1920s Flapper Girl (Soon the project turned into an onion of sorts with many layers.)

Nicole Gallagher 1/160 sec at f/3.2 ISO 320 160mm. Hat by Patricia Josephine Antique Style, Dress & gloves from Unique Vintage Makeup by Ambre Baxter

My latest photography project has many layers to it. It started out as a straightforward project themed around the stereotypical 1920s Flapper Girl. Soon the project turned into an onion of sorts with many layers. I really don’t know where or how the idea it started; but I think it was when I was looking at some old silent film footage and seeing women dressed in the cloche hats and stockings rolled at the top.

In the past I had read much about the women of the roaring twenties. Although it was way before my time, the one thing I always remembered about it was that it was a “time of big change” for our country and women were part of that change. The 19th amendment to the constitution ratified on August 18, 1920 gave women a right to vote. This certainly was a time of change and the “Flapper” came to life. Flappers were already on the rise and there is also much debate as to where the term flapper was born and to what it actually meant. Wikipedia describes Flappers as such; Flappers were a generation of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles, and otherwise flouting social and sexual norms.[1] Flappers had their origins in the liberal period of the Roaring Twenties, the social, political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.”

So as I do with all my projects I started off with hours of research and reading, and to some this may seem boring however for me it serves a purpose. It gives me time to relax and read (I love research reading) and while reading it gives me ideas and also helps me solidify my thoughts of a specific look. It also helps me find what looks I don’t want to do. For example I did not want to go with a Gatsby style look. At first I did want the Gatsby look and then as I researched I realized the look would be rather generic at this point do to the movie being out a few years back and… well I just wanted a different look and feel. I think the biggest obstacle was wardrobe. While there is so many websites that offer so called 1920s style dresses, they are not at all 1920s style. Any moron can Google 1920 era images of women and easily see that the wardrobe offered today that is listed as Flapper style is hardly that. Hats were the hardest to find. Finding a hat that actually looked like a true 1920s style is practically impossible if you want “just an everyday” hat. Fancy hats were easier to find. Subsequently I had to compromise; I used three hats and one turban. The turban looked authentic and while two of the hats looked amazing they still were not authentic to the time period. Shoes were easy to find, that was not a problem.

I chose to go with a “day dress” look rather than the evening or party attire of that period. In the beginning I was going to shoot two looks with one model. I then thought; why not add another model and shoot one look on each. As for dresses I found Unique Vintage, a website that had dresses that fit the budget and they really looked pretty close to 20s era dresses. Although the fabric would be different it would not a big deal at all.

As for models; Kallie was my first choice because she is new and I wanted to give her camera time. But when I thought of Smithville Mansion as the location and I also thought of Nicole Gallagher. She is the one who first introduced me to the location and she is perfect for the shoot. Her posing is awesome and she has a rounder face (as opposed to angular) that was classic to the Flapper look. Flapper makeup techniques purposely made their face appear rounder as opposed to most current makeup techniques that give an angular look. So I used both Nicole Gallagher and Kallie Pyatt. This worked perfect because of the hot weather I was able to shoot each model separately without the heat & humidity killing the look. It damn near killed me, but the models did fine.

Kallie Pyatt 1/125 sec at f/6.3 ISO 640 155mm Makeup by Ambre Baxter, dress by Unique Vintage, hat by Patricia Josephine Antique Vintage

For a makeup artist I reconnected with Ambre Baxter and she was amazing. Doing makeup on location in the heat is truly a challenge. However both models looked amazing and again not 100% true to the period, but good enough.

Project goals: This project had several layers to it as I had stated at the opening of this post. First was to create a Flapper Girl look, using day dresses. I wanted the looks to be as if she was a 1920s girl out and about in the daytime. Kallie’s look was a little more reserved than Nicole’s look and neither girl looked as if they were heading to the party or jazz club.

Second goal was to shoot a good portion of this shoot on 35mm film. As of this writing I still have not received my 35mm scans, but I’m hoping for the best. I used CineStill 50 Daylight in two cameras, a Canon EOS 650 film body with an f/1.4 50mm prime and a Pentax Spotmatic with a f/1.4 50mm prime. I also used Ilford Delta 100 (B&W) with a Canon EOS 650 mounted with an f/1.8 85mm prime. I have had the film just waiting for a project and this was the project.

Third goal was that I always wanted to shoot Nicole at Smithville Park because our very first test shoot was supposed to be at that park. However the day we went to shoot there was a huge event taking place and we couldn’t even get close to the park, let alone into the park. We opted for a second location and went on with the shoot. However Smithville Park is a place that is very near & dear to Nicole for personal reasons and I always said to myself “someday we’ll shoot there.” And now we did.

Fourth goal was to give Kallie more camera time. She is new and she is advancing I see her getting better with each shoot. She fun and easy to work with so why not.

Fifth goal was I needed a new cover photo for my business Facebook page and as crazy as it sounds I take cover photos very seriously. Your cover photo and profile photo are your first impressions when a newcomer first visits your page. “First impressions are lasting ones” as they say (whoever they are lol).

Sixth goal was to get at least one portfolio quality image out of this shoot and I can safely say this was accomplished.

In closing I would like to say the shoot could have been better… it can always be better, but I’m very happy with what I did get from it.

I will write another post when I receive my scans and I discuss shooting with film and the techniques I used.

Thank you for stopping by and reading. Have a great day.

 

 

 

Energy Failure (…bounding through the door hyped on two lattes, one espresso and a bottle of 5 hour energy)

Chevy Corvair

“It is all about energy and without energy life is flat.” That statement holds more meaning than one could begin to interpret or write about in a single blog post. Sure you don’t get enough rest and you wake up lacking energy and your day runs kind of flat. But it gets much deeper that; Why I’m gonna bet that if you thought about the most memorable concert or music performance you ever attended, it was packed full of energy. That was one of the key components that made the performance so memorable. Sure you may have like the band or the performer/singer, however if the singer came out on stage and just sat on a couch and performed… well I think you see my point.

On a photography level and speaking in the realm of photo shoots energy is paramount to capturing great images. Even if the mood of the shoot is meant to be somber and there is no smiling, there still needs to be energy. And this is the very reason I have chosen this topic to write about today. Because I feel that energy is the key component (or lack of) that is missing in many photo shoots. The truth be told, lack of energy is missing in a lot of areas of our lives and I’ll talk about that later. But for now let’s break it down by each individual who is part of the photo shoot.

So does the photographer really need to have a lot of energy? Isn’t he/she the one who should be capturing the energy? Ok, so the answer is “yes and yes.” Sure the photographer’s job is to capture the moment (oh god here comes the clichés) but at the same time the photographer is the leader and the catalyst between this world and the eternity of the world where the frozen moment of the image will live. As much as capturing images and the technique of lighting the scene the photographer needs to draw the energy from the talent/model and this is not always easy if the talent is not at a professional level.

Scenario; your hired to for a private shoot, the subject is not a professional by any means. It is a girl, she somewhat shy, she has never had a professional birthday photo shoot before. She looks like a deer in the headlights… what do you do to get energy injected into this shoot? I’m not going to go into a long detailed synopsis, which would be for another post. But rather I just want you to see in your mind how those images are going to look. “Flat & boring” are just two words that come to mind.

Makeup artist… really? They need to have energy too? Sure it is the whole positive vibe thing, you know how infectious a smile can be and having energy to go with that smile will really help any job, photo shoots included. Now I’m not saying the makeup artist needs to come bounding through the door hyped on two lattes, one espresso and a bottle of 5 hour energy drink, that might be a little (or a lot) too much. And I am using the makeup artist as an example for anyone who is working the shoot. So the same goes for lighting assistants, hair stylists, wardrobe, and art directors and so on. I know it sounds hokie , but it is so true, everyone needs to project a positive vibe.

While all this sounds so obvious it still really is in my opinion why many photo shoots fall short of capturing great images. You could have the best of the best camera equipment, lighting, location ect… but if the energy is not there you’re on a sinking ship. And just the opposite; you do not need $10,000 of equipment if you have good energy.

The model; Ok so if he/she is a professional most likely they are bringing their own energy to the shoot. After all I said they are a professional and that is most likely one of the key things that has raised them up to a professional level… they have drive and they have energy. However what if your model is new to this, they are nervous, they lack experience and they just don’t project that energy. Again I’m not going to go into how to solve this problem; this post is more about identifying and understanding how lack of energy is a huge problem. Many new photographers fall short of identifying this missing component in the beginning. New photographers are focused more on camera gear, lighting and just hoping the talent and makeup artist show up on time.

The biggest way I have found to keep the energy level up and flowing is by “planning” and more planning. Having a plan gives you comfort and this will add or keep energy flowing. Many times I will deviate from my main plan, but not by much. Some things are obvious such as everyone knows the time, date and location of the shoot. However it is the little things that can mean big problems. Now I could go on a long tangent of “what ifs” but for an example; the shoot is an outdoor location and we had to walk to it from the parking lot. Only a fifteen minute walk, but what if a rain shower comes? It only rains hard for ten minutes and passes. Where does everyone take cover? If everyone and everything is wet… well I’m betting energy level will be in the negative lol. And again that is just one “what if” that could have been easily avoided with proper planning. There are many things that can tax the energy from the shoot.

How about your energy? Your personal energy level is important. Did you get enough sleep? Seriously for me this is a big one, because I seem to most times stay up later that I should working or just watching Netflix. But when I think about how important the job is and how good I feel when I sleep early and wake early. Waking early after a good sleep for me is such a good feeling, not to mention the fact of how relaxed life is when you’re not in a rush. I have time to sit a drink that morning cup of coffee, maybe walk a little extra with the dogs, rather than racing around with the dogs and drinking the coffee on the go in the car. I never eat a large meal before a big shoot, but I do eat something. A large meal will slow me down and having no meal is even worse. I tend to snack and I try not to drink too much so I don’t have to keep taking bathroom breaks. After the shoot a nice sit down meal is so nice and enjoyable.

Look around and give it some thought, energy truly is the key thing to all performances. And a photo shoot is just that, it is a “performance.” You’ll know you’re doing it right if at the end you are tired, depleted and spent. And that holds true for pretty much anything, whether it be an athlete running a race, a stage performer or someone looking after children all day. To do any job right you need to expend energy, to create something you need to expend energy, both physical and mental. And when you expend energy you project energy and a vibe. Projecting good energy is like projecting a smile, it is infectious and contagious. Or it scares people, positive vibes and good energy make some people uncomfortable and they just can’t handle it, and that is ok. Either they come on board or they leave or avoid it. If your smile can not make another person smile it is ok, maybe they’re having a bad day or they are a miserable person. I have no problem with them personally; however they cannot be part of my photo shoot.

Your energy comes from more than one place or maybe I should say there is more than one kind of energy. You have your personal energy, you slept well, you have a plan for what you’re doing, and you have confidence. Confidence is like a smile, if you are confident about what you’re doing and you’re the leader the vide goes out to everyone. Then there is your reputation and as they say “you’re only as good as your last performance” although I tend to not believe that whole heartedly because we all have a bad day or a bad performance at some time or another. However I think more over it is the fact that others had a good experience working with you and therefore more people want to be part of whatever your next project is. I call it the “Tom Sawyer” effect. Although I am not being punished to do something as Tom Sawyer was being punished to paint Aunt Polly’s fence. I do find that if you project a good vibe, have lots of confidence and you generally seemed happy about what you’re doing, people will join in… Of course money always helps lol. Money is a motivator but it is not an energy maker. Money will get people to show up to work as millions go to their daily jobs every day. But do they go to work with energy? Hell no! People of all skill levels from doctors to janitors (no disrespect to either) go to work each and every day just waiting for the day to be over as soon as it started. While I’m not a big fan of this thing called “work” I am a big fan of feeling good about what I do. Sure I have days when I just feel down and not so… full of energy. But if I have a big job (photo shoot or otherwise) I know the key to completing the job with a successful outcome is energy.

Many times when I see a local band playing I will see a huge lack of energy. They’re playing a good song, they’re all in key and they sound good, but they don’t sound great… something is missing. They lack energy. They lack that pure raw power or energy that a great performer can put out. And again it is not all physical it is also mental in most cases it is a synergistic effect that comes from both. Think of any good entertainer that ever took to the stage whether it be Billy Joel sitting at a piano or Mick Jagger, Steven Tyler and of course the list could go on and on, but you get the point. I am a huge AC-DC fan and I am also a guitar player and I can play a few AC-DC songs pretty damn good. But could I ever project the energy that Angus Young projects while he is performing? Just watching him makes me tired and again I am just using him as one small example. But when I walk into a club or a bar and I see somebody covering an AC-DC song… sure the song sounds good, the singing, the guitar, but most times the energy is not even comparable. This just confirms the difference between one who has learned how to play the guitar and one who has learned how to play the guitar and use it to master the art of performing while playing a guitar.

Ok, so let’s apply this concept to photography. There are millions of camera geeks out there that know all the tech specs of their cameras and their neighbor’s cameras. They can even tell you all the specs of the cameras that haven’t even been released yet. They spend hours, days and months reading the camera gaga on the internet. So while they have this vast data base of knowledge filling up their brain, subscribing to every tutorial site and taking in every camera expo, they still cannot create and to them energy is something that comes from a rechargeable battery. They’ll never “get it” and some don’t really “want it.” “It” being the ability to use a camera to find energy and capture it or to pull energy from the model or subject and capture it. I’m not here to say it is easy nor am I saying I have mastered it. What I am saying is “without it, you’re just another Saturday night bar band chugging away at playing a tune someone else created.”

So I will say it again “it is not about high dollar gear or fancy cameras” but rather the ability to create energy and capture energy. Learn how to use your tools, your camera and your lights, learn how to pose and after all of these things are in place create some energy and capture it.

Thank you for reading and have a great day.

 

Ringing Rocks Park (…others were the “bearded hipsters” with their “girly-man” shoes… )

1/8 sec at f/16 ISO 100 18mm EOS M3

1/8 sec at f/16 ISO 100 18mm EOS M3

 

Part: 2

So I have to talk a little bit about the Ringing Rocks Park trip because I was asked many questions about it. Let me start for those who do not know Ringing Rocks Park is a county park in Bucks County PA. I first visited the park while on a class trip in school many years ago. The park is not all that big and other than a very small parking lot and a disgusting porta-john there is just two main things to see. First is the boulder field and second the waterfalls.

The boulder field is interesting because if you bring a small hammer, steel rod or pipe with you, you can strike the boulders and they will produce a ringing sound. Some produce a better sound than others and only the boulders that lay out in the open boulder field have this quality. If you notice in my video the boulders in the open area have a reddish cast to them. This color is not always seen, it depends on the light or lack of. So after about 10 minutes of whacking a pipe on a stone it’s like “ok___ now what?” So then most people will head to the waterfalls. And this is the area where many have met with problems. To access the falls or I should say the bottom of the falls one must navigate another boulder area that leads to the bottom or I should say “to the creek.” These boulders are a little more challenging because they lay at a very steep angle. Also if there is a lot of water flowing in the creek bed there is no “shore line” to walk along.

So what happens here is many people want to see the waterfalls. You know… it’s that age-old thing of the natural beauty of nature mixed with a little bit of romanticism that draws people to waterfalls. Again… not much to do here but watch water fall over some rocks, however it is nicer than smacking a stone with a piece of metal. But the boulders have large gaps and holes between them. Many times what looks like solid footing is just dead leaves laying on top of twigs and when you step down you fall between the boulders. How hard is it to navigate? Not hard at all for the average outdoor hiker that is wearing good hiking shoes and has limber legs. But if you are the weekend warrior that likes to walk the flat easy-going trails you might want to proceed with caution. While I was there this time we were the only people at the falls, but as we were hiking back to the parking lot the crowd was pouring in, most were first time visitors and were asking “where’s the waterfalls?” Some had small children and others were the “bearded hipsters” with their “girly-man” shoes and I would just point them on to the direction of the waterfalls.

Still all in all a fun place to visit, just go early and leave early to avoid the hipster crowd.

 

 

Dressed for Church (She spoke in a very clear precise and perfectly enunciated voice, her voice matched her outfit…)

1/60 sec at f/3.5 ISO 160 50mm

1/60 sec at f/3.5 ISO 160 50mm

If you have been following my IG & Facebook you know I shot on location with Kendall Strampel on Sunday. And in Kendall’s true fashion she arrived fully prepared and we were off and running in no time at all, Kendall is a professional and amazing to work with. So as we were finishing up the first look inside of the old Quarry House I felt blessed that we had made it through the whole session without anyone interrupting us. Afterall we are in a public place and people are walking around outside. All of the sudden a white figure in the distance catches my eye. I look out the door and up the walkway I see this beautifully dressed lady coming towards us. She is moving rather quickly for her years and she looked as if she was on a mission. She opens the door and steps in and I greeted her with a smile and a big “good morning.” She stated she was there to look for an envelope that was left for her. I had seen the envelope and had actually been using it to bounce a speedlight flash while shooting Kendall. Once she had the envelope in hand she seemed relieved and I then remarked on her attire and told her she looked “amazing.” She humbly said she was on her way home from church. I immediately asked “would you mind if I took a picture of you?” She smiled and felt rather giddy. She spoke in a very clear precise and perfectly enunciated voice, her voice matched her outfit and it was as if she had stepped out of a classic novel from the 1950’s as an upper crust aristocrat. I almost wanted to laugh, but instead I knew I was in the presence of a really kind and wonderful soul. I asked her name and she straightened her posture and looked me straight in the eye and said in a crisp well spoken voice “Anna P Weinman” she pronounced “Anna” as “On-a.” I was in love she was just so cute. She posed and I fired the shutter with a burst of three and put the camera down.

So now I was in that awkward state of awkwardness… I asked her name then captured her image and now I already forgot her name. I knew I would be writing this post so I needed her name. I asked again “and your name is…” she again straightened her posture and said loudly but comically “Anna P as in Patrice, Weinman, Patrice being my professional name of course and she then smiled and laughed. She then looked at Kendall and back at me and asked if I was a newspaper photographer and I stated “no Kendall is my model and we are doing a shoot.” This then turned into a conversation about the history of the mill and the quarry house of which Anna and I knew so much about. It was so nice to see and meet someone with the same passion for local history as I have. Then I caught myself and I felt bad… Kendall is just standing there looking lost and I ended the conversation because I was being a little rude to the model. So Anna bid us good day and told us to “carry on.” She then whisked away as quick as she came and was gone. I could have talked with her for hours and maybe someday I will have that chance.

As a side note: There are many things a photographer must do to create a successful shoot. I say “create” because a good photo shoot doesn’t  “just happen” you work at it and you create it. Kendall had worked at it before she arrived, she was 100% prepared when she arrived. As a photographer one of the main things you must do is focus on your model whether it be male or female and make the person feel exactly that “a person” and not an object. You need good images that is your ultimate goal and it is your ultimate focus. However it is easy to get lost and lose focus as I did when Anna walked into our shoot. Sure asking to take her photos was ok, but starting up the conversation about the history and leaving the model hanging was wrong, I caught myself and corrected, apologized and moved on.

Thanks for reading and have a great day.

Be Spontaneous (“Plans are invitation to disappointment.” )

Chloe (Model) at Eastern States Penitentiary

Chloe (Model) at Eastern States Penitentiary

I love this image so much because was very spontaneous. The prison cell had been rused up with a chair, a desk, a newspaper and a paper weight. We are not even allowed to be there photographing her as a model (against policy), but hey sometimes life is too short to follow all the rules. I asked her to go into the cell and “do something interesting” in 10 seconds and she did. It worked for me, the image of her in the cell with the decay in the background, the beauty, the tattoo… it was a lot of fun and “in the moment.” One of my favorite images of 2014 and I wish this girl never drifted away from me. She was the most spontaneous model I ever met.

Creating With Analog Efex Pro (It’s like this is where Instagram created their filters.)

Double exposure made in Analog Efex Pro. Self portrait at my house in Thailand. I love the wooden window shutters.

Double exposure made in Analog Efex Pro. Self portrait at my house in Thailand. I love the wooden window shutters.

Let’s talk a little about Google’s Nik Analog Efex Pro plugin for Lightroom or Photoshop. I myself had over looked this at first. In my last post I talked about how I had bought just two products from Nik, but soon after Google acquired the Nik collection they sent download links to previous Nik customers for the whole Nik collection. This was long before Google made the collection available to the public.

So when I downloaded the whole collection I seen Analog Efex Pro but I thought I had no use for it. Actually the truth be told I never even opened it. Not until one day I was trying to open Color Efex Pro in Photoshop and I accidentally opened Analog Efex Pro in the fly out menu. It was at that time I started to explore this fun little gem. It basically gives you all these old camera kits from the film era and lets you create some really awesome stuff. Now I know if you are a Photoshop user your first thought might be that “it can all be done in Photoshop” and I would answer “yes & no.” Well actually “yes” but Nik’s algorithms are a lot different from Adobe’s and seem to produce the end results in a unique way with a different feel. So yes you could do it in Photoshop, but the feel of the end visual seems different to me.

The double exposure effect is a lot of fun and again one might think the “masking” in PS would produce the same effect, but AEP is so much more fun. It could be a “one click” and your done edit if you use the presets, but I really like to play with the controls and see what I can create on my own.

If you like Instagram and all the filter choices, you will love Analog Efex Pro. It’s like this is where Instagram created their filters. I really would like to see more people use it and play around and get real creative. You have so many options available; from light leaks, to dust & scratches, bokeh and many more.

So if you are a Photoshop or Lightroom user download the collection and dive in.

Ghostly Forest

Ghostly Forest created using Analog Efex Pro.