That Teal & Orange Thingy Has To Go (just whack them upside the head and say “don’t ever do that again.”)

International Model Zhan. Location Javitz Center NYC Very lite Teal & Orange LUT applied.

That Teal Orange Thing

Happy New Year to everybody and with a new year we hope for new and better things in our lives. We wish everybody from family, friends and colleges joy and happiness in the new year. We set goals and overall it is a time to “throw away the old and bring in the new.”

Now there are many things I would love to throw away from 2K18 and wish to see very little of in 2K19. As for photography; That putrid “teal orange” bullshit has got to go. Most of you know what I’m talking about and I would guess there are others who have no idea what I’m talking about, so I’ll elaborate.

Beit a filter or a LUT the teal to orange look has inundated the photography world, particularly on social media. It is akin to the horrible “HDR look” that took place several years back and still happens to day when a new photographer very first discovers HDR. He/she will jump into Photoshop and create the horrid mess on an image with halos and virtually no shadows and think they “really have something here” and then they run off and post it on Flickr and elsewhere.

However, hopefully this photographer has a good enough friend who will pick up a big stick (not just any stick, but a big solid stick) and just whack them upside the head and say “don’t ever do that again.” Kind of like teaching your dog not to poop on the kitchen floor. Now to be honest I would never hit a dog in the head with a stick, but I would whack a photographer who creates bad HDR. Why? Because it is that bad.

Same goes for this teal orange thing. So where did the teal orange thing come from? Legend has it there was this German photographer named Berger Meister, Meister Berger that hated other photographers so much that he… Ok so of course I’m pulling your leg there but here is my opinion on where the teal orange tide came from.

Instagram or IG for short has filters for your photos. I think by now everybody knows what IG is and how it works. So, some IG filters are more popular than others and people love applying the filters because it gives them a quick way to edit a photo into something a little more interesting than the color profile their phone assigned to the photo as it was shot. Essentially everybody wants to be a better photographer but without doing a lot of work. I don’t say that as a bad thing really, its just human nature. Who doesn’t want to have a beautiful physically fit body without going to the gym?

So, IG is only part of the equation, there is more to the teal orange tide than just IG. Ig is in my opinion what spawned the everyday photographer the ability and desire to apply filters and again this is not in and of its self a bad thing.

I feel LUTs are maybe a bigger culprit than IG. LUT is short for Color Look Up Table. I’m not going to go into all the details of LUTs because what a LUT actually is and how it “really” works is a topic as about as vast as the Iceberg that the Titanic hit. But here is the short answer; LUTs are generally used to color grade video because they have the power to change one color to another and a LUT can just overall enhance a scene by conveying a look and feel to the viewer that enhances the movie, video or photo. In a nut shell it helps to tell the story the creator wanted to tell.

At this time more and more creators are shooting video on cameras that record in logarithmic format or “log” for short. Log format is a very flat looking style that is void of color saturation however this in-turn allows the camera to capture video in a higher dynamic range, essentially meaning more editable information in the shadows & highlights.

Log format is not new, it was reserved for very high-end expensive cameras, but now it is readily available on many prosumer cameras. Many vloggers shoot in log format everyday and using a LUT or more than one LUT allows the editor to put color back in to the video footage I a creative way.

At this point you may be asking “how does this log video thingy relate to photography?” It relates because of a few reasons, but mostly because most DSLR cameras are hybrids that capture both video and still images. I honestly don’t know who started using LUTs on digital images, but I first heard about them from a British photographer when he did a tutorial about them on his YouTube channel. He showed how you could stack them and blend them using Adobe Photoshop (he did not use teal & orange). I found this very interesting and I’m always exploring new editing techniques for my photography. Around this same time a realized LUTs were used in Adobe Premiere Pro and I also stared using them to edit my video. I downloaded free LUTs from the internet and they were horrible, they did not enhance my images at all, in-fact were not usable at all. The reason for this problem was because the LUTs I downloaded were for log format and my images and video were shot in standard format using whatever camera profile that was in my camera.

Now with all that said I find that there are many photographers that us LUTs to an extreme much the same way that photographers over used HDR editing a few years back. So, for whatever reason the “teal & orange” look seems to be the hot flavor that has risen above the rest, with the teal color (or some variation thereof) being more common than the orange. I will admit it looks good on some images and I have used it myself… on some images. But I have seen some photographer using it on every single image they post to their IG or other social media. I mean like every single image on the IG for the past two years, almost as if that is their signature thing or their style. If this is your style; what happens next year when this fad passes? What happens to your style when the teal & orange tide recedes and your left holding the bag (so to speak).

Maybe I’m just ranting, however I really do feel it is a look that is very over used. I will be the first to admit I’m not a color grading expert but do as much as I can to learn more about it and about using LUTs.

So, let’s hope 2019 is the year the teal & orange look recedes.

Happy 2019!

Rain Perspective (And we sat in the car looking at the rain… and then got out and started shooting. )

1/100 sec at f/3.5, ISO 160, 70 mm

Shooting in the rain… Who the hell wants to stand out in the rain with a camera and capture photos? Why would you even want to do that?

Ok, so let me jump right to it and say that I learned a vital lesson several years back. “Photos have to be interesting” and if they are not interesting… well they may just be what is referred to as a “snapshot” and while snapshots may hold a lot of love, memories and meaningfulness to the people who are associated with the snapshot. However if we are trying to create something other than a snapshot, we must do something that will in some way capture the viewer’s attention enough to look at our image. We know photography is subjective, like art, music, dance, food and beauty, it is all subjective. But let’s set aside the fact of Subjectiveness and focus on being interesting.

Some subjects are photographed all the time and not every photo of that subject, whether it be a person, place or thing is interesting. Iconic landmarks are photographed everyday all day long, the Statue of Liberty, Golden Gate Bridge and the Eiffel Tower are just three that come to mind. However many of the photos are nothing more than a snapshot, they all look exactly the same. Even people… let’s take a sports star for example. He/she we see their photographs all the time as they kick a soccer ball, swing a tennis racket or a golf club. Maybe it is a photo of them scoring a winning shot and for today and a few days later the photo is interesting. And next week they score another winning shot and last week’s photo is not all that interesting anymore. But if we take them out of their normal setting and place them in a setting that creates juxtaposition… well, now we have changed it up and maybe create an interesting image of this person.

One day I captured the local steam engine as it chugged down the tracks. I see it coming, I have my camera on the tripod and just as the train gets closer the rain increases from a very lite drizzle to a steady heavy rain. Not quite a downpour, but enough to ruin the series of photos I was about to take. Sure I still clicked the shutter… I don’t know why, but at the time I thought “why not” I’m here, the camera is set up and… Ok, so I pack up and go home and when I look at the photos I see the rain doesn’t look as bad as I thought it would. Also I notice that the rain is creating steam to rise from the boiler of the engine creating a more dramatic scene. So I chose one photo and I edit out the power lines and road signs as I always do and then post it on-line. I should also mention the train had a Christmas wreath on the front because it was the Christmas season.

Original edit for print and Historical Flemington website.

So, later that year I am contacted and asked if the image of the train can be used in a holiday tourism campaign and for a local website. The art director seen many images of that old steam engine, but none that had the look & feel of my image.

Lesson Learned. Changing perspective can make a photo more interesting, this I already knew. So let’s use rain as a change of perspective.

I had an outdoor photo shoot scheduled with a model and of course it turned out to be a rainy day. The model, Tiffany is very determined and is not at all bothered by the rain. Like a true professional she decided to “roll with the flow” and make the best of it. We found some roof overhangs and tried to stay as dry as possible. In the end we had some really nice images. However we both decided to reschedule the shoot for a few weeks later so we could work with some nice weather.

A few weeks later…

The rain was harder than last time. And we sat in the car looking at the rain, made a few comments about the rain and then got out and started shooting. Needless to say I have good gear so I’m not at all worried about the water. So here again we find ourselves in the rain, even harder than last time and no roof overhangs. Just two people in the rain, but two people who could care less because I for one know that “right or wrong” the images we are creating will be… shall we say different. Tiffany on the other hand, is a small little girl with enough determination and enthusiasm that would make anybody happy to be in the rain.

In the end it is about two things: 1. Are you happy about what you have created and 2. Was it interesting?

Instagram is my latest flavor of social media; I can get a “half decent feel” of how interesting photos are by the response I get. It is not so much the amount of “Likes or Hearts” but more so it is about knowing your followers and knowing what compels them to take the time to leave a comment. Also knowing who never really comments on anything, however today they were moved to take the time to leave a heartfelt comment. Or even better, they take the time to send a direct message with a comment.

So yes shooting with Tiffany in the rain generated some interest. Shooting with Tiffany in the rain again two weeks later generated even more interest. I would have thought that it would have not been so interesting because it was so similar. I was wrong… again, but wrong in a good way.

One more thing to mention and truly a key component to any photo shoot… rain or no rain, is have an interesting subject.

 

Out THe Door Without A Plan ( Thanksgiving morning at daybreak is driving nirvana.)

1/200 sec at f/8.0 ISO 200 168 mm.

Happy Thanksgiving everyone! I started the day by getting up early grabbing the camera bag, the drone bag and heading out the door before sunrise. My goal was to capture a scene that would convey “Thanksgiving in The Country.” Or something close to that, however I knew going out the door without a plan is a horrible idea. And it was.

But not all was lost, because being out early on the empty roads was like therapy. It gave me time to think. For whatever reason driving for me is relaxing and driving when you’re the only one on the road is like heaven. Thanksgiving morning at daybreak is driving nirvana. After a while I could care less about capturing my Thanksgiving photo. I was driving along the Delaware River and I started thinking about the upcoming Christmas season and that thought lead to the “New Year” coming and that thought lead to “what are my goals” and then I… well let’s just say “I was lost,” like literally lost for a moment. Not really lost, but more like “hey I need to turn back” and head home because I do have a holiday dinner to prepare lol.

So I did just that and as I was heading back I kept taking roads that lead towards home, but just not the usual roads. And then I came across this scene with the horses and the farm in the distance. I actually turned the car around so I could shoot without getting out of the car (I’m lazy lol). First I sat and marveled the scene and took it all in. It was about 25°F so the air was crisp; the sun was on the rise and not a cloud in the sky. The foreground was still in dark shadow so this in my opinion made it “not” the perfect shot, but it was beautiful nonetheless.

I’m not a “horse” person per say, but I love to see them grazing, I love the fences and farms are part of me because I grew up on a dairy farm. Farms are beautiful and here in my part of New Jersey they are getting far and few between.

So there it is, my Thanksgiving Day photo and the day was more productive than I first though because I started planning out my goal for 2018. I have more thought to put into them before I solidify them and write them down. I truly want 2018 to be a great year in my life and as for my photography and videography… it’s going to the next level.

Photo notes: 1/200 sec at f/8.0 ISO 200 168 mm. Then I edited in Photoshop and applied a few LUTs.

Overuse of Color Grading (…look I clicked on a filter now I’m an artist.)

1/40 sec at f/4.0 ISO 800 80 mm color graded using split tones in Lightroom. Location Eastern States Penitentiary.

Everybody wants to be an artist, but sadly enough not everybody can be an artist. Actually pretty much anybody can be an artist if they were to actually take the time and put forth the effort to create something. Today we have a lot of “one click” artist wanna-bees. I love Instagram so much for several reasons; one reason for sure is it has helped me so much with my photography business. People find me, they contact me and I have a client to do business with. I like Instagram because I can build a network and I can reach a lot of people all around the world.

So many times I have heard it said “Instagram is for photographers” and that statement could be truer. Myself I rarely partake in using any of Instagram’s filters although I don’t begrudge anybody for using them. I edit most of my images in Adobe Photoshop and put finishing touches on in Adobe Lightroom so I really have no need for IG’s filters. However I do realize the vast amount of people using IG there is only a small percentage that would edit and do what I do. So for sure they want to use a filter to take their images to that “next level” and give it a “look and a feel” and again I have no gripes. Now with all that said we all no trends rise up and most often recede and some trends are so horrible we can’t wait for them to recede and fade away… hopefully!

I remember when I first got into learning how to edit skin in Photoshop, it was a time when the trend was to make the female skin look like plastic or porcelain, with no texture at all. It was horrible and I too was guilty of this horrible atrocity. For one it was a very easy effect to create and for two, all the magazine covers were doing it, so it seemed like it was ok to do it..

Then came along the overdone “HDR” with all the halos and graininess. I have to admit I still like to use the over-done HDR effect as an illustrative tool to this day, but not for photographic edits. Same goes for the smoothed out skin, as an illustrative edit it can be used, as a portrait… no way. But… I still see people using it.

So this brings us up to our current state of “what is being over used today?” I’ll tell you what it is… LUTs and color grading, these are being so over used it is pitiful. 2 years ago I barely knew what a LUT was, I did know what color grading was and for still images I performed most of my color grading by using “split tone” controls. Or I had other methods, some I learned from other photographers and some I just created through trial and error. Some of my color grading was and still is as simple as making a solid color layer and lowering the opacity. Does it work? You may ask… works good enough the clients love it and complements on social media are plenty.

But in both video and photos the color grading at present day can be atrocious if not done correctly. And when I say “correctly” I know editing is very subjective. It goes straight back to the “beauty is in the eye of the beholder” quote. Photography, videography are all very subjective because they are creative and artistic, but with all that said I am so sick of the teal to orange color grading that is done incorrectly. And to be flat out honest I am no expert at color grading, but I am an expert at knowing what is distracting when you look at a photo or video that has poor color grading. It seems some of the worst videos are vloggers on Youtube. Some vlogs I can clearly see have had some high end color grading done and I envy it because I have not yet reached that level. While other vlogs are just… I want to say “horrible” but again it is subjective, so I will say “not to my liking.”

I wrote a post a while back about color grading and where it came from, it has been around a very long time. I what to point the finger at IG for the current dilemma, after all Instagram’s filters are just like color grading, but it is done with “one click” and using a given filter with the right image produces a great result. However this takes no real talent or effort and while one could make the claim it is creative, it is merely clicking presets till you find one that looks good. Either way it is kind of a moot point at this time… the fire has started all we need to do is wait for it to burn itself out and hopefully go the way of selective color and bad HDR. I remember the grossly overdone colored cinematic lighting that popped up in some of the 80’s movies and carried over into the 90’s. Using blue lighting to illustrate night time is ok by me, but making alleyways appear deep purple was just flat-out bizarre.

While I am learning more & more about creating and using LUT’s I still love my split toning, gradient mapping and other little tricks for my photo color grading.

Photo Notes: So this particular image I get a lot of compliments on. Many times the comments come from people who do not know about color grading, but they do know about Instagram filters. They ask what filter I used. Or have heard many times “this photo looks so cool I love the color, how did you do that.” The color grading was actually done in Adboe lightroom 4 using the split tone sliders and the saturation & luminance sliders in the HSL panel.

1/40 sec at f/4.0 ISO 800 80 mm

Somebody’s Angel

Angels come in all shapes and sizes.

Angels come in all shapes and sizes. They can often appear in your darkest hours when hope feels like a meaningless word. Keeping faith in all things you do, stay strong and lead others. Faith in your god, your country and most of all yourself is what strong people are made of. You too could be an angel someone and never know it.

Game Changer (5 years ago I never thought I would have a way of capturing images like this… )

Hagedorn 1/470 sec a f/2.2 ISO 100 Mavic Pro

Today was a great day. I had most of the early part of the day free so I decided to do what I almost always do when I have total free time and that is go out and find something or someone to photograph. So today it was something, it was an old abandon psychiatric hospital up on a mountain top. One of those creepy places where people say it is haunted and of course yes I was trespassing there is no way of denying it. And actually that is always my plan of action if the police arrive. I never try to deny the obvious. If an officer/s shows up I (in a natural way) use a lot of “yes sir-no sir” and when asked what I’m doing I just tell the truth. So far when caught I have most times been asked to leave and that’s it. Today I did not venture in the in the building, because that would require another person and would surely not be good to get caught in there.

What was most exciting was the fact I had something new to work with… a new camera you might ask? Well yes as a matter of fact it is a new camera, but it is attached to a drone. This is a true game changer when it comes to photography and video; however I just want to focus on the photos for this post.

Hagedorn 1/900 sec f/2.2 ISO 100

The camera is not all that great as far as cameras go. You can see my video rant about the camera here. https://youtu.be/xx_wBBsx-7E Really it is only two-thirds of a camera because the aperture is fixed. This leaves only shutter and ISO for adjustments. Simply put it is a cell phone camera attached to a really nice gimbal that is attached to really nice drone.

However if you work a cell phone camera well enough you can capture some amazing images. The main thing is “stabilization” and this Mavic Pro drone is utterly amazing how it can hold position even in wind.

So that’s my day, I spent the morning working with the drone taking aerial photos and then editing them. It was very peaceful up on that mountain so quiet, just me and the deer and a buzzard dodging at my drone. 5 years ago I never thought I would have a way of capturing images like this, unless of course I was in a plane or helicopter. Now it is as easy as finding a place to take off and a clear line of sight. I was about ¾ of a mile down-range from the buildings; I never went near them at all. I let the drone do all the work.

I’ll have more drone shots soon. Thanks for reading and have a great day.

Color Grading (…while others are looking at you like your asking if you can sell their child on the black-market.)

Model Nicole Gallagher 1/160 sec at f/2.8 ISO 50 88mm Color Graded

Color grading has been around for a very long time, used both in photography and cinematography. The names have changed as time and technology advance. What some refer to now as “color grading” was on once called “color timing” during the film era and was accomplished in a laboratory or darkroom by adjusting the exposure process during the developing stage of the film. Mostly used for color correction and not so much as an artistic tool. In the cinematography world it was primarily for color correction although the process was a lot more complex, requiring vast knowledge in dealing with correcting color for television tube screens. So todays “color correcting” has become a lot easier and nearly all is performed digitally making life a lot easier. I do color correcting using the X-Rite Color Checker and correct everything from camera to the monitor I use for editing. So what I now refer to as “color grading” is more of an artistic tool rather than a correcting tool.

So why color grade? Because it can lend an artistic value to your images or video work. Both photographers and videographers like to use color grading as a way to give an image or a video scene a certain vibe, feel or mood. Color grading is important because it could be what sets you apart from the crowd when it comes to editing. It is very common in movies to create a “look” for the overall movie that in-turn creates a “feel” or “mood” for the whole feature and individual scenes will vary from the main look based on the lighting, color, time of day ect… Examples are movies like Manchester by the Sea that has a rather soft and somber vibe due to the nature of the plot dealing with a lost loved one. As opposed to Hacksaw Ridge that has a very “high contrast” look do to the fact that most of the scenes take place on a battle field during intense fire fights.

So let’s step back a few years to when I was a beginning photographer and like most I was obsessed with “trying to make my images look professional” and could not figure out why I was failing. First let’s describe “professional” because a nice fashion shot certainly has a different look than say a nice sport shot. For me it was fashion photography. I would look at a magazine (remember them?) ad or editorial and fall in love with the image’s vibe. Not so much the content of the image, but more so with the way the image looked… the feel. Sure the image may contain a nice looking person in wondrous wardrobe (or lack of wardrobe) or it could be an advertisement with just a wrist watch. Either way I would sit and wonder what they did to make the image look the way it did. So when Photoshop found its way into my photography I already had several things in my mind I wanted to learn how to do. Sure basic editing comes first, along with just figuring out how to navigate through the universe that is Adobe Photoshop. But soon I was trying my hand at color grading although I had no clue what I was doing. Then I started asking other photographers their techniques and ideas on color grading. …of course as always the case with photography some photographers are more than willing to share while others are looking at you like your asking if you can sell their child on the black-market. Then of course there is the “oh just go to my website and download my tutorial” for a mere $99. So I basically continued on my own and bought a $10 automated (prerecorded) Photoshop Action or two along the way. I would analyze the layers of the action and it soon became apparent that I was doing it that way all along. But I had other ways to color grade that were sometimes so much easier than creating layer after layer in Photoshop. Adobe Lightroom has some really nice tools for creating awesome color grades and saving them as presets. This of course leads to photographers and websites selling Lightroom and Camera RAW presets, and this is fine, but I would suggest finding free downloads over paying for them.

So for my workflow I always start in Lightroom and if needed I head over to Photoshop and I finish back in Lightroom. I would say for me; 80% of the images I color grade I do in Lightroom, the rest are done in Photoshop. Also with the power of having Adobe Camera RAW as a filter in Photoshop I could technically do everything in Photoshop; however I like to save my master file without a color grade and make a separate file with the color grade.

So day we still see color grading as a strong artistic tool in both photography and cinematography. It was always said that “Instagram is for photographers” and nothing could be truer with all the filter choices IG has to offer. After all the IG filters are nothing more than preset color grades. And now that drone video is getting easier for the average person and vlogging is all the rage we start to see the color grading moving in to the mainstream. Not only do the top vloggers create trends with how they hold their camera or their scene transitions they also create trends of everybody wanting to color grade their video content to look like they’re favorite vlogger. With all this said color grading isn’t always as easy as an Instagram filter. There truly is an art to it, and in video what looks good in one scene looks horrible in another. Photos can be a lot easier to color grade, however I find that when editing a series of photos it can at times be challenging when the series contains images from different looks of light. Look for a vlog post in a few days where I will walk through a few of my techniques on color grading.

 

Thanks for reading.