Why I do not leave feedback for Amazon purchases. (…look at the ass raping that took place when I tried to purchase a product on Amazon)

Why I do not leave feedback for Amazon purchases.

Who hasn’t purchased something from Amazon.com? Kind of a dumb question at this point in the year 2020. I have been buying from Amazon all the way back when Amazon was just selling one thing and one thing only… books. In fact, when you tell a millennial “Amazon used to be just a book dealer”, they’re in the same shock and disbelief as when they hear that “cool ZZ Top” song and then find out that they’re great grandparents seen ZZ Top live.

As we moved into the era of online shopping there needed to be a way of knowing a website or merchant was reputable, honest and had merchandise that lived up to the description. It wasn’t long before the “feedback” system appeared with star ratings or positive vs negative feedback to put customers at ease and feel confident about making an online purchase. At least with a brick & mortar store you have the ability to return your unsatisfactory product and confront someone in person.

However, the day the feedback system was created it was most likely the very next day merchants like Amazon started creating a system to fuck customers over with fake feedback, fake reviews, false or misleading reviews and of course fake star ratings. If you follow this post through to its entirety, I will describe to you how people create fake feedback on eBay and other sites as well.

But, first let us look at the ass raping that took place when I tried to purchase a product on Amazon and was totally mislead. Then when I tried to leave a 1-star review of the product because Amazon refused to change the wording of the product, Amazon would not post my review. Amazon claimed that my review did not follow their guidelines. All I did was submit a review that stated I received the wrong product, I showed a photo of the product and the wording of my review was rather mild, coherent and to the point.

That was the day I stopped reviewing products on Amazon.

I am a photographer/videographer and PolarPro Filters sells higher end gear for cameras & drones. I fully believe they are a good honest company. The dealer on Amazon was listed as “Polar Pro Filters” and not PolarPro Filters. I did not catch this detail in the misleading spelling and this would account for the reason the dealer was a fake.

The product I purchased was a counterweight for a DJI phone gimbal. I wanted a counterweight for a DJI Osmo Mobile 1 and I received a counterweight for an Osmo Mobile 2, despite the description clearly stating the product was for the Mobile 1 and not for the Mobile 2.  Not to mention the fact that when I received the product you could tell the box had been opened multiple times and re-taped shut. I mean this whole ordeal was as preposterous as any thing could ever be. It was almost as if it was a prank, sadly it was not. So, after going back & forth with Amazon I decided to just give up, keep the product, which I gave to a friend who had an Osmo Mobile 2 and just put the whole thing behind me. I truly believe the product I received was not a fake (just the wrong one) and I don’t really hold anything against the maker of the product (PolarPro Filters). However, to this day I have never submitted another review for any product I have purchased from www.amazon.com . Prior to this I almost always left some sort of a review on just about every purchase, I believed in the feedback & star rating system. Sure, I could usually tell which reviews were the fake reviews that were created by the dealer of a product but this time I was done with it all. Now I know some people reading this post will say “hey what about all the honest dealers” that sell on Amazon. And to that I say “screw’em all.” Harsh, brash, rude… call it what you will, I really don’t care. If I get a product I don’t like I return it and as for my camera gear; if I am making a high dollar purchase I will head on over to www.bhphotovideo.com/ . For low quality camera gear, I use Amazon for what it actually is; A place to buy cheap junk made in China.

So, what about the fake positive feedback on eBay? Ok, so I have been on eBay since August of 2000. I have purchased on eBay and I have sold on eBay. I realized from the get-go that maintaining a 100% feedback rating was paramount. I have listed my own sales for eBay and more so I have helped several friends sell on eBay. I have sold items as small as a vintage postage stamp and as large as a Caterpillar Bulldozer and everything in between. I have sold items that seemed worthless however, somebody in Argentina or Italy or Germany or where ever thought it was a value and purchased it. I made a fair amount of money selling gas masks during the Anthrax scare in 2001. I never over charged sole. I merely listed a gas mask at $1 and let the bidders fight it out. Was I proud to sell gas masks to people on eBay? Not really but, the Anthrax scare appeared right after the 9/11 terrorist attacks and my catering business died because nobody wanted to have a party. Ironically, I had been surfing eBay weeks before the terrorist attacks and seen industrial lots (pallets) of gas masks listed for a very low price. When the Anthrax scare hit, I jumped and took what few dollars I had and bought gas masks. I cleaned them (they were new but filthy) and packaged them, listed them and received positive feedback for every transaction.

The reason I tell you all this is I want you to know I have put my time in on eBay and I would be on there every day, all day looking for the next big thing to sell. After that winter had past my catering business resumed to normal and I rarely went back to eBay.

While I was putting in my long days on eBay looking at trends, I was always perplexed at how some dealers had these huge positive feedback ratings and then all of the sudden their feedback ratings took a huge dive into the negative and then the dealer kind of disappeared or became inactive. What was going on to cause this? Was I the only one to see this? So, here is what I uncovered.

A dealer registers with eBay as a new user. The dealer then starts making purchases of stupid little things like stamps or hex nuts, bolts or even string. Like, just a piece of string. The purchases would be for a very small amount of money, most times a few cents. The seller would be new to eBay and likewise the purchaser was new to eBay. Both were leaving positive feedback for each another. The transactions would number in the hundreds per week and in no time at all they would both have huge positive feedback ratings. Then the dealer and the customers would go dormant for a while with no transactions being made. After not making transactions for so long the product links in their feedback ratings would be unavailable. So, if you (the unsuspecting) buyer went to look at their feedback all you would see is that they had a high number of transactions (over 1000) as a seller and their rating was 100% leading you to believe they were a reputable dealer.

So, by this point I think you have figured out the dealer and the seller are the same person using two different eBay accounts. Nobody is actually buying anything; they are just conducting transactions to create feedback. Of course, eBay is making money on the transactions and essentially the dealer is buying a feedback rating.

Then the assault took place. The dealer would list a bunch of items all within about a week and sell products that were much more than the pieces of string or hex nuts they had been selling several months ago.  Sadly, the items they were now selling were receiving a lot of not so good feedback. Essentially, they were ripping people off with fake or misleading products. Many times, the descriptions would have the item listed as “location Brooklyn, NY” when in fact it was being shipped to the USA from various places like Hong Kong, Singapore and other places in Asia.

Now, you do have to know this was many years ago and it was long before PayPal had their “Buyer Protection” as they now have today. Nonetheless, I had seen what I have just described played out time and time again during the winter of 2001-2002. I had contacted eBay multiple times about what was going on and not one time did I notice the usernames involved stop their actions. Most times eBay never responded and if they did it was a BS email from low level peon. Therefore, it led me to believe eBay knew what was happening and just did not care at all. Since then this same scenario and others that are similar have played out on many online selling/shopping platforms.

To conclude; in my opinion I take the whole feedback/star rating thing with a grain of salt. This blog post has only scratched the tip of the iceberg, not to mention the vast concept that you have dip-shit people who leave negative feedback on good products. People who buy something and have no idea how to read and understand directions (if they read them at all) and then claim the product to be defective or not as described. Sadly, it is not a crime to be stupid.

Thank you for reading and have a great day.

Best of luck shopping online.

 

Misdirection (…like a car spinning tires in the mud… when in reality you are sitting still no matter how far down you push the gas pedal.)

What you are about to read is my advice to help a new model who is just starting out and needs direction and understanding of what a photographer is looking for in a Time for Print model. Some of this information you may not agree with and that is ok. I base this information on my own experience of working with models over the past several years and many of those models were young men & women who had a dream, they were new and they were lost as to where to and how to start. I would always offer any new model who stepped in front of my camera information that they could carry with them and that I feel would help them as they moved forward on their journey. In fact, there is actually a plethora of information that could be given but, let me start with what I feel is some of the most important information that covers a new models biggest weakness.

Emotion & Expression; I cannot over express this by any means. So many models lack emotion & expression, they stand in front of the camera and look like a ghost or a stick. Other than some times smiling and smiling is a good thing (sometimes) which is a natural thing to do in front of a camera, a model needs to learn how to show emotion. Emotion needs not only be expressed in the face but, also the body. Sounds easy to read it here in words but, if it was really that easy then everyone would be a great model… everyone is not a great model however, I feel anyone can be a great model if they learn how to pose and do it with emotion & expression.

So, now you are asking; where and how do I learn how to pose with emotion? There is no one size fits all answer to that question but… This is what I would do if I was a model. I would first take a serious look at professional models; I mean a serious look at poses and so much more. Choose some models that you like or that you are familiar with and use the power of social media to dissect what they do and how they do it. Let’s just take one professional model to use as an example. Let’s use Coco Rocha. Why Coco Rocha? Well there are a few reasons I am using her as an example. For one she is one of the greatest models of the time we are living in right now. Second; she wrote a book about posing “A Study of Pose” with 1000 poses. That book just didn’t write itself, her and a photographer passionately spent countless hours, days and months on that project. In fact; I have given her book as a gift to models who I feel are worthy and are driven. Third; I am a huge Coco Rocha fan and I would recommend anyone who is aspiring to be a paid model to follow her Instagram. Practically every prost on her Instagram is a modeling lesson if you take the time to breakdown what she is actually doing. She is a master of her trade, and a word of advice; do not ignore a master, whether you like or dislike their personality you should always bow to the fact that they are a master of their trade and they hold a wealth of information, they hold the map of the road you need to travel to achieve your goals and reach your dreams.

Coco Rocha knows how to show emotion and not just with her face, she will use her body in pose with emotion & expression and also at times use wardrobe to help convey emotion into a pose. And of course, she makes it look easy… and of course it is not as easy as it always looks. So, what do you do?  Practice it! Practice being Coco Rocha and if she is not your thing then find a model who is and practice them. It is ok to mimic a professional model when you are an amateur. It takes me back to my younger days when I first started to learn guitar. Like many musicians I would learn a cover song and play it just like the original, note for note. Then in due time once I knew that song like the back of my hand, I would improvise on the lead lines & solos and soon my personal style would start coming through. Do the same with your posing, mimic somebody and keep doing it until you start to develop your own style. And really that is the key thing here “developing your own style” but in the beginning you have no style. By mimicking you can eventually develop a style. When I started out as a guitar player, I would mimic such greats as Eric Clapton and then move on to another guitarist, all while retaining just a little bit of Clapton in my style. So, while I am just using Coca Rocha as an example, don’t just look at her. Mimic her and move on to another model and then another model and so on. Learning only stops when you leave this earth, if you have a passion you will keep learning something everyday of your life.

Tiffany In The Rain

What kind of a model do you want to be? Today there are so many avenues to pursue. Of, course you have the standards like runway & print. However, there are so many more genres of modeling like spokes models, fitness models, promotional/event models and many more. In the beginning most people really don’t know what road to take they just want to get their feet wet in front of the camera and there is nothing wrong with that. So, let’s talk a little more about being in front of the camera because I find that a new model will sometimes be clueless as to what they are supposed to do and not do and what they should know or not know before they step in front of the camera. I’ll run through what I think is the biggest question that usually comes to mind.

“Will the photographer give me directions on how to pose or am I supposed to know how to pose already?” This sounds like a silly question to some but, I found this question to be on the mind of a lot of new models.

Answer: If you are a new model and you have been truthful and said you are new model then I am going to expect that you know very little. I will direct your posing and help & walk you through it. I cannot really speak for other photographers; I can only speak for me. I use common sense; I tell people up front that I have one rule that must be followed and that rule is simply “we must have fun.” If we are not having fun then we pack up and go home. So, the mood is “lighthearted and easy going.” I will give you direction and you will respond; we create a photo and move on to the next pose.

Ah the next pose… Again, this is where a lot of new models fall flat and that is moving from one pose to another or running out of poses after two minutes of shooting. I have found that there are actually a few ways to look at this so let’s dive in here and break it down because this is where some photographers are in the wrong and not the model (in my opinion).

So, here is the setup; It is an outdoor shoot and a photographer and a model are standing next to a very ornamental lamp post on a street corner. The model is new and she will need direction, the photographer will need to move her through the poses.

Nam 1/125 sec at f/3.2 ISO 4000 142mm

 

Ok if I was the photographer in this situation, I would shoot about 10 different poses or angles and move on. It would be about 30 photos and that would be 3 photos of each pose and this is generally speaking, it could be more or less. I typically shoot 3 photos every time I push the shutter button. I do this to account for the model blinking their eyes, lip movement and other natural quirks that can often ruin a great shot. I move on because if I am directing the model, I do not want to bore them, I want to keep things moving along. I want to keep the flow going and if I spend too much time in anyone spot or location, I notice that the model (especially a new model) will start to get flatter than they already are. If I want more shots of that lamp post we could always come back to it, keeping in mind that in my experience “the best shots often come at the end of the shoot” when the model has loosened up a bit.

Now in many cases a new model may be shooting with a new photographer and there is certainly nothing wrong with that. I remember being new to shooting with models and boy did I make some stupid mistakes. One mistake was “not knowing when to move on to a different set of poses or location and I would bore the model and make her as I say “go flat.” Going flat is when he/she just doesn’t respond to your direction as well as they should and often times, they are just getting tired and want to end the shoot but, may not tell you they want to end the shoot for fear of offending you.

Now let’s take a look at the same scenario but with a model who doesn’t need too much direction. Again, here we are photographer and model at this same interesting lamp post on the street corner. The model may be very experienced or she may be an amateur that has a very good understanding of posing. She will run through her standard poses, changing poses after every 2 to 3 chicks of the shutter, she will be moving her body and her facial expressions and freezing them just long enough for the camera to capture. All the while she is doing her thing, she is using the lamp post as a prop and incorporating it into her poses and the photographer should also be changing angles and (in this scenario) I would most likely start moving 360 degrees around the model & lamp post while shooting high & low. In comparison to the first scenario this sounds like a lot of work and we are in this location a long time. In reality it is maybe a little longer but, not by much because the model is going to keep it going and only stopping for things like straightening her wardrobe or removing hair across her face ect…

I have found that when a model is experienced in posing the only direction, I have to give is technical stuff usually related to light or wind direction. I have worked with models who were as I say “a toy, you wind them up and let them go” and they do their own thing and it is like magic.

So, I think that covers the most basic question a new model is thinking about when they first shoot with an experienced photographer. I say this based on my experience with the many new models I have shot with over the years. In asking them questions before the shoot or in some cases when we reminiscing about our first shoot together and the models tells me how nervous they were that day and the stuff that was running through their mind.

As I stated earlier in this post “I try to give people some kind of helpful information they can take with them on their journey.” There is nothing more I love than seeing people chasing their dream and moving forward on their journey to where ever it is they are going. We all have hopes, goals and dreams and aside from “not letting anyone steal your dream” one of the biggest slow downs is “fear and misdirection.” Fear, if you have it, you know you have it. We all fight fear on our own levels. But misdirection is something that we are often unaware of, we are kind of clueless and we don’t even realize it.

Looking at my Instagram feed just a little while ago and I see a few amateur models I follow who are totally clueless to posing and the use of emotion & expression. I truly feel bad for the one girl because at this time she has 325 post on her IG that are all model shots and in nearly every one of the photos she has the same exact look on her face. In nearly every shot she is looking straight at the camera and has the same exact blank look on her face. Don’t get me wrong the “blank stare” could actually be a pose but, when you do it 300 times in a row it becomes sad and it show that she is clueless about posing. Furthermore, it shows the photographers that she is working with are also clueless. Many people today use Instagram to showcase their modeling or photography and will have a dedicated account separate from their personal account. It gives people a place to see your body of work. I can tell you right now that 10 photos are all it really takes to capture someone’s interest in what you do. Someone looks at 10 of your photos and if they’re really interested, they will look at another 10 and that is just human nature. Going beyond 20 photos they are now investigating and not just looking. Imaging pulling up someone’s IG feed and seeing the first 10 photos all taken at different times and yet the model has the same expression on her face in every photo. You give your thumb a fast slide across the screen and spin down through her feed only to stop on another photo with the same exact expression the only thing different is the wardrobe. I know it sounds like I am really ripping on this girl and in a way, I am but, let’s look even closer.

This person is really putting a lot of time into what she is doing, she is planning a schedule, her makeup and hair always look great and in fact her overall look is good. I’m sure she has some sort of hopes, goals and dreams to progress at what she is doing. However, the chances go down drastically when every shoot produces the same exact look every time. You are like a car spinning tires in the mud. Stepping on the gas pedal produces a noise like you are going somewhere, when in reality you are sitting still no matter how far down you push the gas pedal. In my opinion this girl suffers from misdirection and not understanding how to make her images more interesting. Just imagine if she understood this concept… now those 350 images on her IG would look a whole lot better.

In this post I only begin to scratch the very tiniest tip of the iceberg that is modeling and I hope this information helps someone. Remember the only thing more important than you is your dream. At all costs, never let someone steal your dream, for if they steal your dream, they also steal a piece of your soul and you let them do it.

Thank you for reading and god bless.

 

 

Ronin S (A good gimbal from a “Half-Baked” company, the new world order.)

DJI Focus Motor

Like many people who purchased the DJI Ronin S Gimbal aka camera stabilizer “when it was first released” I was really disappointed that DJI miss lead us Canon EOS 6D owners into thinking our cameras would be able to interact with the Ronin S. Not long after the release of the gimbal DJI kind of said “we’re not going to include the 6D on the list of compatible cameras.” I partially understand how this happened, but not really why it happened.

In order for any product to interact with another (especially in the electronic world) there is usually a little or sometimes a lot of sharing of technology and getting permissions to use another company’s technology. This can many times be a big hurdle in development of a new products and again I state “especially in the electronic marketplace.” Camera gimbals are a relatively new piece of technology and so they are still in the up and coming stages.

Now with all that said; DJI is increasingly (in my opinion) becoming well-known for their “half-baked” product releases. At some point I think they’ll step in a pile of shit that they can’t scrape off their shoe and get hammered by the FTC for some sort of fraudulent advertising or something along those lines. When this happens, they’ll most likely take a few high-profile YouTube vloggers/influencers down as collateral damage. Kind of like a NASCAR crash when an innocent driver gets collected into a wreck “just for being there.”

So, yeah, the Ronin S camera stabilizer was one of their “half-baked” schemes and a lot of people got duped. I will say that DJI did hold true to their promise that there would be improvements via firmware updates and they did make the gimbal compatible with many cameras on the so-called “list.” The “list” being the PDF that was released giving a list of compatible or soon to be compatible cameras.

For me: I am a Canon EOS 6D owner although the camera is old at this point (3/6/19) and I was already planning to move on to another camera to use exclusively for the Ronin S. However, I thought it was great that the 6D was on the initial list of compatible cameras because this would allow me to make an early purchase of the Ronin S and start working with it ASAP. I (like most) am new to gimbals because gimbals are new to us. I knew beforehand that it would take practice to get good with handling of the gimbal if I wanted to incorporate it into the workflow of my photography business. After all I am not going to go out using a product/tool for my business and be “half-baked” with it. Half-baked anything will eventually lead to trouble.

Any new piece of gear I have ever purchased is always run through the paces before it gets used on a paid job. Every photographer has had to work through problems that arise unexpectedly when using gear, we are already familiar with. In fact, it is a given that things will go wrong on any given day and part of what make a good photographer, cinematographer, director, 1st AC, 2nd AC ect… is being able to work through problems with gear. But what sane person wants to compound those problems by taking a piece of gear into the field without know how to use it. You cannot possibly expect to problem solve a piece of gear if you first don’t know how to use it “inside & out.”

So, that was my expectation when I would first receive the Ronin S, I would throw the old 6D on there and spend hours honing a skill… And well, that did quite happen as planned. However, I did put the 6D on the Ronin S and get to work practicing and trying to learn the ins & outs of the gimbal. But DJI’s “half-baked” hair brain bullshit keeps cropping up. Things like the app changes. I use the app to make changes to the gimbal setting and one day I wake up and the app changes and then the app changes again, and so on. Of course, anyone who owns a DJI drone like the Mavic Pro or now the Mavic Pro 2 knows full well what I’m talking about when it comes to app changes. Something that was there yesterday is not there today. Of course, it is not all a bad thing, some changes are for the better, but how is a person supposed to incorporate a piece of gear into workflow when it is constantly changing and you never really know when the changes will happen. I have cameras that I have owned for 10 years, I know them inside and out. I know the settings like I know the back of my hand. I can pick up a camera body I haven’t touched in three years and it works just as I left it three years earlier. Sadly, DJI and other companies don’t understand this concept.

My prediction is in the not to distant future a company will emerge as a true front-runner in “camera-gimbal” technology and understand exactly what I am talking about. Simply put they will move away from the “half-baked” mentality that plagues the marketplace today. What would be nice is to see one of the big camera manufactures get into the ring with camera and gimbals that are designed as one unit and can then be separated. Sort of a modular design, although I hate to use the word “modular” because it sounds dated or old. Let’s call it a camera and gimbal system. If I wanted to, we could start talking about how AI will totally revolutionize the camera industry in the near future. But that would best be left for another longer post.

To remedy the problem of focusing my 6D while mounted on the Ronin S I purchased the “Focus Motor” and I have to say it works pretty good, so far. My unit did arrive with a loose screw that let the gear wheel on the focus motor waver and wobble a little. I tightened the screw with w T-7 Torx driver and it resolved the problem. Only drawback to the focus motor is the fact it adds weight to an already heavy gimbal. It also adds another thing to go wrong when out in the field working. Engineering 101… the more moving parts to a design the more problematic the design, end of story. For users who have a camera that is compatible with the Ronin S they have less weight and less moving parts to break. Less setup time, less breakdown time.

But for now, having the focus motor allows me to use the Ronin S in a practice capacity until I decide what camera I want to purchase.

Hey thanks for stopping by and have a great day.


							

The Holy Grail of Answers (How much do I charge to shoot a wedding?)

The Holy Grail of Answers

I think the biggest question that just about every photographer is faced with at some point or another is; How much do I charge for shooting a wedding? This of course would be a photographer who has never shot a wedding before, but it may not be a new photographer or a young photographer. It could be anyone who is a photographer that just hasn’t shot a wedding. With that said; I think most photographers who have done any form of paid work would not have too hard of a time figuring out how much to charge for a wedding. Rather it would be someone who is not too familiar with paid work that would be perplexed with this question.

Now before you read any further, “yes” I will give you an actual dollar amount and I won’t make you wait till the end of this post to tell you. However, I would like to first give you a few details about me so you can see who I am and where I am coming from in a photography context.

I am not a wedding photographer, I do not advertise to be a wedding photographer, but I still shoot weddings, about 2 to 4 per year. I will get approached in some way form or fashion and asked to shoot a wedding, whether it be a personal recommendation from a client or a friend or it could be from someone who just found me on the internet. So, if someone wants to hire me, I am certainly not going to turn down a paying job. Also, please know I am writing this post because I know I am not alone and that there are other photographers out there who also get approached about weddings even though they may not be a so called “wedding photographer.”

So, you might ask; If you are not a wedding photographer, what kind of photographer are you? Ok, I shoot a lot of portraiture, I cover events like book signings, social gatherings and birthdays. Birthdays are usually for dignitaries and the like in and around the Philadelphia area. I shoot stock photography for webmasters and I also do corporate headshots. And then there is always bands and local artists as well as models who I have worked with. So, I guess I do just about everything and that is why from time to time I get asked to shoot a wedding.

1/125 sec at f/5.0 ISO 100 70mm

My prices start at $2000 to shoot a wedding. I live here in New Jersey and I know there are photographers who charge a lot more than that and I am sure there are ones who charge less. But now that I have thrown this “Holy Grail” of an answer out here on the internet, please read on to see how I justify this number and how this number could be more or less for you. I put the number out there because I didn’t want this to be another one of those countless boring posts that claims to give an answer to a big question and then only for the reader (you) to get to the end of the post and all you read was a bunch of gibberish about how “all situations are different” and the person writing the article/post never tells what “they actually charge.”

Okay, so I am going to cover a few topics related to this question of “how much to charge to shoot a wedding?” I think the equally important question is; How much do I charge a friend to photograph a wedding? This is a really tough question, but I have a really good perspective on this too. I mention this because I think/know that many photographers shoot their first wedding for someone they personally know or are in some way acquainted with.

So, let’s start with why I charge $2000 and see if you can charge $2000 for a day’s work. Ah, the very first myth to be exposed; It is not a day’s work. You will do some work before and a lot after the day of the actual wedding. So, don’t mislead yourself and certainly don’t let your potential client think that you are just doing work that one day. In a kind but meaningful way the client needs to understand about editing and editing takes time. However, we/you need to ask yourself how good and how fast can you edit. I myself am pretty fast at what I do and I know how long it will take me to edit. You also have to keep in mind what else you will be doing for the next week after this wedding. Are you going on vacation, do you have other clients lined up? So, as you can see this wedding “thing” has many facets to it and it is not a “run & gun & you done” kind of thing. So, stay with me here as I explain how I do it and what I don’t do.

First and foremost, I do not shoot without editing, period. If a client asks “well how much for you to just shoot the photos and put them on a disc? Beit a friend or stranger my answer is always the same; “I am not a Craigslist photographer,” end of story and I walk away. I like money just as much as the next person, but I also love what I do and I respect what I do. Enough said about that.

I don’t charge for a consultation or a follow up consultation, but if a client is going to want to keep meeting with me over and over it is $50 to $100 each time. This usually stops the pointless meet ups and asking questions that don’t need to be asked. Remember if your dealing with someone who is not a friend… well, you’re dealing with the public and there are people who will meet with you ten times and then hire someone else. You have to work as a professional and let your clients know “you are a professional.” How many times will your doctor meet with you for free? You need to know your value and stand by it, even if it is your very first wedding. You are going to be capturing images of this special day and I know that can sound really “hokey” but it is so true. You are also going to capture photos of family and friends. And to be realistic some of those images of family and friends are going to be the last good photos of these people. Not to sound morbid but I have captured photos of family members and guests that not long after the wedding they leave this world for one reason or another and now that image of aunt Martha dancing has a whole new meaning. This of course is not a topic to bring up to the client, but it is the reality photography.

So yes, know your worth and stand by it.

I like to tell clients that I “shoot in a journalistic timeline style.” Meaning I will start shooting usually with the bride getting ready and then just keep going all the way through the ceremony and up to the reception. At the reception I will cover all the important things like “the entrance,” the first dance” and all that fun stuff. But I don’t do detailed shots of all the guests, just highlighted moments.

Now of that $2000 I need to pay an assistant to follow me around and help me with whatever I need. I have another business aside from my photography and I have an assistant that helps me and I have learned the power of what a great assistant can do. So, with my photography, when I am doing a big job like a wedding or a complexed photo shoot, I always have a paid assistant. With assistants you only get what you pay for, so pay them well. Actually, I could write a whole blog post on “what is a good assistant.” Also know my assistant knows very little about photography, but she does know a lot about weddings. Her main function is carrying gear bags and having a speed light available at a moment notice if needed. Her biggest asset to me is being smart and quick on her feet, being able to solve problems quickly.

Do I need a second shooter? If I need a second or third camera person of course the price will go up. I try not to have a second shooter, which means a lot more hustling… I mean a lot more hustling, but if I can do without one I will. Second shooters can make your life a lot easier or they can make you… want to kill the second shooter lol.

Do you have good equipment? You need to shoot with good equipment. You don’t need to have the best or the newest, you just need to have reliable gear and you need to have a backup. And you need to know how to use the backup.

So, let’s talk a little about your equipment or the lack thereof. First you need a few good lenses. The lenses are more important than the camera and most likely you already know that. If you don’t have a good lens and you can’t borrow one, then rent one or two. www.borrowlens.com is where I would go and still go if I need a lens or other gear that I don’t have. I would work any rental cost into the price of the job. I would most times be honest and tell the client there will be a rental cost because I need a special lens to do the job. No one ever really questioned me.

Here is what I use when I shoot a wedding today; Two camera bodies and preferably both are full frame sensors, if not one must be (for my personal preference) a full frame sensor. Full frame sensors will let you shoot better in low light situation and yes you will have low light situations, I promise you that. I use two bodies so I don’t have to change out lenses every two minutes.

Three lenses; although I have shot with two lenses. I never shoot a wedding with one lens. I know many people who claim they can shoot a whole wedding day on an 85mm prime… god bless you, but that’s not my style.

I use a 70-200mm f/2.8 with image stabilization, a 24-70mm f/2.8 and a 50mm f/1.4. I will have two radio speed lights and one is mounted on an adjustable pole for my assistant to carry. I will have one lightweight lite stand that I can put a speed light on if necessary.

But hold on, let me backup and tell you what I used for my first few weddings. I had 1 Canon 6D body (full frame sensor). I rented a 70-200mm f/2.8 and a 24-105mm f/4.0. I had one, on camera speed light. I also had my assistant hold a round reflector when needed. That was it, just two lenses and one body. Shooting like this meant a lot of lens change-outs and my assistant and I had a system and we worked like a pit crew. Seriously, it was all accomplished through teamwork and it ran very smooth.

Even today with three lenses and two bodies, we will go over our moves before the wedding to make sure we’re on the same page when it comes to gear. I have strange little personal preferences with things like batteries and memory cards. Example; AA batteries that are charged are carried in little battery cases with 4 batteries per case and they must be +, -, +, – and this tells me the batteries all have a full charge. They are placed positive & negative (every other one) because that is the order they need to be in when replacing batteries in a speedlight. Spent batteries are placed in the case +,+,+,+ and this then tells me those batteries are not charged. These are all the little things that I work out with my assistant to make everything as fast and easy… and as professional as possible. Now, with all that said; of course, we run into the unexpected and this is where you have to be fast thinking on your feet. If you have a great assistant, they will solve your problems while you keep working. Also, having an assistant is someone you can lay the blame on when things go wrong. Of course, I am kidding lol.

Most important of all advice about assistants; Never use a friend or someone who works for free. Money motivates and I want (you too want) an assistant who is more energetic than me, end of story on that.

After the wedding and I mean immediately after the shoot, the memory cards go into a waterproof case and they stay on my person until I get home. If it is late when I get home the card case goes in my safe or a fireproof lock box. The next day the cards are downloaded and double backups made. The cards are not erased or used at all for the next 30 days or until I know backups are safe. Enough said on that topic.

In the first consultation with the clients I tell them they will receive their images via a “thumb drive.” I give all edited images as JPEGs and I also give them digital negatives (DNG files) of the entire wedding. The DNGs are for them to have as digital negatives, much the same way we would save film negatives back in the film days. Keep in mind here that I am not editing every image shot at the wedding. I usually give them a link to a shared folder or online gallery to choose their edits and there is a predetermined number they can choose.

It is fully understood they are paying for my creative shooting, editing and digital JPEGs. They are not paying for prints. I leave printing up to the client, however I do show them samples of my prints (from www.mpix.com) and leave it up to them… do they want to do their own prints from Walgreens, CVS or where ever, or do they want me to handle prints and that would be a whole separate job and bill.

Either way I usually agree to have all edits finished within two weeks (most times I’m done sooner) and I usually have two or three really nice shots finished and emailed within 24 hours.

Now lets just recap a little here. $2000 gets them a full day (6-8 hours) of shooting and edits & digital negatives delivered on a thumb drive in two weeks. Prints are optional at a separate price. The $2K includes me and my assistant. It does not include travel or rentals or any other expenses and usually the job includes a meal at the reception. Make sure you make clear about this because you have been working all day with nothing to eat. I never eat while working anyway, but I am hungry at the end of the day. Most venues are charging the bride & groom “per meal” so make sure you’re on the meal list. You will eat quickly because you still have some shooting to do.

Part II: How much do I charge a friend?

This gets a little tricky and you need to use a little or maybe a lot of common sense. First thing we need to know about working for friends is “they want you to work for free.” I know that sounds funny or maybe sarcastic but it is the flat-out truth.

Before we go any further, I want to shatter your ego here a little bit. I know they are your friends and you love them and you would do anything for them, after all that is what friends do for friends… right? Friends and family will also be the first to f%#k you too, sometimes without thinking about it and other times they fully no what they’re doing is wrong. Friends & family will always tell you how much they like your photography… because they don’t want to hurt you. (Just accept that fact an move on with life)

Ever give someone a gift and you never see them wear/use it. A few years later you find out they sold it on eBay. I have given people something personal I spent hours working on in Photoshop only to see it stuck on their refrigerator door with magnet. “There’s my piece I worked so hard on and is covered with coffee stains”… yeah friends. They loved it when I handed it to them, but now it is on the door of the fridge next to the electric bill (they love so much too).

Ok, so right about now your saying to yourself this blogger is a real cynical asshole and I bet he has very few friends lol. Let’s look at some real-life situations with friends and wedding photography.

Friend: Sarah we would really like you to photograph our wedding. We love your work and we know you. Our budget is tight, what would you charge.

Sarah: Yeah you guys are great friends and I would be happy to shoot your special day. I normally charge more but I’ll do your wedding for $500.

Friend: Wow, that’s great. This is going to be awesome.

Sarah: So where is the wedding going to be held?

Friend: Oh, wait till you see this place, we’re renting this old mansion upstate. People have weddings there all the time, it is pricy but it’s our special day you know. And we’re going to have that band fly in from North Carolina, remember the one we seen in that club when we were on vacation a few years ago, they were awesome. They will fly up for $4000 and play the wedding.

Sarah: Oh… really! Yeah, I remember that band.

Friend: But we’re going to have a DJ too, it’s going to be a blast, great location, awesome food, great music… and of course a great photographer. And my mom is hiring a video company to make one of those awesome movie-like wedding videos.

Sarah: ……

Yeah that last “Sarah” is speechless. She is going to shoot this wedding for $500 and the DJ is making 4 times that much. Not to mention the price tag for the rest of the event. So, I think you can see where I’m going with this and this particular story did actually happen to my friend and she came to me practically in tears and asked for advice.

My friend is not alone, I have about four or five of these stories that actually happened to me, but I use her story as an example because it was really over the top. I know I can’t leave you hanging, you want to know how her story turned out.

My advice to anyone for anything starts with being honest. Honesty is the best policy and I try to live by that. However, I will be the first to admit honesty does not always work. I told my friend Sarah to just go back and tell the bride & groom that she was wrong and that she would be drastically doing a dis-service to herself if she shot the wedding for $500. I told her to say that she talked it over with another photographer to make sure she was on track and she realized she misquoted the price. She quoted them a price of $2000 plus her travel to the venue in upstate New York, including a room for the night.

At first, they were kind of dumbfounded, but did not say too much. Actually, the bride’s parents were paying for most of the wedding and the groom’s parents were paying for the honeymoon and other expenses. So, the bride went back and told her father of the change in price and a few days later Sarah got the text message saying that “all was good.” I also let her use my 70-200mm (free of charge) and I was her “paid” assistant for the day. Here is the kicker… after the wedding the brides father handed Sarah the envelope with the cash. $2300 for the shooting, travel & room, plus another $1000 for a tip. She was ecstatic. I was so happy for her, she got her first full wedding under her belt and she made a nice buck at the same time. Sadly, I had a job the next day so I had to drive 5 hours back after working all day. Sarah and her boyfriend had a relaxing night at the hotel.

So, shooting for a friend could be you shooting for free and you could consider your photography services a “wedding gift” from you to them. If you are ok with that there is nothing wrong in giving away what you do as a gift. And with that; It really does make answering the question “how much to charge a friend” a very tough question to answer. Just remember that you really need to feel the situation out and weigh out what is really happening. Are you being asked to do something as a “friend helping a friend” or “as a friend taking advantage of a friend?”

Most of all, know that shooting a wedding is no easy task, that is if you are going to do it as a professional. The last wedding a shot, I fired the first click of the shutter 12:10pm and the last shot at 10:14pm. It was an outdoor wedding and there was a little bit of a weather delay, nonetheless it was a very long and hot day. I had my assistant, but I also requested an assistant from the venue just to follow us around with water so neither me, my assistant or the bride or groom dehydrated (August wedding lol). Put it this way; I have never finished a day of wedding shooting and went home well rested.

Now for the real answer; There are some photographers who would call me a “hack” at $2000, because they wouldn’t touch a wedding for anything less that $6000 or maybe even $10,000 and that is fine by me. Their words can’t hurt me because I’m not in third grade. I need to make a living and I do what I do, how I do. Bottom line is; as long as the customer is happy with the work you have performed and you are happy with what you got paid… then at the end of the day life is good.

I kind of wanted to end my post here, but I feel I need to touch on one more topic when it comes to “new wedding photographers and what to charge.”

This would be the topic of “wedding photography courses or video tutorials.” When it comes to photography courses & tutorial there are a few things to keep in mind and it is very simple “there are good ones and there are bad ones.” Some are just a huge waste of money.

First and foremost, there are so many people out there pushing their tutorials about the business side of wedding photography that are just unrealistic crap. The reality is that these people are very good at selling “you” something. I am not too sure about how good they are at selling a $10K price tag to a client, but they have to “info-mercial” technique down and they are now selling you the moon. There actual salary comes from “you” buying their “snake oil” wedding photography course. Actually, I find some of these guys/gals to be very entertaining. They act as if they have unlocked some secret weapon and for x amount of dollars, they will tell you the secret. It’s like they have the cure for cancer. I have seen this same kind of thing with chefs where they lead you to believe they’re cooking is almost extraterrestrial… please, give me a break.

I really don’t have too many recommendations on good videos, however I can say that KelbyOne Training has some very good wedding photography course.

Bottom line here is; Learn camera settings and how to shoot and keep it simple. Shoot local events where there is constant action of thing happening and after you have done enough of that kind of shooting, you’ll get the feel for what it is going to take to spend 6 hours shooting a wedding.

Thanks for reading and have a great day.

 

 

The Holy Grail of Answers

I think the biggest question that just about every photographer is faced with at some point or another is; How much do I charge for shooting a wedding? This of course would be a photographer who has never shot a wedding before, but it may not be a new photographer or a young photographer. It could be anyone who is a photographer that just hasn’t shot a wedding. With that said; I think most photographers who have done any form of paid work would not have too hard of a time figuring out how much to charge for a wedding. Rather it would be someone who is not too familiar with paid work that would be perplexed with this question.

Now before you read any further, “yes” I will give you an actual dollar amount and I won’t make you wait till the end of this post to tell you. However, I would like to first give you a few details about me so you can see who I am and where I am coming from in a photography context.

I am not a wedding photographer, I do not advertise to be a wedding photographer, but I still shoot weddings, about 2 to 4 per year. I will get approached in some way form or fashion and asked to shoot a wedding, whether it be a personal recommendation from a client or a friend or it could be from someone who just found me on the internet. So, if someone wants to hire me, I am certainly not going to turn down a paying job. Also, please know I am writing this post because I know I am not alone and that there are other photographers out there who also get approached about weddings even though they may not be a so called “wedding photographer.”

So, you might ask; If you are not a wedding photographer, what kind of photographer are you? Ok, I shoot a lot of portraiture, I cover events like book signings, social gatherings and birthdays. Birthdays are usually for dignitaries and the like in and around the Philadelphia area. I shoot stock photography for webmasters and I also do corporate headshots. And then there is always bands and local artists as well as models who I have worked with. So, I guess I do just about everything and that is why from time to time I get asked to shoot a wedding.

My prices start at $2000 to shoot a wedding. I live here in New Jersey and I know there are photographers who charge a lot more than that and I am sure there are ones who charge less. But now that I have thrown this “Holy Grail” of an answer out here on the internet, please read on to see how I justify this number and how this number could be more or less for you. I put the number out there because I didn’t want this to be another one of those countless boring posts that claims to give an answer to a big question and then only for the reader (you) to get to the end of the post and all you read was a bunch of gibberish about how “all situations are different” and the person writing the article/post never tells what “they actually charge.”

Okay, so I am going to cover a few topics related to this question of “how much to charge to shoot a wedding?” I think the equally important question is; How much do I charge a friend to photograph a wedding? This is a really tough question, but I have a really good perspective on this too. I mention this because I think/know that many photographers shoot their first wedding for someone they personally know or are in some way acquainted with.

So, let’s start with why I charge $2000 and see if you can charge $2000 for a day’s work. Ah, the very first myth to be exposed; It is not a day’s work. You will do some work before and a lot after the day of the actual wedding. So, don’t mislead yourself and certainly don’t let your potential client think that you are just doing work that one day. In a kind but meaningful way the client needs to understand about editing and editing takes time. However, we/you need to ask yourself how good and how fast can you edit. I myself am pretty fast at what I do and I know how long it will take me to edit. You also have to keep in mind what else you will be doing for the next week after this wedding. Are you going on vacation, do you have other clients lined up? So, as you can see this wedding “thing” has many facets to it and it is not a “run & gun & you done” kind of thing. So, stay with me here as I explain how I do it and what I don’t do.

First and foremost, I do not shoot without editing, period. If a client asks “well how much for you to just shoot the photos and put them on a disc? Beit a friend or stranger my answer is always the same; “I am not a Craigslist photographer,” end of story and I walk away. I like money just as much as the next person, but I also love what I do and I respect what I do. Enough said about that.

I don’t charge for a consultation or a follow up consultation, but if a client is going to want to keep meeting with me over and over it is $50 to $100 each time. This usually stops the pointless meet ups and asking questions that don’t need to be asked. Remember if your dealing with someone who is not a friend… well, you’re dealing with the public and there are people who will meet with you ten times and then hire someone else. You have to work as a professional and let your clients know “you are a professional.” How many times will your doctor meet with you for free? You need to know your value and stand by it, even if it is your very first wedding. You are going to be capturing images of this special day and I know that can sound really “hokey” but it is so true. You are also going to capture photos of family and friends. And to be realistic some of those images of family and friends are going to be the last good photos of these people. Not to sound morbid but I have captured photos of family members and guests that not long after the wedding they leave this world for one reason or another and now that image of aunt Martha dancing has a whole new meaning. This of course is not a topic to bring up to the client, but it is the reality photography.

So yes, know your worth and stand by it.

I like to tell clients that I “shoot in a journalistic timeline style.” Meaning I will start shooting usually with the bride getting ready and then just keep going all the way though the ceremony and up to the reception. At the reception I will cover all the important things like “the entrance,” the first dance” and all that fun stuff. But I don’t do detailed shots of all the guests, just highlighted moments.

Now of that $2000 I need to pay an assistant to follow me around and help me with whatever I need. I have another business aside from my photography and I have an assistant that helps me and I have learned the power of what a great assistant can do. So, with my photography, when I am doing a big job like a wedding or a complexed photo shoot, I always have a paid assistant. With assistants you only get what you pay for, so pay them well. Actually, I could write a whole blog post on “what is a good assistant.” Also know my assistant knows very little about photography, but she does know a lot about weddings. Her main function is carrying gear bags and having a speed light available at a moment notice if needed. Her biggest asset to me is being smart and quick on her feet, being able to solve problems quickly.

Do I need a second shooter? If I need a second or third camera person of course the price will go up. I try not to have a second shooter, which means a lot more hustling… I mean a lot more hustling, but if I can do without one I will. Second shooters can make your life a lot easier or they can make you… want to kill the second shooter lol.

Do you have good equipment? You need to shoot with good equipment. You don’t need to have the best or the newest, you just need to have reliable gear and you need to have a backup. And you need to know how to use the backup.

So, let’s talk a little about your equipment or the lack there of. First you need a few good lenses. The lenses are more important than the camera and most likely you already know that. If you don’t have a good lens and you can’t borrow one, then rent one or two. www.borrowlens.com is where I would go and still go if I need a lens or other gear that I don’t have. I would work any rental cost into the price of the job. I would most times be honest and tell the client there will be a rental cost because I need a special lens to do the job. No one ever really questioned me.

Here is what I use when I shoot a wedding today; Two camera bodies and preferably both are full frame sensors, if not one must be (for my personal preference) a full frame sensor. Full frame sensors will let you shoot better in low light situation and yes you will have low light situations, I promise you that. I use two bodies so I don’t have to change out lenses every two minutes.

Three lenses; although I have shot with two lenses. I never shoot a wedding with one lens. I know many people who claim they can shoot a whole wedding day on an 85mm prime… god bless you, but that’s not my style.

I use a 70-200mm f/2.8 with image stabilization, a 24-70mm f/2.8 and a 50mm f/1.4. I will have two radio speed lights and one is mounted on an adjustable pole for my assistant to carry. I will have one lightweight lite stand that I can put a speed light on if necessary.

But hold on, let me backup and tell you what I used for my first few weddings. I had 1 Canon 6D body (full frame sensor). I rented a 70-200mm f/2.8 and a 24-105mm f/4.0. I had one, on camera speed light. I also had my assistant hold a round reflector when needed. That was it, just two lenses and one body. Shooting like this meant a lot of lens change-outs and my assistant and I had a system and we worked like a pit crew. Seriously, it was all accomplished through teamwork and it ran very smooth.

Even today with three lenses and two bodies, we will go over our moves before the wedding to make sure we’re on the same page when it comes to gear. I have strange little personal preferences with things like batteries and memory cards. Example; AA batteries that are charged are carried in little battery cases with 4 batteries per case and they must be +, -, +, – and this tells me the batteries all have a full charge. They are placed positive & negative (every other one) because that is the order they need to be in when replacing batteries in a speedlight. Spent batteries are placed in the case +,+,+,+ and this then tells me those batteries are not charged. These are all the little things that I work out with my assistant to make everything as fast and easy… and as professional as possible. Now, with all that said; of course, we run into the unexpected and this is where you have to be fast thinking on your feet. If you have a great assistant, they will solve your problems while you keep working. Also, having an assistant is someone you can lay the blame on when things go wrong. Of course, I am kidding lol.

Most important of all advice about assistants; Never use a friend or someone who works for free. Money motivates and I want (you too want) an assistant who is more energetic than me, end of story on that.

After the wedding and I mean immediately after the shoot, the memory cards go into a waterproof case and they stay on my person until I get home. If it is late when I get home the card case goes in my safe or a fireproof lock box. The next day the cards are downloaded and double backups made. The cards are not erased or used at all for the next 30 days or until I know backups are safe. Enough said on that topic.

In the first consultation with the clients I tell them they will receive their images via a “thumb drive.” I give all edited images as JPEGs and I also give them digital negatives (DNG files) of the entire wedding. The DNGs are for them to have as digital negatives, much the same way we would save film negatives back in the film days. Keep in mind here that I am not editing every image shot at the wedding. I usually give them a link to a shared folder or online gallery to choose their edits and there is a predetermined number they can choose.

It is fully understood they are paying for my creative shooting, editing and digital JPEGs. They are not paying for prints. I leave printing up to the client, however I do show them samples of my prints (from www.mpix.com) and leave it up to them… do they want to do their own prints from Walgreens, CVS or where ever, or do they want me to handle prints and that would be a whole separate job and bill.

Either way I usually agree to have all edits finished within two weeks (most times I’m done sooner) and I usually have two or three really nice shots finished and emailed within 24 hours.

Now lets just recap a little here. $2000 gets them a full day (6-8 hours) of shooting and edits & digital negatives delivered on a thumb drive in two weeks. Prints are optional at a separate price. The $2K includes me and my assistant. It does not include travel or rentals or any other expenses and usually the job includes a meal at the reception. Make sure you make clear about this because you have been working all day with nothing to eat. I never eat while working anyway, but I am hungry at the end of the day. Most venues are charging the bride & groom “per meal” so make sure you’re on the meal list. You will eat quickly because you still have some shooting to do.

Part II: How much do I charge a friend?

This gets a little tricky and you need to use a little or maybe a lot of common sense. First thing we need to know about working for friends is “they want you to work for free.” I know that sounds funny or maybe sarcastic but it is the flat-out truth.

Before we go any further, I want to shatter your ego here a little bit. I know they are your friends and you love them and you would do anything for them, after all that is what friends do for friends… right? Friends and family will also be the first to f%#k you too, sometimes without thinking about it and other times they fully no what they’re doing is wrong. Friends & family will always tell you how much they like your photography… because they don’t want to hurt you. (Just accept that fact an move on with life)

Ever give someone a gift and you never see them wear/use it. A few years later you find out they sold it on eBay. I have given people something personal I spent hours working on in Photoshop only to see it stuck on their refrigerator door with magnet. “There’s my piece I worked so hard on and is covered with coffee stains”… yeah friends. They loved it when I handed it to them, but now it is on the door of the fridge next to the electric bill (they love so much too).

Ok, so right about now your saying to yourself this blogger is a real cynical asshole and I bet he has very few friends lol. Let’s look at some real-life situations with friends and wedding photography.

Friend: Sarah we would really like you to photograph our wedding. We love your work and we know you. Our budget is tight, what would you charge.

Sarah: Yeah you guys are great friends and I would be happy to shoot your special day. I normally charge more but I’ll do your wedding for $500.

Friend: Wow, that’s great. This is going to be awesome.

Sarah: So where is the wedding going to be held?

Friend: Oh, wait till you see this place, we’re renting this old mansion upstate. People have weddings there all the time, it is pricy but it’s our special day you know. And we’re going to have that band fly in from North Carolina, remember the one we seen in that club when we were on vacation a few years ago, they were awesome. They will fly up for $4000 and play the wedding.

Sarah: Oh… really! Yeah, I remember that band.

Friend: But we’re going to have a DJ too, it’s going to be a blast, great location, awesome food, great music… and of course a great photographer. And my mom is hiring a video company to make one of those awesome movie-like wedding videos.

Sarah: ……

Yeah that last “Sarah” is speechless. She is going to shoot this wedding for $500 and the DJ is making 4 times that much. Not to mention the price tag for the rest of the event. So, I think you can see where I’m going with this and this particular story did actually happen to my friend and she came to me practically in tears and asked for advice.

My friend is not alone, I have about four or five of these stories that actually happened to me, but I use her story as an example because it was really over the top. I know I can’t leave you hanging, you want to know how her story turned out.

My advice to anyone for anything starts with being honest. Honesty is the best policy and I try to live by that. However, I will be the first to admit honesty does not always work. I told my friend Sarah to just go back and tell the bride & groom that she was wrong and that she would be drastically doing a dis-service to herself if she shot the wedding for $500. I told her to say that she talked it over with another photographer to make sure she was on track and she realized she misquoted the price. She quoted them a price of $2000 plus her travel to the venue in upstate New York, including a room for the night.

At first, they were kind of dumbfounded, but did not say too much. Actually, the bride’s parents were paying for most of the wedding and the groom’s parents were paying for the honeymoon and other expenses. So, the bride went back and told her father of the change in price and a few days later Sarah got the text message saying that “all was good.” I also let her use my 70-200mm (free of charge) and I was her “paid” assistant for the day. Here is the kicker… after the wedding the brides father handed Sarah the envelope with the cash. $2300 for the shooting, travel & room, plus another $1000 for a tip. She was ecstatic. I was so happy for her, she got her first full wedding under her belt and she made a nice buck at the same time. Sadly, I had a job the next day so I had to drive 5 hours back after working all day. Sarah and her boyfriend had a relaxing night at the hotel.

So, shooting for a friend could be you shooting for free and you could consider your photography services a “wedding gift” from you to them. If you are ok with that there is nothing wrong in giving away what you do as a gift. And with that; It really does make answering the question “how much to charge a friend” a very tough question to answer. Just remember that you really need to feel the situation out and weigh out what is really happening. Are you being asked to do something as a “friend helping a friend” or “as a friend taking advantage of a friend?”

Most of all, know that shooting a wedding is no easy task, that is if you are going to do it as a professional. The last wedding a shot, I fired the first click of the shutter 12:10pm and the last shot at 10:14pm. It was an outdoor wedding and there was a little bit of a weather delay, nonetheless it was a very long and hot day. I had my assistant, but I also requested an assistant from the venue just to follow us around with water so neither me, my assistant or the bride or groom dehydrated (August wedding lol). Put it this way; I have never finished a day of wedding shooting and went home well rested.

Now for the real answer; There are some photographers who would call me a “hack” at $2000, because they wouldn’t touch a wedding for anything less that $6000 or maybe even $10,000 and that is fine by me. Their words can’t hurt me because I’m not in third grade. I need to make a living and I do what I do, how I do. Bottom line is; as long as the customer is happy with the work you have performed and you are happy with what you got paid… then at the end of the day life is good.

I kind of wanted to end my post here, but I feel I need to touch on one more topic when it comes to “new wedding photographers and what to charge.”

This would be the topic of “wedding photography courses or video tutorials.” When it comes to photography courses & tutorial there are a few things to keep in mind and it is very simple “there are good ones and there are bad ones.” Some are just a huge waste of money.

First and foremost, there are so many people out there pushing their tutorials about the business side of wedding photography that are just unrealistic crap. The reality is that these people are very good at selling “you” something. I am not too sure about how good they are at selling a $10K price tag to a client, but they have to “info-mercial” technique down and they are now selling you the moon. There actual salary comes from “you” buying their “snake oil” wedding photography course. Actually, I find some of these guys/gals to be very entertaining. They act as if they have unlocked some secret weapon and for x amount of dollars, they will tell you the secret. It’s like they have the cure for cancer. I have seen this same kind of thing with chefs where they lead you to believe they’re cooking is almost extraterrestrial… please, give me a break.

I really don’t have too many recommendations on good videos, however I can say that KelbyOne Training has some very good wedding photography course.

Bottom line here is; Learn camera settings and how to shoot and keep it simple. Shoot local events where there is constant action of thing happening and after you have done enough of that kind of shooting, you’ll get the feel for what it is going to take to spend 6 hours shooting a wedding.

Thanks for reading and have a great day.

 

 

 

Dare to Be Different (Apparently when it comes to photography websites, we are supposed to follow a format)

Dare to Be Different

“Dare to be different” we have all heard this statement before. I think the first time I heard it was when I was about 13 years old and there was this weird kid at school. He moved in from another district and he dressed differently, talked differently and was just a little weird until you got to know him. His name was “Taz,” or at least that’s what he wanted to be called. He was a good student, never started trouble, but he would sure end it if it came to him. He was only in our school for about a month and then he left, it was that parents going through divorce thing.

I remember when people troubled him about the way he dressed, talked or music he listened to, he would always smile and say “dare to be different.” He even said it to a teacher once and I think that was the day it really stuck in my head. Of course, since then I have heard the saying many times, but I always remember where I first heard it.

In terms of photography I have heard it over and over to the point it is more or less a giant cliché and I jokingly loathe photography clichés. I loathe them because most often they are coming from a photographer who is trying to sound so prolific. There are thousands of YouTube videos with photographers boasting about photography lighting and say things like “I see light in f/ stops” or I love this one “its all about the light.” And then every so often the “dare to be different” comes flying out (audience gasping and bowing to the higher power of this photographer). Somehow a when a cliché is released it is supposed to be akin to a wizard releasing a ball of fire, he just conjured up out of thin air.

Now with all that said; If we are told as photographers “Dare to Be Different” and the word coming from some great photographer who is greater than us… Why the hell do they want you to have your website look like the next guys website? Apparently when it comes to photography websites, we are supposed to follow a format and this great format will bring you all the fames & fortunes you desire. However, this whole bag of hogwash comes with a discount code followed by “just follow the link below and head on over to” Squarespace or whatever the latest flavor of hosting is that month.

Of course, I am being a little cynical here, but I am also being serious. If an artistic field where “dare to be different” is the mantra and I really whole heartedly think we should try to be different to some degree or another, why should all the websites have this formula-based rule for appearance?

I designed my own website from scratch and I have no formal education in web design. I did however sit down and spend some time reading and watching videos about the do’s & don’ts of creating a website. I also looked at many other photographers websites. I took notes on the things I liked and the things I didn’t like. I decided “I can do this” and the biggest reason I can do this is because I like to create… and it would be cheaper than having someone else design it lol. But the feeling of creating it myself I think is what had me most excited.

I didn’t follow a lot of website building rules, and unlike the rules of photography; website design rules are always changing. However, the very first rule I did follow was, to ask myself “what do I want my website to do or say?” “What is the core purpose of this website?” After thinking about that for a while I decided that my website would be just a simple place for me to convey that “yes I am a photographer and here is what I do.” That is all I really need, although the powers to be say differently.

I think a lot of it is common sense, things like, use a good easy to read font, use colors that are easy on the eye and don’t clutter up the space with unnecessary graphics and other distractions. Put up content that really describes who you are and what you do. Most important is: all the content should be you and nobody else’s unless it was a collaborative project, definitely no stock photography. Also, you should most certainly have your own photo on the site as well as links to your favorite flavors of social media.

I say you should have a photo of yourself and I think this is really only for anyone who wants to be hired as a photographer. If your photography is strictly a hobby then a photo of you is optional. This was one of the things that bothered me when I was looking at photography websites and it still bothers me, that many so called “working photographers” have a website and they have no photo of themselves. You are a photographer and you don’t have a photo of yourself? I think anyone who is a working professional in a service or craft that deals with people up close and personal should always have a headshot or photo that represents them. This advice goes for medical professionals, insurance agents, attorneys and yes, photographers.

Creating my website was a lot of fun because I turned it into a personal photography project. I have posted here in the past that I truly believe in the power of personal unpaid projects. As long as you treat them as if they are a real paying job. Put importance on the project and a deadline. After the layout for the site was completed, I now had to decide on content. Again, all I wanted this website to do was let people know who I am and what I do. But I also wanted decent content. I had some decent content, but I wanted more. So that then became an ongoing never-ending project in and of itself, to come up with new and fresh content.

This image of Nicole was my flagship photo when my site first loaded. I love this image, it is a little over processed, however that is the look I was going for. I started the website in 2014 and kept this image up for almost two years. Then came the day I realized that I cannot keep the photo up forever and I need to create something new. So now I try to create something new every six months or so.

My opening home page has a gallery of about 12-14 of my most favorite images that I feel is a great representation of what I do. For the most part I mostly photograph people and I do a fair amount of compositing in Photoshop, so the opening gallery is just that, people and only people. I also have it set so you can advance to the next photo by using left & right arrow keys and it will default to a slideshow on its own.

Recklesspixel

I have a direct link to my Instagram that is very visible in the upper right of the slideshow and no other social media icons on the home page. I want people to know IG is where I like to hangout. But I do have one whole page of the website dedicated to my all my social media accounts and it is simply titled “Social.”

My “about me” page was very hard to write because I didn’t want it to come off too corny, so I had a good friend write the page and I really feel this was the best way to go for me. Maybe not for everybody, but for me it works. I have a wonderful photo of my wife and I and I am holding my camera. The photo was actually shot by a friend using her mobile phone and I really loved the photo, it works.

I try to keep the site clean and to the point, if you land on the home page and you’re ready to advance, from left to right at the top of the page is “Portfolio.” This page is simple with a gallery that has 42 of my nicest images and just below is a small gallery of the most recent wedding I shot. I update the wedding gallery with every wedding I shoot. I do not advertise to shoot weddings; however, I do shoot three to four wedding every year. Not too bad for somebody who doesn’t advertise to photograph weddings lol.

Next is the “About” page, then the “Contact” page. I feel this would be the most logical order if someone came to my page to hire me or at least contact me.

I land on the home page and I see the gallery of images, it has captured my interest so I will now click on the portfolio. I scroll through the portfolio page and now I think it would be time to see who this guy is and I click on the about page. There is a photo of the photographer and there is a very short statement in my own words. Then there is a more detailed statement about me, but not too long. If I were a viewer of my site and I was still interested then next logical move would be the “contact” page and if I was just browsing and wanted to poke around, well, then I have all the other stuff like a link to this blog, another gallery page, video page ect…

I do have a page dedicated to my copyright policy, here again is something nobody ever really talks about. Posting your copyright policy in not required as far as I know, but it sure can’t hurt. I think it would be extremely helpful if your images are ripped of and you end up in court to recover damages that are certainly due to you. After all I have all my copyright data embedded in the meta data of my images. In that meta data there is a web address that leads to my website.

When I look at my website, I truly feel it has everything I need to convey about what it is I do. I test this every so often by asking a friend or an acquaintance to go to my site and see if it does what it is supposed to do. Most often I get great feedback and sometimes I get constructive criticism and that is ok too.

I think the most people who come to my site are people who have received my business card. I know when I receive a business card from someone I want to go to there website and see what they do. I find this very interesting because I come from a time before the internet. In the old days someone gave you a business card and all you could do was save it and call them later. However today I feel as a photographer your website should directly relate to your business card. I even use the flagship image of the home page on the back of my business cards. In this day of “everybody is a photographer” I want people to know I am a serious photographer and I have put thought into what I do and how I am perceived.

While your website is a place to find out who you are and what you do, it is also an important piece of the many pieces that make up your brand and for this reason you do want to put some thought into the overall message your website is saying to the viewer. Your website is your digital ambassador of sorts and as we know first impressions are lasting ones. Another thing you need to be mindful of is “how fast your website loads” because nobody like to type in a web address and then have to sit and wait for the site to load.

I keep a constant check of my website, but in a subtle way. I use Chrome for my browser and I have my website set to be one of the opening tabs when my browser first opens. Once I see it, I know everything is good and I move on. Also, every few months or so I will run through the site to make sure all pages and images are loading properly and I will check that there are no broken links.

I use a Google Voice number so I never worry about having my phone number on the web. I have used this number for years and have never had a problem.

So, in closing; again, I would like to “dare to be different” make your site yourself. Think about it, but don’t overthink it. Keep it simple and to the point.

Where Will Your Camera Take You? (Jimmy was dying and Charon wanted me to photograph the two of them together.)

Koh Chang, Thailand

Where Will Your Camera Take You?

Most photographers never really think about where their camera will take them. I can honestly say “my camera has taken me to places I never dreamed I’d ever go to.” When I make this statement, many readers may think I have traveled the world over and have been to exotic places. In some ways this is partially true, but you don’t have to go around the world to see amazing things and meet wonderful people. There may be an amazing place right up the street from where you live or amazing people in your community that you haven’t met yet.

My camera and my love of photography has taken me to places 10,000 miles away and it has taken me into the fields and forest behind my house. My wife is from Thailand and while my photography played a very small part in meeting her, it has played a huge roll in my life when I travel to Thailand. I can say without a doubt that there are places I would have never seen and people I would have never met if it wasn’t for the fact that I am a photographer. This sounds so prolific when you put the “10,000 miles away” statement in the paragraph. It makes me sound so worldly, I can also honestly make that same statement about the area where I live right here in the USA.

I live on the west side of New Jersey not for from the Delaware River that divides New Jersey & Pennsylvania. As my photography grew, I wanted more and more out of it. I didn’t want to just take photos of my dog anymore and I never was that great of a landscape photographer, however I did like product & food photography. I like my own product photography, I would sell stuff on eBay and I knew that the better the images of the product or item I was selling, the higher the bids would go. I sold everything on eBay from a postage stamp to a Caterpillar bulldozer. With that I was hired several times to photograph moderate to high dollar items such as antiques and cars.

Organic Pumpkin Doughnuts with pecans and maple glaze. 1/60 sec at f/3.5 ISO 50 50mm

 

Still I wanted much more from my photography. I would photograph events, just for the fun of it. Many times, I would be at a public event and think to myself “If not for photography, I would most likely not be at this event.” Some events I chose just because I wanted the challenge of photographing fast-moving things, so I would go to an airshow. Parades are always nice, but again I still wanted something more.

As my photography progressed, so did my editing skills. Learning Adobe Photoshop & Lightroom were a bit of a challenge at first, but like riding a bike it comes quickly if you keep at it. Around this time, I decided I really liked photographing people and I wanted to pursue it. I had always liked photographing people, however one day I sat thinking long and hard and came to the realization how much I liked it. The reason I had not pursued it I think was mostly due to lack of confidence and lack of equipment. One, being a mental thing and the other being obviously a money thing. So, I soon set off on a journey to acquire what I needed to photograph people. In time came better lenses and then onto building an arsenal of lighting equipment.

As for the confidence; it too came in an ebb & flow kind of way. It wasn’t like one day I woke up and “hey today I can photograph anybody.” I think what happened was, I realized I had the skill all along, all I needed to do was talk. I am not an “up front in your face kind of person” when I fist meet someone, however I found a long time ago that I have the ability to strike up a conversation with just about anyone. It doesn’t matter really who it is, but I usually find something to talk about. This is nothing new of course, we have all heard or read that we can start a conversation if we can find a “common ground” topic. So, using my gift of talking to people I found photographing people easier to do if I could talk as I worked.

Shooting portraits is something I really like to do because for one, I can make money doing it and two, it is a way to network into other areas of photography. Think about how much easier is it to get a wedding gig when I have already met the person/s. Business headshots is another way to network and get some good commercial work. I love photography and I love it more when it makes me money.

So as time went on my photography allowed me to meet more people, some of which I have become very good friends with and other who have become regular customers over the years. As I look back at all the places, I have been just because of my knowing how to work a camera and edit a digital image is really amazing to me. I might add it is not all about working a camera and editing an image in Photoshop. Just take for instance an engagement shoot I did at the Philadelphia Museum of Art. Now, I have done many engagement shoots and most times the couple wants to go to a rather quiet place, a somewhat peaceful place, but not these guys. The location is the Art Museum on a rather cold Saturday in January. It is a nice day, but cold and there is a lot of people and my job is to get good images of this couple and include the scenery of the outside of the museum all while not getting people into their photos. And if that is not bad enough there is not a cloud in the sky so the sunlight is as about as harsh as it gets. Also, I would guess about half the people walking around are also photographers on some level or another.

A little bit of a challenge it was. Just getting to the museum and parking was enough to make me want to go back home lol. Then there was the cold air and wind, the bright sunlight and all the people. All this is going on and at one point, for just a moment I think to myself “look where my camera has taken me today.” If not for the money I was making I don’t think I would have any reason to hangout one the steps of the Philly Art Museum on a cold windy day in January. The images of that day turned out great, the couple loved them and they pay for the job was very good.

 

“Look where my camera has taken me today” is something I actually think to myself a lot. Sometimes I will say it out loud even if I am all alone. I think the first time I really thought about it and actually said it to myself was in 2012 while I was in Thailand at a Buddhist temple on top of a mountain. We had driven to a parking area located nearly at the top of the mountain. Then we walked and we walked, uphill of course. “Don’t stop walking now we’re almost there” said my wife’s niece. It is very hot and humid, and I am carrying 30 lbs. of camera gear and a tripod. I am dying as we reach the steps. As I reach the top step and walk through the gate, I feel this wonderfully strong breeze blowing through the doorway. So, I step into the shade of the round roof & walkway that surrounds the temple and I stay right there. The breeze was heavenly and I drink two bottles of water in a about a minute.

As I was cooling down, I was taking in the beauty of the temple grounds, with all the amazing flowers, trees and walkways. Under the circular roof there were an endless line of gold monk busts. Then I looked toward the temple itself and it was nine stories tall and still under construction. As I walked across the courtyard into the bright sun, I was anticipating the coolness I knew would be inside the temple. I take off my shoes quickly and enter and “yes” it is cool, a nice breeze is blowing through. But nothing like the breeze that was blowing at the gate.

Okay, so there are nine floors to this temple and I will photograph my way to the top. Sadly, the elevator was still not finished and I had to climb the steep stairs. Each floor was hotter than the previous and there was no more breeze. Also, I was on my last bottle of water. So, I did make it all the way to the top and out to the open balcony. The view was breathtaking, I could see for miles. There was a slight breeze, but there was also midday sun beating down. While at the top I did take photos of the view and of the family and then back inside. After heading down the stairs, floor by floor I made it to the second floor and it was cool enough that I just wanted to sit. As I was resting, I seen a very nice scene I wanted to photograph. I was sitting on the floor preparing the camera on the tripod and then I stopped and waited as people were moving though my scene.

During this waiting for people to move and me recovering from the heat is when it hit me. I sat there thinking to myself; “look at me… I am here on this mountain top at this beautiful temple… me a country boy from 10,000 miles away” and then I said to myself “look where my camera has taken me today.” Sure, it was my wife’s idea to come to this temple, but only because she knew it would be an awesome place for me to photograph. If not for that reason I would have never been there. So, I just waited for the people to move and soon they did. I shot a series of HDR photos and moved on. But not before letting it really sink in that this camera, I am holding is really changing my life.

I have since returned to that temple once more on another trip to Thailand and I was better prepared. The second visit was well thought out and I annoyed the shit out of everybody traveling with me as I took my good ole time photographing all the stuff, I missed on the first trip lol.

Jimmy was dying and Charon wanted me to photograph the two of them together. Charon was a friend of mine who I had met on Facebook by way of her daughter who had done some amateur modeling. Charon had met Jimmy and they fell in love, I had never seen her so happy. I mean she was just so happy to have found Jimmy and he loved her too, they were an awesome couple. Charon said “I want you to shoot us, a couples shoot and it’s a paid gig, not a freebie.”

We all meet up at Smithville Park a very popular wedding and engagement shoot location in New Jersey. This was my first-time meeting Jimmy and he seemed a little “off.” I couldn’t quite put my finger on it, but he seemed just a little weird. Then Jimmy said he had just had brain surgery a week or so earlier. When Jimmy left to use the restroom, Charon told me the bad news. Jimmy had brain cancer and he only had a few months live, maybe more. I continued shooting and never missed a beat. We all kept joking and moving around to the different locations at the park. We had stopped at a gazebo, it was shady and cool, I could see Jimmy was tiring and Charon was getting a phone call. So, I stepped back and let them have some private time together while I looked through my camera at the images.

I was really hurting inside. I was hurting for Jimmy who I had just met, but more so I was hurting for Charon. She is such a wonderful human being and her fulltime job is taking care of dying people. She met Jimmy because she was caring for his dying mother. They met, they fell in love and now just months later Jimmy was dying… and I am photographing the last good day of his life. And it was at that moment I said to myself “look where my camera has taken me today.” Not 10,000 miles away and not some exotic location, but to a place where I am capturing the end days of a man’s life with a woman he loves so much. After the job was done, I just sat in my car and after Charon & Jimmy left I cried.

I sat in the car just thinking about what had just happened. I was watching another couple with their photographer as she was photographing them in the park and thinking “they look just a happy as Jimmy & Charon, but I bet he’s not dying” and I laughed a little bit. I drove and got a cup of coffee to clear my head and then as I drove the hour or so back home, I ran though my mind all the places my camera had taken me. I thought about all the people I had met. It was one of those drives where I arrived at my driveway and don’t remember anything about the ride because my mind was so far away in thought.

Jimmy passed away four months later and left a hole in Charon’s heart that truly may never heal. I know they say “time heals all” and I truly believe that, but sometimes there are just not enough years in our life for time to do its good deed.

Sorry to end on such a sad note, but that is just how life is sometimes, that’s how it was for Jimmy & Charon.

Thanks for stopping by and reading.

 

 

 

What’s It Like to Own a DJI Drone? (from the digital era to the half baked era, the new world order)

What’s it like to own a DJI drone? A bit of a strange question if I do say so myself! I own 2 DJI drones and few other pieces of DJI equipment such as camera stabilization gimbals. So with that said; Let me rip on DJI a little bit here.

The drone market exploded around the world in the past few years and DJI has been a front runner in the several areas of the drone market, both consumer and commercial. Dà-Jiāng Innovations Science and Technology Co. Ltd. Was founded by Frank Wang and their headquarters is located in Shenzhen, Guangdong, China. So let’s start off by talking about the “new world order” when it comes to designing, marketing and customer service and this does not just apply to DJI or other drone companies. This new world order applies to many manufacturing companies and it crosses over into the service sector too, many banks fall into this new world order as well.

So the new world order I am speaking of can be wrapped in a nut shell and labeled as “Do whatever it takes to suck the money from the customer and worry about lawsuits & backlash later.” This new rule or theory moves away from the old days of companies “wanting” to create quality products and wanting to give customers good service. The new theory is, or business footprint is closer to “strategic battle planning” in a war game. We have an objective and we must conquer it. The objective is to “get your money” and the battle plan is to make you think that what you’re getting is worth it, BUT we (the manufacture) are not really sure we have a complete product. So therefore, we will create diversions in hopes you won’t notice the pitfalls of the product. We will also make it very hard to return the product (short return window) and it some cases we will just rip you off, period.

Of course, the idea of creating a product and selling it is what business is all about. However, creating something that falls short of what you claim it to be is wrong and more so a lot of companies have accepted this as the norm. As we move into this era of “tech-rich” products and creating products that do more & more, I feel it is harder & harder for design teams to cover all the bases of what the end result should be. For example; if we look back several years (actually a lot), when I was a boy the radio-controlled airplane was a big deal when they hit the market. I did not own one but I had several friends who did. The radio-controlled cars, boats & helicopters were also amazing. All of these afore mentioned products only had to do a very short list of things. They had to communicate between the controller and the vehicle and make the vehicle move and stop.

The drones of today are so much more intense in design. There is the camera system, the GPS system and of course electrical circuitry and more. The drone is communicating to satellites, it is communicating to a controller that is communicating to your phone or tablet that is using an app. I forgot to mention the obstacle avoidance camera systems that is separate from the main camera. Add it all up and when you think about it, “a little drone is actually a pretty intense little piece of equipment.” This complexity certainly creates a challenge to produce a quality product and release it to the public and not have any issues. Many times, electronics products (drones included) are released knowing they have certain issues and the company decided to keep these issues hush hush and they go with the mindset “we’ll fix it in a firmware update.” DJI is infamous for this tactic and that was one of the reasons I waited so long to purchase my first DJI drone. When I purchased the second drone I just went with the mindset “the drone will have some sort of issue” and it did. Although minor, none the less it had issues and I was prepared for it. Stepping away from drones for a minute and shifting over to talking about DJI gimbals; gimbals are another electronic product that has exploded around the world. The prices have come down, there are many on the market to choose from and they’re very easy to use. DJY released the Ronin S and in my opinion, this was a total “monkey fuck” to the people who purchased them. Or I should say to most of the people who purchased them. A PDF was released showing camera models that the gimbal would be able to communicate with and when the gimbal was released, however we found that it would only work with a few cameras. DJI promised to correct this with… you guessed it “firmware updates.” As of this writing the gimbal has been on the market for several month, there have been firmware updates, however not all the cameras on the list communicate with the Ronin S gimbal as promised. Yes, I am one of the affected customers. You have to know the gimbal is a very fine piece of equipment and my camera balances on the gimbal just fine and I can shoot video. But I was under the belief the gimbal would communicate with my camera and allow starting & stopping of video as well as being able to use a focus wheel.

I know I got off the topic of drones, but the purpose was to point out DJI is a company that will actually just break the laws of advertisement and make flat out false claims about their products.

So yeah owning a DJI or any DJI product comes with drama bombs attached, for sure.

My original post ended with the previous sentence and I didn’t post right away because I thought I might have more to add. After about a week I was getting ready to post when I was watching a vlogger who was talking about “half baked” software. Meaning the software is released with known issues, but the maker of the software figures as people complain the company will fix the issues with updates. And then it hit me right between the eyes that all this “half baked” bull shit started with Microsoft Windows. Are you (the reader) old enough to remember the “Blue Box Errors” that plagued Windows software?

So truly anybody born after the late 90s would never know that before the digital era there were actually companies that cared enough to turn a nicely finished product for their customers. Today it seems ok to put out half baked software, however prior to the digital era everything was tangible and mechanical. Software is not tangible, gimbals & drones are tangible but the need firmware (software) to work, leaving us with this new world order.

So, there it is… we entered the digital era aka the “half baked era” and you thought hippies were the only thing that were half baked.

I haven’t flown my drones in over a month due to the holidays and bad weather. So yesterday I decided to charge batteries and get everything ready for some flying and well… after 2 hours of firmware updating to the drones, the controllers and the batteries, yes even the batteries needed firmware updates.

And that is what it is like to own a DJI drone. Happy flying… after the firmware updates of course.

Drone Message Internet Message Boards (it is like taking a stroll in to the local pub or bar.)

Let’s talk about internet message boards in regards to drone ownership. Message boards can be a wealth of information right at your fingertips. You can quickly find answers that will help you solve problems and just all around they can help you with general knowledge of all things drones. Many people are already familiar with message boards from other aspects of our lives. Things such as finding answers to the noise your car is making or solving a problem with an error message on our computers and so much more.

However you are now dealing with the “internet” and you have no idea who is providing the information you are seeking. In my opinion I would say a good amount of all the info we seek on the internet is accurate, but you would be a fool to think everything you read and see is correct information. So when it comes to message boards… it is like taking a stroll in to the local pub or bar. You may meet a really nice bunch of people who are willing to be your friends and help you out or you may meet a bunch of know-it-all snobs. However, the one thing I can assure you is that, you will meet a few (maybe a lot) assholes and people who you will wonder “how they tie their shoes in the morning.”

I get an email once a week from one of the drone forums I follow and it will have links to the most popular topics from the past week. Guaranteed the “my drone flew away on my first flight” topic is always listed. Please don’t be one of those people. If you are reading this post and haven’t purchased a drone yet please take the time to read the proper setup and safety features for your drone. Most all drones have a beginner mode and my advice is “use it.” I set my Mavic Pro 2 to “beginner mode” even though I had been flying my first Mavic over 1 year. Understand your RTH (return to home) feature and how it works before you even turn the drone on for the first time.

Other popular topics are usually about laws, rules & regulations. This is just as important as any other aspect of flying your drone. You want to understand Return to Home because you don’t want to lose your drone. You also need to understand laws rules and regulations because this is another way you can lose your drone. While I will admit some laws are downright stupid, other laws need to be obeyed for safety & security. One of the most violated laws is flying too close to major airports. This absolutely perplexes me and just goes to show how many assholes our society has. And again this topic is a popular one on most all drone message boards. At first reading these threads is quite comical but is soon loses its luster because it is the same rhetoric, post after post. One guy claims to know the law and says another person is wrong. The guy, who says he’s right, knows he is right because the kid who lives next door told him so. And other times both people are right because they live in different locations and the laws are different. As you can see this all becomes very confusing and mind boggling to someone who “just wants to go fly their drone.”

My way around all this confusion was to seek out people who knew more than me and that had credible knowledge, if you look hard enough you will find them. All message boards have a few members who are just a wealth of correct information. They may be a person who flies drones for a living or may have previously/currently works in drone design & manufacturing or they could just be that good ole geeky guy/gal who understands all thing drones that the rest of us need a little help figuring out. Become friends with these people, appreciate them and respect them for their knowledge that you don’t have. This has worked for me and I made some pretty cool friends around the world and there’s nothing wrong with that.

So as you see my thoughts and opinion of internet message boards is “be careful” whose advice and info you decide to use. Happy flying and thanks for reading.

I’m Sorry Doesn’t Make It Right (How can they stop people from posting other people’s photos? A lawsuit!)

You are a photographer and one of your photos is stolen and used in public for monetary gain; so what do you do? What is the proper course of action? And really the bigger question here is; what is the proper course of action to keep it from a happening again?

Recently (September 21, 2018) I came across a post in my Instagram feed from a photographer whom I follow and he had posted about someone using his photo without permission. I might add that he is a very well-known headshot photographer in NYC. As in, maybe the “best” headshot photographer in NYC. I will not use his name, but he does a lot of work for the entertainment industry and for everyday people as well. He is the “go-to” guy for getting a headshot that will make you look the best you can look. He also shoots other styles of photography as well, but I think it’s fair to say he is most noted for his headshot business.

So here’s the scoop as I know it and in my opinion what he did wrong, very wrong.

(These are the facts as I know them from reading the photographers posts on his IG)

Someone used his photo as their profile photo on the website https://www.airbnb.com they used his photo but used a different name. Most likely not their real name, however that doesn’t really matter. It was brought to the photographer’s attention and he, like most people was very upset and contacted @airbnb to have the photo removed. On the first contact @airbnb would not remove the photo. He was told they really have no control over profile photos (not a quote, but that’s the gist of it). His second contact with @arbnb he was told the photo had been removed and that the first employee he spoke with did not know the company’s copyright policy. After @airbnb removed the photo the photographer was pleased and for the most part all is good. The photographer had said in his post that he liked @airbnb and had used their service in the past.

I had left a rather light hearted comment on his first post saying “you should sic Ed Greenberg on them” (infamous intellectual properties attorney). Although a light hearted comment I fully meant it.

I also left another comment on his second post about this situation and rather than quoting the comment that I posted I will give my more detailed opinion here (because it is my blog).

He was wrong! The photographer is wrong for accepting that @airbnb can do nothing about it and he is wrong for accepting their moronic statement that their employee did not know about @airbnb’s copyright policy.

As a headshot photographer this man (the photographer who had the image stolen) has spent years of his life honing his craft. He is as well known in NYC and around the world for what he does and how does it. He teaches the art of creating headshots… I have sat through his classes. I look up this this guy and I full believe without a doubt he is a master of his craft. The equipment he uses, the staff he employs in not cheap by any means and to have someone steal his image and use it as their own is absurd at best. But then to have a company who is benefiting from it and flip-idly claims an employee didn’t know the copyright policy is just as or even more absurd.

So I know at this point you are most likely thinking a few different things like; well, yeah how can @airbnb stop someone from posting a profile photo that is not theirs? And; well if @airbnb took the photo down all is good, so why complain?

Why complain; because they’ll let it happen again and again and again. And if not @airbnb other sites will do it and think it is ok.

Now first let’s understand there are many frivolous lawsuits filed every day. However the purpose of a lawsuit is not so much for the plaintiff to just get a windfall of money, but rather it is a means of correcting a wrong and making damn sure it does not happen again. The biggest way to correct a wrong and make sure the offender or future offenders do not do it again is a lawsuit. Simply put if you punch the bully hard enough to cause him pain he stops. The best way in the business world to cause pain is take a person’s or company’s money. Yeah they scream like a little baby that has had the nipple plucked from their mouth.

Any good intellectual properties attorney will have a good story or two… or ten to tell you about the cases they have won where the offender “didn’t really think it was a big deal to use a photo and there is no harm done because we removed the photo.” And then much to their surprise when the court delivers that devastating blow to their wallet they scream and scream they should.

Let me step back for those who may not know and refresh your memory about the fact that copyright is laid out in the body of the US constitution. Not an amendment… but a right given to us by our founding fathers and it can be found in section 8 “To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

This is why copyright infringement is a serious offense.

 

 

So I know you (the reader) may still be saying “but how can @airbnb control what photo a person uses for a profile?” Easy… if the lawsuit is big enough to make them scream they’ll find away very quickly. We live in a world where companies like Twitter and Instagram can grant people verified accounts, so I know there is a way it can be done. With the coming of AI (artificial intelligence) I’m sure it will be very easy to verify people’s online identity with the greatest of ease.

Now for the scary part… This whole post has been about someone using another person’s photo “online.” What about when a photo is stolen and used in “printed material?” It happens all the time, companies making money from someone else’s hard work.

When a photographer is well known for his/her work it is not something that just happened one day. You just wake up and bam you can take a great photo and the world loves you and lavishes you with money. Sure it would be nice if it worked that way, but it doesn’t. All too often (and it happens more than you know) images are ripped off for monetary gain. In this case @airbnb is letting a customer use a photo of a very good looking man for a profile photo. I might add that the photographer was a model for many years before he became a photographer. “Good looking” sells… there is no other way to look at it. Good looks will take you a long way in this world. We never see every day looking people in advertisements and in my opinion if someone had a really great looking profile photo it would most likely stand out and get noticed more than others.

I urge all serious photographers to educate themselves about copyright and registering their images. It really is not all that hard of a process. I register my images four times a year. The biggest problem with copyright is there are so many myths out there. Again… there are so many myths and I think the biggest and most confusing myth that I hear all the times is “if I have the original RAW file I can prove it is mine” or “I have the copyright as soon as I snapped the shutter and created the photo.” While both of these statements are 100% true, you still need to register your images with the library of congress. Look at it this way… you bought a car from me and I gave you a recite for the purchase of the car. Now you own the car, but to make it complete you have to register the car with the state government so that it is documented that “you own the car.” Same thing applies to intellectual property. You created it, but you need to register it.

Take the time to read the Copyright Zone. The book is very easy to read and as I have said in previous posts “it will actually be the most important photography book you’ll own.” There is so much great and accurate information coming straight from the infamous intellectual properties attorney Ed Greenberg and commercial photographer Jack Reznicki.

Thanks for reading.

She’s Got It (So in the beginning it is all about building confidence and creating your persona.)

1/250 sec at f/3.5 ISO 50 168mm
Model Jade Gleason

Some photos just resonate and stand out, however like beauty it is all subjective. I’m drawn into this photo for visual reasons as well as emotional reasons.

The visual; is the angle of the face, the eyes are closed; the arms frame the face and the textures of the sweater and the headband all come together to make a visually appealing image. Then there is her youthful & natural beauty with minimal makeup.

The emotional; is the fact that this was Jade’s second shoot with me in two weeks. Her first shoot with me she was “like a deer in the headlights,” very nervous, rigid and just trying to understand the direction I was giving her. She took it all in stride and came back for the next shoot a few weeks later. Now she was eager, prepared and had been practicing her posing. When I look at this shot I see her potential, I see her trying and I see her ‘wanting.” Wanting to grasp it, hold it and run with it.

Remember for a new model modeling is not always about making it to the top and becoming a high dollar fashion or runway model. Most important it is not always about how you look per say. Although when we think of models we think of beauty and often models define what the public thinks beauty should be. However we all know beauty is subjective and because we are bombarded with images of models everywhere we turn we tend to accept certain styles and looks as the norm. When in reality fashion & runway modeling is not about the models looks as much as it is about how the model can pose creating a visually appealing image that will show off wardrobe or design. I really do not think the fashion designer wants you to look at the model as much as they want you to be drawn to their artistic creation. The model is merely the vehicle to carry and represent the designer’s artistic work.

So in the beginning it is all about building confidence and creating your persona. You are creating that person or character who gets in front of the camera and performs. When you step in front of the camera you need to pose, but you also need to convey emotion and energy. It is not always “high energy” but rather a feeling, a mood and a look all rolled into one. I sit here writing about it and I myself cannot do it. However I am a photographer and I know it when I see it. Amazingly enough I seen this moment of Jade as I captured it and what I mean by that is; She was facing me straight on and I was shooting, she for a moment turned to her right for just a second and I caught a change of light on her face. Then she turned back facing me straight on, but I called out to her “wait, turn back just like you were and hold it.” She did. There was this even and soft light on her face and with her eyes closed it gave a peaceful & blissful look. I could see it in the viewfinder and I didn’t dwell on it, but I knew it was special. Not too often do I see it as I’m capturing it. Most times I’m paying too much attention to other things like “is there hairs across her face,” or looking for some other “aesthetic distractions” as I call them. But this time I seen it in real-time and it was such a beautiful moment for me.

If you know me and have read previous blog post you know I really loth photography clichés and the “capturing a moment in time” is one that just kills me to the core. Yes I did capture the magic moment in time with Jade, but it is not the moment in time that makes it all that magical. It is the fact that she improved so much in two weeks, it is the fact she is getting comfortable in front of the lens and most of all she has a drive to learn what it is all about. I am no famous photographer, however I am a very good photographer and I have for the past several years worked with many models just starting out. I have been the “first” photographer for several amateur models. Some get it and some do not get it. Some are under the misconception that they stand there and the camera clicks and “bam” there are awesome images are created. And when this doesn’t happen they don’t understand why not. I explain to all new models that it is about posing, that it is about emotion ect. I explain to them that I understand they are new, but “I am here to work with you and help you.” I explain “I am a photographer, I know how this camera works inside & out, I know Photoshop and I can edit the images to look good, but I first have to start with a good image and that means having a model that can bring a good pose and some emotion.” And with emotion it could also be the lack of emotion that makes the image great. I will offer advice about what makes for good posing like triangles, negative space, lines, and curves and so on. None of this information is a secret, however many will choose to ignore it because now it starts to make modeling sound like work. And it is work, and like anything in this world it takes practice and knowledge of the craft to get better and advance. Even someone who has a natural talent needs to nurture the talent to bring it to the surface. This all leads us to the age-old conclusion that “nothing in life comes easy.”

So who gets it? Who gets it is the model that walks away from the first shoot and listens to my advice, but doesn’t just stop there. They dig deeper and deeper, searching on their own. They are the one who learns to pose for the camera and not for the photographer, the one who realizes right up front that this is going to be work and starts working at it. They are the one who realizes they need to give up some free time to get something in return. That’s who gets it.

Jade https://www.instagram.com/p/BgAahCUg_UP/?taken-by=writingawayy_