Can you find a flower on Instagram? (Coco Rocha’s name Zhan’s face lit up like a Christmas tree… You just had to be there to see it and feel the energy from it.)

Can you find a flower on Instagram?

I have had the social media app Instagram on my phone since 2009. I have blogged in the past how I was turned onto IG by a chat/photography friend I had in China. Her name was Grace. We met on Skype and we wanted a way to chat with our phones and I must add that in 2009 there was no Skype app for phones. China doesn’t allow Facebook, so IG was perfect for sharing a photo and sending comments. Over the years I have used IG to grow my photography business and at the same time build a network of friends and acquaintances. While many people open IG and just hit hearts and leave emoji’s in place of comments… and I have to admit I’m guilty of that too, or at least to a certain extent. I do however open IG and actually sit and taken in some of the content that really resonates with me.

 

For me IG is about photography, it is not about trying to find a date or sex or love or anything like that. I have to say that now because there many people on any of the various social media platforms who are there to scam money or who are looking any number elicit forms of entertainment. So yeah… for me it is about my passion of photography which also happens to be a business.

So back to my question “can you find a flower on IG?” And I have to say the answer is “yes.”

Sometimes I will sit and troll through hashtags just to see what is out there. Or I may just look at profiles of random people or lifestyles… Let’s just say for example “surfers,” I will look at profiles, look at the locations and most of all look at the photos they are posting. Are they phone shots, Go-pro shots, or are they professional shots. These are all just few of the things that I will look at. Having never surfed I know nothing of that lifestyle, but IG gives me some insight into “what surfers are about today.”And if I like a certain topic I may look at it more than just one time, I may spend a few days looking.

So in one of the IG rabbit holes I ran down about a year ago I came across a female model who I thought was interesting enough to follow. She is Asian and looked most likely Chinese and I don’t know what or why, but she just stood out to me. I would see her post content from shoots she would do with various photographers and she always gave off an authentic vibe, as if she was really into it.

I say “really into it” because sadly as a photographer I get hit on all the time from people who say they want to “collaborate” or “create” and it turns out they are just looking for IG content that is professionally shot and edited and of course they want this content for free.

Anyway moving on… So this model was located in Nova Scotia and I thought to myself “if I’m ever in Nova Scotia I will look her up and see if she would shoot with me.” However the chances that I, a photographer from West Jersey ending up in Nova Scotia would be very slim… But hey, never say never.

One day I see that this Asian girl (name to come later) posted a plane ticket to Newark New Jersey and I knew this most likely meant she was coming to NYC. So I jumped at the chance to ask her if she would like to shoot with me and create some nice photos. Hey, it never hurts to ask and I have been shot down more times than Zeros over the Pacific. To my surprise she gladly said “yes.” Although this was the answer I wanted to hear, now I had to put together a plan lol.

Turns out she was going to school in Nova Scotia and came to NYC on student exchange to study at the Fashion Institute of Technology, however she is from China and her name is Zhan (Chan).

After a few weeks of settling in and getting acclimated to NYC we planned a shoot. We conversed back & forth via IG messenger (not my favorite form of messaging). I did what I always do and chose a location and then researched the hell out of it to make sure it would be a good place to shoot. I chose the Javitz Convention Center in Midtown Manhattan. I was limited because of… well let’s just look at the logistics of the shoot.

She in in NYC going to Fashion Institute of Technology and having limited resources as most students do, she could not travel very far, so I had to go to her. I had visited the Javitz Center many times, mostly photography seminars. I had often thought “how nice it would be to have a model right here and shoot.” So I need to plan out how I would get there and how she would get there and then after all the planning I need to create the dreaded “plan B.” Not to mention wardrobe makeup and all that jazz. So “yes” while I need to make a plan I also know I should not get my hopes up too high because the failure rate of TFP (time for print) models showing not showing up for that first shoot with a new photographer is very high. For me it runs about 50%.

Amazingly enough it all came together, she brought two looks and I provided a third look with shoes & sunglasses for one of her looks. She did her own makeup and hair and we were good to go. I parked on the Jersey side and took the ferry across to NYC and I also brought an assistant to carry and watch over my gear bags. I sent a ride to pick up Zhan and her friend and it was as easy as that. We all met inside the nice cool Javitz Center and talked for all of about 5 minutes and out the door we went.

My biggest fear was that security would chase us away; because we were literally shooting by the taxi line and then Zhan was standing up on top of the cement walls… she would go anywhere I asked her too. I might add plan B was that if we were told to leave we would all just grab an Uber to somewhere like Union Square and just shoot in the park with all the people. However plan B was never needed and we shot inside an outside at the Javitz Center with no problems at all. Well almost no problems…

As I first started to shoot the sun was on a high angle with not a cloud in the sky. I had checked and calculated the sun angle days prior to the shoot so I knew exactly where it would be and I was hoping for a cloudy day. However there was not a cloud to be seen all morning. I fired my first shot at 11:51am and I was really fighting hard to keep her face out of the sun and get a good background at the same time. And then within a few minutes the clouds arrived. I saw her face turned from harsh to even light and I looked up that sky to see large clusters of clouds rolling in over the city. What a relief! So the sun was really the only problem we encountered and even that turned out to be minor.

We moved around a bit to change up lighting and background and we found ourselves down on the lower level but still outside. The only people down there were cigarette smokers looking at their phones and relaxing. We ran through the three different looks that we had planned and while shooting the last look Zhan started to “go flat” as I call it. She just didn’t have the posing anymore and I could see on her face she had enough. So I just said “we’re done, you’re looking flat and we’re not going to push it any further.” She understood and agreed and this really is something I would like to point out.

I learned a long time ago that when the model is “flat” your shoot is done. And in all fairness as per our planning we said in the beginning we would shoot three looks in two hours and I actually fired the very first test shot standing inside the Javitz Center at 11:45am and the very last shot at 1:39pm. Of course there was some time spent with wardrobe changes, me sending my assistant for cold water and Zhan and I talking and discussing shots. In the end it was all good and we had a bounty of beautiful images to edit.

Although Zhan and I had agreed a TFP shoot. I still provided the Lyft service for her to & from the shoot and gave her enough to buy Sushi for her and her assistant’s lunch.

Yes I did find this wonderful Asian flower of a model on Instagram and I look forward to shooting with again soon. She is the first model I armature model I have come across in a while knew who Coco Rocha is. I know that sounds crazy, but that is the reality of my experience in meeting armature models. Some will say they’re “doing it for fun” and that is fine. Others will say they are “serious,” but cannot name a single relevant or current well known model. When I mentioned Coco Rocha’s name Zhan’s face lit up like a Christmas tree… and that reaction was so intense. You just had to be there to see it and feel the energy from it. And it was at that moment I knew this girl really into what she is doing.

Will Zhan become a professional model? In talking with her she said “jewelry design” is her passion. However she liked armature modeling because it helps build confidence. And I agree 100% on that.

When I asked where or how did she learned to pose? She claimed “mostly from looking other models and just trying emulating what they are doing.”

So yes she was a joy to work with and a true pleasure to meet in person.

Thank you Zhan Zhan.

Technical: The shot total came in at 680 and that includes the test shots, out of focus and misfires. I shot using a Canon 6D with EF70-200mm f/2.8L and I also had a few shots with the EF24-70mm f/2.8L. I jumped between manual and aperture priority, but mostly staying in aperture priority. Most times I shot at f/3.2 & f/3.5. There were no shots at f/2.8 because I wanted to make sure the face was well focused, even on those angular shots. I kept the ISO set to auto but most times it would fire at ISO 100 and in a few special shots I set to ISO 50. I used no reflectors other than using the sidewalk to reflect light back of her.

After shooting the Sandisk card was locked and I dumped everything to a wireless hard drive as a backup before I even left the city. I love this method because as soon as I arrive at my PC I can start editing while I am uploading a second backup to the cloud and that about covers the camera/technical.

She’s Got It (So in the beginning it is all about building confidence and creating your persona.)

1/250 sec at f/3.5 ISO 50 168mm
Model Jade Gleason

Some photos just resonate and stand out, however like beauty it is all subjective. I’m drawn into this photo for visual reasons as well as emotional reasons.

The visual; is the angle of the face, the eyes are closed; the arms frame the face and the textures of the sweater and the headband all come together to make a visually appealing image. Then there is her youthful & natural beauty with minimal makeup.

The emotional; is the fact that this was Jade’s second shoot with me in two weeks. Her first shoot with me she was “like a deer in the headlights,” very nervous, rigid and just trying to understand the direction I was giving her. She took it all in stride and came back for the next shoot a few weeks later. Now she was eager, prepared and had been practicing her posing. When I look at this shot I see her potential, I see her trying and I see her ‘wanting.” Wanting to grasp it, hold it and run with it.

Remember for a new model modeling is not always about making it to the top and becoming a high dollar fashion or runway model. Most important it is not always about how you look per say. Although when we think of models we think of beauty and often models define what the public thinks beauty should be. However we all know beauty is subjective and because we are bombarded with images of models everywhere we turn we tend to accept certain styles and looks as the norm. When in reality fashion & runway modeling is not about the models looks as much as it is about how the model can pose creating a visually appealing image that will show off wardrobe or design. I really do not think the fashion designer wants you to look at the model as much as they want you to be drawn to their artistic creation. The model is merely the vehicle to carry and represent the designer’s artistic work.

So in the beginning it is all about building confidence and creating your persona. You are creating that person or character who gets in front of the camera and performs. When you step in front of the camera you need to pose, but you also need to convey emotion and energy. It is not always “high energy” but rather a feeling, a mood and a look all rolled into one. I sit here writing about it and I myself cannot do it. However I am a photographer and I know it when I see it. Amazingly enough I seen this moment of Jade as I captured it and what I mean by that is; She was facing me straight on and I was shooting, she for a moment turned to her right for just a second and I caught a change of light on her face. Then she turned back facing me straight on, but I called out to her “wait, turn back just like you were and hold it.” She did. There was this even and soft light on her face and with her eyes closed it gave a peaceful & blissful look. I could see it in the viewfinder and I didn’t dwell on it, but I knew it was special. Not too often do I see it as I’m capturing it. Most times I’m paying too much attention to other things like “is there hairs across her face,” or looking for some other “aesthetic distractions” as I call them. But this time I seen it in real-time and it was such a beautiful moment for me.

If you know me and have read previous blog post you know I really loth photography clichés and the “capturing a moment in time” is one that just kills me to the core. Yes I did capture the magic moment in time with Jade, but it is not the moment in time that makes it all that magical. It is the fact that she improved so much in two weeks, it is the fact she is getting comfortable in front of the lens and most of all she has a drive to learn what it is all about. I am no famous photographer, however I am a very good photographer and I have for the past several years worked with many models just starting out. I have been the “first” photographer for several amateur models. Some get it and some do not get it. Some are under the misconception that they stand there and the camera clicks and “bam” there are awesome images are created. And when this doesn’t happen they don’t understand why not. I explain to all new models that it is about posing, that it is about emotion ect. I explain to them that I understand they are new, but “I am here to work with you and help you.” I explain “I am a photographer, I know how this camera works inside & out, I know Photoshop and I can edit the images to look good, but I first have to start with a good image and that means having a model that can bring a good pose and some emotion.” And with emotion it could also be the lack of emotion that makes the image great. I will offer advice about what makes for good posing like triangles, negative space, lines, and curves and so on. None of this information is a secret, however many will choose to ignore it because now it starts to make modeling sound like work. And it is work, and like anything in this world it takes practice and knowledge of the craft to get better and advance. Even someone who has a natural talent needs to nurture the talent to bring it to the surface. This all leads us to the age-old conclusion that “nothing in life comes easy.”

So who gets it? Who gets it is the model that walks away from the first shoot and listens to my advice, but doesn’t just stop there. They dig deeper and deeper, searching on their own. They are the one who learns to pose for the camera and not for the photographer, the one who realizes right up front that this is going to be work and starts working at it. They are the one who realizes they need to give up some free time to get something in return. That’s who gets it.

Jade https://www.instagram.com/p/BgAahCUg_UP/?taken-by=writingawayy_

 

Color Grading (…while others are looking at you like your asking if you can sell their child on the black-market.)

Model Nicole Gallagher 1/160 sec at f/2.8 ISO 50 88mm Color Graded

Color grading has been around for a very long time, used both in photography and cinematography. The names have changed as time and technology advance. What some refer to now as “color grading” was on once called “color timing” during the film era and was accomplished in a laboratory or darkroom by adjusting the exposure process during the developing stage of the film. Mostly used for color correction and not so much as an artistic tool. In the cinematography world it was primarily for color correction although the process was a lot more complex, requiring vast knowledge in dealing with correcting color for television tube screens. So todays “color correcting” has become a lot easier and nearly all is performed digitally making life a lot easier. I do color correcting using the X-Rite Color Checker and correct everything from camera to the monitor I use for editing. So what I now refer to as “color grading” is more of an artistic tool rather than a correcting tool.

So why color grade? Because it can lend an artistic value to your images or video work. Both photographers and videographers like to use color grading as a way to give an image or a video scene a certain vibe, feel or mood. Color grading is important because it could be what sets you apart from the crowd when it comes to editing. It is very common in movies to create a “look” for the overall movie that in-turn creates a “feel” or “mood” for the whole feature and individual scenes will vary from the main look based on the lighting, color, time of day ect… Examples are movies like Manchester by the Sea that has a rather soft and somber vibe due to the nature of the plot dealing with a lost loved one. As opposed to Hacksaw Ridge that has a very “high contrast” look do to the fact that most of the scenes take place on a battle field during intense fire fights.

So let’s step back a few years to when I was a beginning photographer and like most I was obsessed with “trying to make my images look professional” and could not figure out why I was failing. First let’s describe “professional” because a nice fashion shot certainly has a different look than say a nice sport shot. For me it was fashion photography. I would look at a magazine (remember them?) ad or editorial and fall in love with the image’s vibe. Not so much the content of the image, but more so with the way the image looked… the feel. Sure the image may contain a nice looking person in wondrous wardrobe (or lack of wardrobe) or it could be an advertisement with just a wrist watch. Either way I would sit and wonder what they did to make the image look the way it did. So when Photoshop found its way into my photography I already had several things in my mind I wanted to learn how to do. Sure basic editing comes first, along with just figuring out how to navigate through the universe that is Adobe Photoshop. But soon I was trying my hand at color grading although I had no clue what I was doing. Then I started asking other photographers their techniques and ideas on color grading. …of course as always the case with photography some photographers are more than willing to share while others are looking at you like your asking if you can sell their child on the black-market. Then of course there is the “oh just go to my website and download my tutorial” for a mere $99. So I basically continued on my own and bought a $10 automated (prerecorded) Photoshop Action or two along the way. I would analyze the layers of the action and it soon became apparent that I was doing it that way all along. But I had other ways to color grade that were sometimes so much easier than creating layer after layer in Photoshop. Adobe Lightroom has some really nice tools for creating awesome color grades and saving them as presets. This of course leads to photographers and websites selling Lightroom and Camera RAW presets, and this is fine, but I would suggest finding free downloads over paying for them.

So for my workflow I always start in Lightroom and if needed I head over to Photoshop and I finish back in Lightroom. I would say for me; 80% of the images I color grade I do in Lightroom, the rest are done in Photoshop. Also with the power of having Adobe Camera RAW as a filter in Photoshop I could technically do everything in Photoshop; however I like to save my master file without a color grade and make a separate file with the color grade.

So day we still see color grading as a strong artistic tool in both photography and cinematography. It was always said that “Instagram is for photographers” and nothing could be truer with all the filter choices IG has to offer. After all the IG filters are nothing more than preset color grades. And now that drone video is getting easier for the average person and vlogging is all the rage we start to see the color grading moving in to the mainstream. Not only do the top vloggers create trends with how they hold their camera or their scene transitions they also create trends of everybody wanting to color grade their video content to look like they’re favorite vlogger. With all this said color grading isn’t always as easy as an Instagram filter. There truly is an art to it, and in video what looks good in one scene looks horrible in another. Photos can be a lot easier to color grade, however I find that when editing a series of photos it can at times be challenging when the series contains images from different looks of light. Look for a vlog post in a few days where I will walk through a few of my techniques on color grading.

 

Thanks for reading.

2K17 Goals (I would go “old school” and sit and look at magazines for inspiration,)

Nixlot Dameus 1/125 sec at f/7.1 ISO 50 50mm

Nixlot Dameus
1/125 sec at f/7.1 ISO 50 24mm

So last year I had set a goal to create portfolio quality images with “impact.” Now I felt (at the time) I had some great images in my portfolio, however the goal is always to add more. Now with that said; you cannot just keep adding, if you put something in you have to take something out and my personal preference is to keep the portfolio around 20 images and no more. After looking at ten images, a person is either going to interested or not. If they’re really interested they will look at ten more and that is why I feel the number 20 works. So creating new images that are portfolio quality is a daunting task because I am actually competing against myself. I have to make something good enough to knock something I already love out of the portfolio. This is like killing a child to make way for another. A horrible comparison I know, but I love the images I create and I don’t want to see them leave and go to the “back-shelf” so-to-speak.

I knew going into this that if I could come out with three great images I would consider myself lucky, two great images and I would feel accomplished, and one great image I would be happy.

Well let me tell you “happy” came quickly, Saturday January 16, 2016 to be exact. That is the day that a young lion named Nixlot Dameus walked into the studio. Just a mere 17 years old this amazing young man not only looked amazing he embodies “overcoming the odds.” Soft spoken and serious as a heart attack about what we were there for, Nixlot was focused and serious and that made me feel confident that what I had planned would actually come to be. The image you see posted here is “exactly” what I had envisioned. To have a seventeen year old kid whom I never met before and who is not a model walk into the studio and do exactly what I say is not only amazing, but also very gratifying. This image came at the very end of the shoot as is almost always the case with my shoots. I knew when I left the studio I had a “keeper” and I hadn’t even downloaded the images yet.

LaydeeFly Reyes

LaydeeFly Reyes

Now meanwhile I should say that this goal started on January 1, 2016, yes that’s right on New Year’s Day I was out shooting the cold and windy streets of Bethlehem PA with a local model LaydeeFly. The shoot was fun and it was cold, but the fun outweighed the cold. There were a few amazing images that came from her shoot, the one of her sitting on the street corner was a favorite of mine for sure.

Mina Santiago

Mina Santiago

Then the very next day with teen model Mina I was shooting of a forest in Tinicum Township PA and it was even colder than the day before. I did make one creative edit from that shoot that actually got a lot of attention on social media. Still I was looking for another good image, the year was young, but I wanted something to happen.

 

 

Ice_Princess-4802Instagram

The “Ice Princess” shoot with Kendall seemed promising, however due to time constraints the shoot did not last as long as I would have liked. But there was still a great shoots that came from that shoot. The portrait shots were awesome and I had one creative edit that I really liked and I felt was decent enough to put in the portfolio. So up until now I had the stellar image of Nixlot and then spring gave way to summer and I was getting worried because I had nothing in the works that would seem to yield a great image. Sure I was working doing paid shoots, but they never yield stellar shots.

 

ryan_5_15-6591-edit-2

Model Ryan McNally

Then came Ryan McNally and again I gained a stellar image that got good reception on social media. But… Now my two best images of the year were in the same genre of male fitness and I want diversity, something with a punch. I needed to kick in an afterburner or something, I wanted… I couldn’t think anymore and it was eating at me, day in and day out. I didn’t talk about it much, hell I didn’t even blog about it. It was almost like writer’s block or something. I would go “old school” and sit and look at magazines for inspiration, I looked on Pinterest till my eyes were ready to bleed. Inspiration!  I need you so bad and I cannot find you. Then it happened, just like finding love when you least expect it and in the least likely of places. On

 

 

 

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Photographer Richie Smith Jr

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm
Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Assistant Makeup Jordan Brown, Photographer Richie Smith Jr

Facebook I see a post about entertainment news and I see the image of the “new” Pennywise the clown, the villain from the Stephen King Novel “IT.” THAT’S IT! A clown and I had been thinking about a clown “crawling on a floor” (strange I know) but this would be even better. Now with all this said; I did not want to just create a duplicate of the new Pennywise, but rather I wanted to take that concept of a… I don’t even know what to call it… “Evil clown” no that sounds to generic. “Sinister Clown” sounds more like it. So I wanted to take this so-called sinister clown look to another level, same as they have with Pennywise. They made the new Pennywise look more like a doll with his wardrobe, like and old doll from the renaissance or Victorian era. So hey why not shoot my Sinister Clown in a renaissance context, such as was done with the Super Heroes by French photographer Sacha Goldberge.

And so it was to be, but this look would take a whole lot more than a model and a makeup artist. This would be a lot of work. So how to you climb a mountain? “One step at a time” and that is what we did. The clown images were stellar and I was satisfied. I would now put myself in that extremely “Lucky” category and I can now say I accomplished that goal. That my friend, is a great feeling.

So here we are in 2017 and what are my goals? I have set a goal for just two stellar images this year, concepts are in the works and who knows maybe more than two will come, but I will be satisfied with two. More-so the bigger goal is to get more content on the YouTube channel and to increase subscribers. So in-order to do that I need to improve my vlogging skills and I started working on that at the end of last year. Along with vlogging skills a drone will be needed and it may be time to update the DSLR… we’ll see. Thanks so much for stopping by and reading. Have a great day.

Life… A Series of Problems. (But somewhere between the written words of some wise sage and our actual daily existence…)

 

 

 

Shantae Taylor 1/125 sec at f/16 ISO 50 70mm

Shantae Taylor 1/125 sec at f/16 ISO 50 70mm

It started off as a photo shoot to update headshots in a studio and it ended as classic car shoot outdoors. But aside from the strange twist from how it started to how it ended, the really amazing part was being able to work with model Shantae Taylor. I had not worked with Shantae for just over two years and although we stay connected through Instagram I knew the day would come… and it did. Finished with school and carving her way into a broadcasting career it is amazing to follow a person as they make that journey to follow a dream. Sure it sounds easy and fantasy like when you write about it or as you are reading about it. But we all know the true reality is that life is not easy and things never come fast. It has been said that “life is nothing more than just a series of problem and our job is to solve the problems.” That statement when read makes life just seem “so easy,” and the statement could not be any truer, life “is” a series of problems. But somewhere between the written words of some wise sage and our actual daily existence this so-called “series of problems” is really nothing more than a murky abyss. A place where you cannot see through to the other side, a place where some days you can’t see your hand in front of your face, a place where moments of clarity appear and happiness abounds, but never stays. A place where sometimes nothing seems real and yet in the blink of an eye it can all becomes so real it hurts or even kills.

Maybe this blog post seems a little off pace for a photographer who just had an amazing shoot with an amazing person. We talked about all kinds of things, her career path, creativity, jobs, and life and so on… But all the while I’m working with her my mind drifts back to a mere 24 hours earlier where I sat with a wonderful and courageous friend who was recovering from a horrible motorcycle accident that was no fault of his, in which he sustained massive injuries and worst of all he lost his wife. A problem that came into his life with no wrong doing of his own. While my friend is on a long road to getting life back to a somewhat normal state it was a drastic contrast to my conversation with Shantae. She is young and full of energy and focused… As we finished up our shoot and she departed, I just sat there thinking… “Life… just a series of problems… all we have to do is solve the problems.” I wish her the best.

Shantae Taylor posing in a 1957 Chevy 1/25 sec at f/7.1 ISO 200 85mm

Shantae Taylor posing in a 1957 Chevy 1/25 sec at f/7.1 ISO 200 85mm

Good But Not What I Wanted (realizing you have written nothing but drivel and ripping the half written page from the typewriter)

Nicole Smoke Dress Final

I would like to talk a little about this image that I recently created… well maybe talk a lot about it and what it really is. Ok so the truth be told it is not at all what I wanted to create. What you see here is the “second draft” so-to-speak, but there were four of five more versions and I tossed them all out of frustration. It was like back in the day when a writer would sit at a typewriter trying to make something happen and half way through the page realizing you have written nothing but drivel and ripping the half written page from the typewriter, crushing and crumpling and tossing it into garbage can in the corner. The garbage can that is overflowing with dozens of other half written pages. I saw something that inspired me and it gave be a vision and an idea for a really cool image… well at least I thought it would be cool. So I headed into my stockpile of images and I knew exactly where to look. But when I found the images I was thinking of, the wardrobe was all wrong. I wanted to create an image of a model with a rather “moonscape” like background, but I wanted her dress to be blowing away in the wind and turning to smoke. Similar to the piece I did back in 2013 called “Shattered” where the motocross racer’s helmet was shattering and blowing away.

I just could not get it to happen and keep it looking like a dress. Why? Because in this particular image the model is not actually wearing a dress, she is wearing a shirt and a skirt. So now after two nights of working I end up going back to the second version that I created in about 30 minutes and I said “done.” Done, but not at all satisfied. While many people love this image and I received good feedback across all platforms of social media, I myself am not satisfied. Not satisfied because I wanted something very different. With all that said… this is a good image. Model Nicole Gallagher is striking a stellar pose as she can so easily do and I have blogged in the past about her eyes and her talent of “posing with her eyes.’ This is a perfect example, I mean all we see here of the model is her arms and her face and her eyes. And for me the eyes say it all in this pose. So to recap, there is nothing wrong with the model or the pose, but the wardrobe is not right to complete my vision. So we know what that means… “project shoot!” If I am going to complete this vision I have in my mind I need to shoot the model correctly with the correct wardrobe. Thanks so much for stopping by and reading.

All American Boy (I like diversity in my portfolio; I do not want to be a photographer that just shoots one kind person)

1/125 sec at f/9 ISO 50 50mm Model Ryan McNally

1/125 sec at f/9 ISO 50 50mm Model Ryan McNally

Best part of photographing people is… you get to meet people. And yes we all know each and every human being is different, but I find it fun and I really enjoy meeting people. So a few days back I had Ryan McNally in the studio and it was a lot of fun. Ryan is out of the Army and ready to hit the ground running. We had a great test shoot and I know you will see more of Ryan in the coming months. When looking for a “project model” as I call them, I must first do a test shoot. I’m looking for something about the model that will make me want to work with them again and it might not always be the same for each model. For some it could be their ability to pose on command or it could be their eagerness to create, for others it might be just a feeling I get when working with them. But for each model there has to be some (for lack of a better word) “magic” and Ryan has that magic.

I like diversity in my portfolio; I do not want to be a photographer that just shoots one kind person or one color of person, or race, sex, genera ect… Sure they are all people, but I want my portfolio to reflect what I like and that is all kinds of people. I want to get just as much attention from a stellar shot of a stunning model like LaydeeFly Reyes, the youthful beauty of Kendall or the man collecting trash on the dock in NYC.

So Ryan has that magic, he is eager, motivated and focused. He has that “all American boy” look and I can’t wait to create some great images with him in the near future.