This is a two image composite of model Bree Arkham. In this image we see an outdoor shot of Bree as she pulls her arms backwards while hanging from a large gate. Behind her is an image of a cell inside the penitentiary. The cell image is shot at f/4 and Bree was shot at f/5.6. In Bree’s shot her arms go out of focus due to the shallow depth of field.
So using the masking power of Photoshop I merged the two images and blurred the cell to match the DOF of Bree’s hands. Then I used an Emily Soto fashion action to create an atmosphere that would bring the whole scene together. The Emily Soto action is not a “one click” and your done kind of thing. I will actually spend a lot of time working with the various layers of the action and the masks to get the balance I like.
I feel in the end the light coming through the skylight in the cell looks as if it could be spilling on Bree’s back causing the rim light on her arms. When working with composites this is the one element that will be the most challenging… where is the light coming from? The average person is not asking this question when they view the image, however their subconscious mind is asking this question. If our eye/brain sees something that doesn’t make sense it will pick it up. Now that doesn’t mean that our brain instantly says “hey that’s a composite” but what our brain does most often (as my brain does) is give us a weird feeling about it, just kind of “somethings not right” feeling. So this is where certain things need to match or “balance out” between your elements in a composite, things like white balance, atmosphere and most of all direction of light and or shadows created by light. These two images have very different white balances and if I have a really hard time balancing the color I can always “bail out” as I say and pull the ejection lever and go straight to a black & white image. If I go over to B&W I most times by-pass or greatly lessen the problem of matching white balances between the elements.
Once white balance is done I then move on to creating atmosphere to bring the scene together and I do this in many different ways. Today it was a Fashion Action” and it was todays answer. Like most things in Photoshop you need to know many ways to get to the same end point. It is all about practice and that is what this image is… practice. The main element of Bree hanging on the gate is a 100% fine image as it was shot. We worked the pose out I shot it and a few minutes later I had her revisit the gate and shoot it again at a different f/ stop. The first was f/2.8 and the second was f/5.6 and the later was the better image as it made Bree’s hair really crisp. So “no” I never shot her to be a composite. As for the image of the cell that was shot a year before. It is part of my large stock of images I shoot and save for elements.