Greg and this awesome bike you built.” I had to ask twice and I could tell her really wanted to do it although he played it cool and seemed a little reluctant.
So like I said; the photo is going to mean a lot to somebody, but whom? Will mom like it? It is a nice father & son shot and the bike is a work of art as far as motocross bikes go. Or will it be a shot that will take on meaning as years go by and they look back at the “good ole days? Well the answer came a lot sooner than I had thought. I had sent Greg a few quick edits that were cropped for Instagram as he had requested. The photos made their rounds and then I see this on IG and I knew that this photo was really worth the world to somebody. It made me very happy to know that the photo touched them.