Why I Blog & Vlog (…Quite a novel thing those directions are.)

1/640 sec at f/3.2 ISO 100 115mm (see photo notes below)

There is more to blogging & vlogging than some may think. Often when I am questioned about why I blog or vlog it is usually a non-millennial or to be frank “an older person.”

As a photographer and Photoshop creator/editor blogging & vlogging helps me on many levels. Now first I have to say that I do not aspire at this time to making blogging & vlogging a sole means of income as is often the case. So when asked about my B&V it is usually followed by; does it make you money? And the answer is “yes & no” (a little confusing).

Ok so here is the break down as to what blogging does for me as a photographer. In short it makes me relevant in the realm of what I do and the long answer would best be explained by giving an example.

So here is Rich Smith Jr out doing something with his camera. It could be a paid client shoot, it could be a project shoot with a model or I could be out and about shooting street photography. Either way at some point there is always a chance that someone is going to approach me and start asking questions. The questions could range from a photo enthusiast who is asking questions, to a potential client or even a police officer wanting to know what the hell I’m doing. So of course the first action is to give a business card, nothing fancy, but a card with my name, phone number, email and website is all that is needed. Now of course in this day and age anybody can have a business card printed and anybody can make a website in a matter of minutes. So having a blog and or a vlog present and easy to find lets people see exactly what you do.

For example a park ranger I ran into a few weeks back seen me with my drone. I wasn’t doing anything wrong, he was merely asking me technical questions about the drone. I gave him my card and while we were talking his partner using a smart phone was on my YouTube channel in a matter of minutes and they were looking at my videos. (my stupid little short videos) The ranger than stated “you’re the first person I have actually talked to that could show me they actually know how to create a video with a drone. He said most people get nervous and they just want to get away as soon as possible. I laughed, I have nothing to hide, I know the laws and I try my best to abide by them. Same goes for my photography, I try to abide by the law… well except that railroad track thing but… So soon the ranger noticed I had a video about how to copyright images with the library of congress and he was somewhat impressed. He asked me how I learned how to do that? My answer; reading, I read how to do it and I did go to a few seminars but mostly just reading. Kind of like when you buy something and you read that little book that come with it called “directions.” Quite a novel thing those directions are.

Another example of being relevant in what I do would be the time I was out shooting with a client at a park. This was last year; a lady had contacted me by way of a friend and asked if I would meet her at the mill in Stockton for a “mother daughter” shoot. Her daughter had just finished college and was heading off to Europe for two years. Although she would visit her daughter in Europe she wanted some nice photos of her and her daughter before she left the states. It’s a “mom thing” she said. So we met up at the mill and we really hit it off right away. The daughter was a few minutes late and mom was teasing her. Soon into the shoot they were really having fun, laughing and joking. I noticed another lady watching us and soon she approached me and asked “if I was a real photographer?” I said “no but don’t tell these two because they’re paying me money today.” We all got a good laugh and I handed her my business card. She went on her way.

As I was packing up my gear at the parking lot and getting ready to leave, when the lady whom I had given the business card to appeared with her husband and started asking me about family portraits, that they wanted to do at this same location. They liked the old mill and wanted to have some family photos taken there. At one point she exclaimed at how much fun the mother & daughter were having and said I would be “the perfect photographer” because I make people happy. This was a huge compliment although I had to come clean and tell her “it was all them” they were just happy people.  Anyway I did do the portrait shoot and it led to 5 more jobs with her recommendations. What I did not know until much later was that after handing her my card her and her husband sat in their car with their iPad checking out my website, my blog and my vlog. And that coupled with seeing me actually working with a client sealed the deal.

So while I may not make actual money advertising products on my blog, it still gets me work. It shows I am relevant and sets me apart from “guy with a camera.” Another benefit that blogging does for me is helps me with my writing skills, spelling and grammar. I wish I could say I write a blog post every day, but sadly time is the culprit.

Times have changes as we all know and we have so many resources available to us that if we do not utilize some of the resources we appear obsolete in what we do. I remember when fax machines were all the rage and I heard someone say “if you do not stay current with technology life will run you over in a heartbeat.” And it is so true (to a certain extent). So I say “ignore technology and you age quicker than you ever though possible.

Thank so much for reading and have a great day.

Photo notes: While I absolutely love this wedding day image of Kyle & Nicole, I cannot take full credit for the creation. The idea for this image was actually Nicole’s idea. I provided the umbrella, camera and lens. Nicole provided the sheer look of “a bride in love” and that wasn’t hard for her to do at all lol.

Diary of A wedding Photographer (it is like when someone decides to go on a day long hike in the mountains.)

1/125 f/3.5 ISO 250 80mm

I recently shot a wedding. I have never aspired to be a wedding photographer for several reasons that I have spoken about in other posts. With that said I never shy away from a wedding because it is a challenge. No one will ever say “wedding photography is fun” because it is not. If you are a full time wedding shooter it is your job and it is a very tough and saturated business. I will shoot weddings because they are a challenge and what I mean by that is; it is like when someone decides to go on a day long hike in the mountains. Sure you like the outdoors, you know how to hike and you like hiking, but a day long hike means you will certainly be doing a little bit of planning and you’ll be tired at the end of the day. Tired, yes, but you will have accomplished something you really like doing and that is capturing great images.

So let’s go over the gear I used and please know I try to keep it as simple as possible, but at the same time I want to do a great (not good but great) job.

Two full size DSLR camera bodies with full crop sensors. Full crop sensors are a must have for low light… and you will be in low light at some point.

Lenses must be good quality if you are doing a paid gig. If you do not own good lenses then go rent them. I am fortunate enough to have my own lenses, but there was a time when I had to rent one or two. For this wedding I used a 24-70mm f/2.8 on one body and a 70-200mm f/2.8 on the second body. I also had an 85mm f/1.4 prime for low light shots of the bride getting ready.

I had on hand one radio controlled speedlight on a stick that could be controlled from both cameras. So no matter which camera I was shooting with I could control the light. I use TTL mode for the light and increase or decrease as needed.

I also used a hand-held wand light for a few shots.

For formal portraits I used one light stand with a studio flash and a battery pack. Sounds expensive, but it was all Paul C Buff which is state of the art equipment that is affordable.

One Blackrapid double camera strap.

Sandisk two 32GB & two 16GB Extreme Pro SD cards with a water proof and crush proof SD card case. Note: I never used all the cards. Total images shot about 1800 for the day.

And yes one good strong assistant who I always work with.

So for the most part I like to shoot weddings in available light, I only use the speedlight when absolutely needed. I like to shoot in a journalistic timeline style, however I will do the formals and creative shots with bride and groom.

This wedding started with me arriving at the bride’s home in the morning to shoot the dress, shoes and some makeup shots. Then driving to the park where the wedding would take place. The actual location was along a walking trail in a wooded area. My assistant and myself quickly scoped out the area for the formals and we then checked the lighting in the wooded area.

The groom and the groomsmen arrived first and the shooting began. Doing creative shots as well as canids, myself I do not dwell and all the hokie creative shots, but more on the special moments. Moments like when two family members who have not seen each other in a long time are smiling and shaking hands or hugging. The image of two people interacting like that will mean so much more in years to come than the groom standing with his buddies in some overdone pose. Every photographer wants to create these awesome photos that have impact and will often overlook the value of the really special moments that don’t look that special at all… today. But as time passes the photos will grow in meaning.

Ok, so then the guests all showed up and headed to the wooded area. The bride had arrived, but was tucked away in the limo awaiting the big moment. So at this point it becomes non-stop shooting. Not spray and pray, but literally non-stop looking for special moments and interaction between her and her mother and the bride’s maids. Needless to say I must now stay with the bride until the ceremony is finished and I did.

I captured all the classic shots from ring exchange to first kiss, the laughing, the crying and everything in between. Turns out I never needed the speedlight at this point so I sent my assistant to a location on the other side of a ravine to be a second shooter for just one particular far away shot. It was a shot capturing the whole wedding ceremony as seen looking through the leaves on the trees. He used my trusty Canon EOS M3 and he did a great job for someone who is not a photographer.

Now shooting the crowd breaking up and departing, again a lot of little special moments. The bride & groom walking by themselves through the forest and making their way back to the parking area.

Now I must take a moment to say that I did not attend a rehearsal, however I had discussed the days’ timeline over breakfast with the couple about a month and half prior. But after the ceremony nothing was scripted, I just followed them and we would stop here and there and shoot. Sometimes I was shooting them without them knowing I was shooting. Use a long lens and put the shutter on silent, great trick.

Now I chose a big open spot in a field for formals with the forest in the background. This way I have no objects growing out of people’s heads and it looked good.

After formals it was the creative shots with the bride & groom. Again I did not get into the crazy over the top poses. I stuck to the images I knew they would like and that we had discussed. There was a very special shot the bride wanted to do with a clear umbrella and I had a brand new clear umbrella all waiting for her. With the help of my assistant the images were captured quickly.

Now a 45 minute ride to the reception venue, but it turned into over an hour-long ride due to an accident and traffic on the highway.

At the venue it was more shooting, but this time it was mostly shots of the whole bridal party. Something to kill time while we waited for all the guests to arrive.

And now the reception photos, the new couples arrival along with bridal party, first dance, mother son dance, father daughter dance and so on. The garter and bouquet toss and finally the cutting of the cake. Not to mention all the while capturing the little moments as I had mentioned earlier.

So my day started at 10:30am at the bride’s home and ended around 8:00pm at the reception. So I think you can see what I mean when I say it is a challenge and not just a “walk in the park.” I must also say that I give everything I have to make this day run as smooth as possible for everyone. And most important of all is I need (not want) to deliver good quality images. Why? Because that is what I do. I want the bride and groom to have nice photos, but at the same time I want nice photos for myself. I want to be able to look at the images I captured and say to myself “you did a great job here today.” I know that sounds crazy, but that is how serious I take what I do. Maybe everyone else likes the photos, but if I don’t like them I will beat myself up about it. I won’t say anything to anybody, but I will just feel I failed… got love that OCD lol.

All in all is was an amazing day the bride & groom are amazing people and their guests were just so easy to work with. I did not have any problems with cell phone shooters and everyone was respectful of the paid photographer.

1920s Flapper Girl (Soon the project turned into an onion of sorts with many layers.)

Nicole Gallagher 1/160 sec at f/3.2 ISO 320 160mm. Hat by Patricia Josephine Antique Style, Dress & gloves from Unique Vintage Makeup by Ambre Baxter

My latest photography project has many layers to it. It started out as a straightforward project themed around the stereotypical 1920s Flapper Girl. Soon the project turned into an onion of sorts with many layers. I really don’t know where or how the idea it started; but I think it was when I was looking at some old silent film footage and seeing women dressed in the cloche hats and stockings rolled at the top.

In the past I had read much about the women of the roaring twenties. Although it was way before my time, the one thing I always remembered about it was that it was a “time of big change” for our country and women were part of that change. The 19th amendment to the constitution ratified on August 18, 1920 gave women a right to vote. This certainly was a time of change and the “Flapper” came to life. Flappers were already on the rise and there is also much debate as to where the term flapper was born and to what it actually meant. Wikipedia describes Flappers as such; Flappers were a generation of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles, and otherwise flouting social and sexual norms.[1] Flappers had their origins in the liberal period of the Roaring Twenties, the social, political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.”

So as I do with all my projects I started off with hours of research and reading, and to some this may seem boring however for me it serves a purpose. It gives me time to relax and read (I love research reading) and while reading it gives me ideas and also helps me solidify my thoughts of a specific look. It also helps me find what looks I don’t want to do. For example I did not want to go with a Gatsby style look. At first I did want the Gatsby look and then as I researched I realized the look would be rather generic at this point do to the movie being out a few years back and… well I just wanted a different look and feel. I think the biggest obstacle was wardrobe. While there is so many websites that offer so called 1920s style dresses, they are not at all 1920s style. Any moron can Google 1920 era images of women and easily see that the wardrobe offered today that is listed as Flapper style is hardly that. Hats were the hardest to find. Finding a hat that actually looked like a true 1920s style is practically impossible if you want “just an everyday” hat. Fancy hats were easier to find. Subsequently I had to compromise; I used three hats and one turban. The turban looked authentic and while two of the hats looked amazing they still were not authentic to the time period. Shoes were easy to find, that was not a problem.

I chose to go with a “day dress” look rather than the evening or party attire of that period. In the beginning I was going to shoot two looks with one model. I then thought; why not add another model and shoot one look on each. As for dresses I found Unique Vintage, a website that had dresses that fit the budget and they really looked pretty close to 20s era dresses. Although the fabric would be different it would not a big deal at all.

As for models; Kallie was my first choice because she is new and I wanted to give her camera time. But when I thought of Smithville Mansion as the location and I also thought of Nicole Gallagher. She is the one who first introduced me to the location and she is perfect for the shoot. Her posing is awesome and she has a rounder face (as opposed to angular) that was classic to the Flapper look. Flapper makeup techniques purposely made their face appear rounder as opposed to most current makeup techniques that give an angular look. So I used both Nicole Gallagher and Kallie Pyatt. This worked perfect because of the hot weather I was able to shoot each model separately without the heat & humidity killing the look. It damn near killed me, but the models did fine.

Kallie Pyatt 1/125 sec at f/6.3 ISO 640 155mm Makeup by Ambre Baxter, dress by Unique Vintage, hat by Patricia Josephine Antique Vintage

For a makeup artist I reconnected with Ambre Baxter and she was amazing. Doing makeup on location in the heat is truly a challenge. However both models looked amazing and again not 100% true to the period, but good enough.

Project goals: This project had several layers to it as I had stated at the opening of this post. First was to create a Flapper Girl look, using day dresses. I wanted the looks to be as if she was a 1920s girl out and about in the daytime. Kallie’s look was a little more reserved than Nicole’s look and neither girl looked as if they were heading to the party or jazz club.

Second goal was to shoot a good portion of this shoot on 35mm film. As of this writing I still have not received my 35mm scans, but I’m hoping for the best. I used CineStill 50 Daylight in two cameras, a Canon EOS 650 film body with an f/1.4 50mm prime and a Pentax Spotmatic with a f/1.4 50mm prime. I also used Ilford Delta 100 (B&W) with a Canon EOS 650 mounted with an f/1.8 85mm prime. I have had the film just waiting for a project and this was the project.

Third goal was that I always wanted to shoot Nicole at Smithville Park because our very first test shoot was supposed to be at that park. However the day we went to shoot there was a huge event taking place and we couldn’t even get close to the park, let alone into the park. We opted for a second location and went on with the shoot. However Smithville Park is a place that is very near & dear to Nicole for personal reasons and I always said to myself “someday we’ll shoot there.” And now we did.

Fourth goal was to give Kallie more camera time. She is new and she is advancing I see her getting better with each shoot. She fun and easy to work with so why not.

Fifth goal was I needed a new cover photo for my business Facebook page and as crazy as it sounds I take cover photos very seriously. Your cover photo and profile photo are your first impressions when a newcomer first visits your page. “First impressions are lasting ones” as they say (whoever they are lol).

Sixth goal was to get at least one portfolio quality image out of this shoot and I can safely say this was accomplished.

In closing I would like to say the shoot could have been better… it can always be better, but I’m very happy with what I did get from it.

I will write another post when I receive my scans and I discuss shooting with film and the techniques I used.

Thank you for stopping by and reading. Have a great day.

 

 

 

Color Grading (…while others are looking at you like your asking if you can sell their child on the black-market.)

Model Nicole Gallagher 1/160 sec at f/2.8 ISO 50 88mm Color Graded

Color grading has been around for a very long time, used both in photography and cinematography. The names have changed as time and technology advance. What some refer to now as “color grading” was on once called “color timing” during the film era and was accomplished in a laboratory or darkroom by adjusting the exposure process during the developing stage of the film. Mostly used for color correction and not so much as an artistic tool. In the cinematography world it was primarily for color correction although the process was a lot more complex, requiring vast knowledge in dealing with correcting color for television tube screens. So todays “color correcting” has become a lot easier and nearly all is performed digitally making life a lot easier. I do color correcting using the X-Rite Color Checker and correct everything from camera to the monitor I use for editing. So what I now refer to as “color grading” is more of an artistic tool rather than a correcting tool.

So why color grade? Because it can lend an artistic value to your images or video work. Both photographers and videographers like to use color grading as a way to give an image or a video scene a certain vibe, feel or mood. Color grading is important because it could be what sets you apart from the crowd when it comes to editing. It is very common in movies to create a “look” for the overall movie that in-turn creates a “feel” or “mood” for the whole feature and individual scenes will vary from the main look based on the lighting, color, time of day ect… Examples are movies like Manchester by the Sea that has a rather soft and somber vibe due to the nature of the plot dealing with a lost loved one. As opposed to Hacksaw Ridge that has a very “high contrast” look do to the fact that most of the scenes take place on a battle field during intense fire fights.

So let’s step back a few years to when I was a beginning photographer and like most I was obsessed with “trying to make my images look professional” and could not figure out why I was failing. First let’s describe “professional” because a nice fashion shot certainly has a different look than say a nice sport shot. For me it was fashion photography. I would look at a magazine (remember them?) ad or editorial and fall in love with the image’s vibe. Not so much the content of the image, but more so with the way the image looked… the feel. Sure the image may contain a nice looking person in wondrous wardrobe (or lack of wardrobe) or it could be an advertisement with just a wrist watch. Either way I would sit and wonder what they did to make the image look the way it did. So when Photoshop found its way into my photography I already had several things in my mind I wanted to learn how to do. Sure basic editing comes first, along with just figuring out how to navigate through the universe that is Adobe Photoshop. But soon I was trying my hand at color grading although I had no clue what I was doing. Then I started asking other photographers their techniques and ideas on color grading. …of course as always the case with photography some photographers are more than willing to share while others are looking at you like your asking if you can sell their child on the black-market. Then of course there is the “oh just go to my website and download my tutorial” for a mere $99. So I basically continued on my own and bought a $10 automated (prerecorded) Photoshop Action or two along the way. I would analyze the layers of the action and it soon became apparent that I was doing it that way all along. But I had other ways to color grade that were sometimes so much easier than creating layer after layer in Photoshop. Adobe Lightroom has some really nice tools for creating awesome color grades and saving them as presets. This of course leads to photographers and websites selling Lightroom and Camera RAW presets, and this is fine, but I would suggest finding free downloads over paying for them.

So for my workflow I always start in Lightroom and if needed I head over to Photoshop and I finish back in Lightroom. I would say for me; 80% of the images I color grade I do in Lightroom, the rest are done in Photoshop. Also with the power of having Adobe Camera RAW as a filter in Photoshop I could technically do everything in Photoshop; however I like to save my master file without a color grade and make a separate file with the color grade.

So day we still see color grading as a strong artistic tool in both photography and cinematography. It was always said that “Instagram is for photographers” and nothing could be truer with all the filter choices IG has to offer. After all the IG filters are nothing more than preset color grades. And now that drone video is getting easier for the average person and vlogging is all the rage we start to see the color grading moving in to the mainstream. Not only do the top vloggers create trends with how they hold their camera or their scene transitions they also create trends of everybody wanting to color grade their video content to look like they’re favorite vlogger. With all this said color grading isn’t always as easy as an Instagram filter. There truly is an art to it, and in video what looks good in one scene looks horrible in another. Photos can be a lot easier to color grade, however I find that when editing a series of photos it can at times be challenging when the series contains images from different looks of light. Look for a vlog post in a few days where I will walk through a few of my techniques on color grading.

 

Thanks for reading.

2K17 Goals (I would go “old school” and sit and look at magazines for inspiration,)

Nixlot Dameus 1/125 sec at f/7.1 ISO 50 50mm

Nixlot Dameus
1/125 sec at f/7.1 ISO 50 24mm

So last year I had set a goal to create portfolio quality images with “impact.” Now I felt (at the time) I had some great images in my portfolio, however the goal is always to add more. Now with that said; you cannot just keep adding, if you put something in you have to take something out and my personal preference is to keep the portfolio around 20 images and no more. After looking at ten images, a person is either going to interested or not. If they’re really interested they will look at ten more and that is why I feel the number 20 works. So creating new images that are portfolio quality is a daunting task because I am actually competing against myself. I have to make something good enough to knock something I already love out of the portfolio. This is like killing a child to make way for another. A horrible comparison I know, but I love the images I create and I don’t want to see them leave and go to the “back-shelf” so-to-speak.

I knew going into this that if I could come out with three great images I would consider myself lucky, two great images and I would feel accomplished, and one great image I would be happy.

Well let me tell you “happy” came quickly, Saturday January 16, 2016 to be exact. That is the day that a young lion named Nixlot Dameus walked into the studio. Just a mere 17 years old this amazing young man not only looked amazing he embodies “overcoming the odds.” Soft spoken and serious as a heart attack about what we were there for, Nixlot was focused and serious and that made me feel confident that what I had planned would actually come to be. The image you see posted here is “exactly” what I had envisioned. To have a seventeen year old kid whom I never met before and who is not a model walk into the studio and do exactly what I say is not only amazing, but also very gratifying. This image came at the very end of the shoot as is almost always the case with my shoots. I knew when I left the studio I had a “keeper” and I hadn’t even downloaded the images yet.

LaydeeFly Reyes

LaydeeFly Reyes

Now meanwhile I should say that this goal started on January 1, 2016, yes that’s right on New Year’s Day I was out shooting the cold and windy streets of Bethlehem PA with a local model LaydeeFly. The shoot was fun and it was cold, but the fun outweighed the cold. There were a few amazing images that came from her shoot, the one of her sitting on the street corner was a favorite of mine for sure.

Mina Santiago

Mina Santiago

Then the very next day with teen model Mina I was shooting of a forest in Tinicum Township PA and it was even colder than the day before. I did make one creative edit from that shoot that actually got a lot of attention on social media. Still I was looking for another good image, the year was young, but I wanted something to happen.

 

 

Ice_Princess-4802Instagram

The “Ice Princess” shoot with Kendall seemed promising, however due to time constraints the shoot did not last as long as I would have liked. But there was still a great shoots that came from that shoot. The portrait shots were awesome and I had one creative edit that I really liked and I felt was decent enough to put in the portfolio. So up until now I had the stellar image of Nixlot and then spring gave way to summer and I was getting worried because I had nothing in the works that would seem to yield a great image. Sure I was working doing paid shoots, but they never yield stellar shots.

 

ryan_5_15-6591-edit-2

Model Ryan McNally

Then came Ryan McNally and again I gained a stellar image that got good reception on social media. But… Now my two best images of the year were in the same genre of male fitness and I want diversity, something with a punch. I needed to kick in an afterburner or something, I wanted… I couldn’t think anymore and it was eating at me, day in and day out. I didn’t talk about it much, hell I didn’t even blog about it. It was almost like writer’s block or something. I would go “old school” and sit and look at magazines for inspiration, I looked on Pinterest till my eyes were ready to bleed. Inspiration!  I need you so bad and I cannot find you. Then it happened, just like finding love when you least expect it and in the least likely of places. On

 

 

 

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Photographer Richie Smith Jr

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm
Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Assistant Makeup Jordan Brown, Photographer Richie Smith Jr

Facebook I see a post about entertainment news and I see the image of the “new” Pennywise the clown, the villain from the Stephen King Novel “IT.” THAT’S IT! A clown and I had been thinking about a clown “crawling on a floor” (strange I know) but this would be even better. Now with all this said; I did not want to just create a duplicate of the new Pennywise, but rather I wanted to take that concept of a… I don’t even know what to call it… “Evil clown” no that sounds to generic. “Sinister Clown” sounds more like it. So I wanted to take this so-called sinister clown look to another level, same as they have with Pennywise. They made the new Pennywise look more like a doll with his wardrobe, like and old doll from the renaissance or Victorian era. So hey why not shoot my Sinister Clown in a renaissance context, such as was done with the Super Heroes by French photographer Sacha Goldberge.

And so it was to be, but this look would take a whole lot more than a model and a makeup artist. This would be a lot of work. So how to you climb a mountain? “One step at a time” and that is what we did. The clown images were stellar and I was satisfied. I would now put myself in that extremely “Lucky” category and I can now say I accomplished that goal. That my friend, is a great feeling.

So here we are in 2017 and what are my goals? I have set a goal for just two stellar images this year, concepts are in the works and who knows maybe more than two will come, but I will be satisfied with two. More-so the bigger goal is to get more content on the YouTube channel and to increase subscribers. So in-order to do that I need to improve my vlogging skills and I started working on that at the end of last year. Along with vlogging skills a drone will be needed and it may be time to update the DSLR… we’ll see. Thanks so much for stopping by and reading. Have a great day.

The Sinister Clown At ESP (I want him to scare the bejesus out of you, but do it without holding a half-eaten arm in his mouth.)

Sinister Clown 1/125 sec at f/14 ISO 50 123mm Model Nicole Gallagher, SFX Makeup by Jade Alexandra Brown

Sinister Clown 1/125 sec at f/14 ISO 50 123mm
Model Nicole Gallagher, SFX Makeup by Jade Alexandra Brown

It’s autumn, the smell of fallen leaves fill the cool morning air, pumpkins & corn stalks decorate doorways and porches… apple pie and ginger snap cookies all add up to Halloween is coming soon.

So as Halloween draws near, so does my self-imposed deadline for having completed the edits for the “Sinister Clown” project shoot. Here we see a third edit that I have just completed and I’m very happy with it. This particular image also has a sub-edit where I have cropped in extremely close. If you have followed my blog over the years you know I have a passion for close up “in your face” edits. However usually they are images of a beautiful female face and sometimes a male too, even dogs. But today’s image is that of “Sinister Clown.” And speaking of “Sinister Clown” I wish I had a name for him… yes the clown is a male character although there is a beautiful female playing the role behind all that amazing makeup. If anyone has an idea for a name please contact me.

So for this edit; the cropped version came about because I wanted to showcase Jade’s talent up close and “in your face” and the second reason (as previously mentioned) I love tight cropped face shots. However the full size version of this edit I wanted to put my clown in a decrepit, disgusting, smelly setting. Now of course you can’t “smell” an image on a screen, but I wanted that feel to come through in the edit. So I literally spent hours and days sifting through stock images that could be used for a background. All the while I am going from photo to photo I keep telling myself “you have the image you’re looking for” but I just did not know what. Let me clarify; while I am looking through stock images with my eyes and mind focused on a computer screen, another part of my mind is working diligently sifting through places I have been over the last few years, then of course there is that third part of my mind that thinks of over-throwing the world, sexy women, money and so-on. Funny how much can get done with only two brain cells, but the inside of my mind can be almost as scary as this clown lol.

After days of this… it hits me. Cell block 5 (1829 Creator: John Haviland, Eastern State Penitentiary.) Yes Cell Block 5 is a disgusting mess. Visitors to Eastern States Penitentiary are not allowed to enter into cell block 5. When you stand at the locked gate and look down the cell block, you get a true feeling of the horror that once was ESP in its hay-day. The place looks frozen in time, like an old closet that hasn’t been opened in 200 years, it smells like a grave. The smell is because (no joke) the place has been untouched for decades and has a smell of dirt, cob webs, mold and rotting wood.

While doing a photo shoot there in June of 2015 with Nicole I had stuck my camera inside the gate and captured some really decent images. I have edited one as a cover photo for the Reckless Pixel Facebook page (but is no longer in use). So this was the background that would work perfect for this edit. Not to mention the irony that Nicole is the clown and the background image comes from another shoot she did with me over a year ago.

Now I feel I need to explain that in the beginning I had envisioned this clown being scary, but in an organic sort of way and not in a generic “blood & gore” kind of way. In the first making of the movie “IT” which was actually a TV mini-series the clown Pennywise was never really seen devouring the little children of Derry. It was implied that the clown ate the arms of children… after all it was a movie made for TV. So I wanted my clown to have that same vibe. I want him to scare the bejesus out of you, but do it without holding a half-eaten arm in his mouth. So instead of putting gore props in the images with the clown I would rather put the clown in an evil setting. Now with all that said the average viewer of the image is never gonna know the significance of the background and I’m ok with that. Most of all I’m happy that the background is one of my own images and not a stock image.

I will have more edits of the Sinister Clown up in a day or so and there will be a video blog post too. Thanks for reading and have a great day.

Sinister Clown 1/125 sec at f/14 ISO 50 123mm Model Nicole Gallagher, SFX Makeup by Jade Alexandra Brown

Sinister Clown 1/125 sec at f/14 ISO 50 123mm
Model Nicole Gallagher, SFX Makeup by Jade Alexandra Brown

Sinister Clown in Renaissance Context (…To be able to work with such a person is a true pleasure.)

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Photographer Richie Smith Jr

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm
Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Photographer Richie Smith Jr

Sinister clown shoot is done! Yay team! Yes it was a team effort as it should be and it was a lot of fun. Our model Nicole Gallagher sat through an intense and extensive 3 hour makeup process. Our makeup artist Jade Alexandra Brown and her assistant Jordan applied a stellar HD look that was nothing short of amazing. The look was exactly what I wanted.

So the look was inspired by the images of the new “Pennywise the dancing clown” that will appear in the remake of the Stephen King novel titled “IT” that will be released in 2017. However in my conversations with Jade I stated that I wanted to make it our own look and not an exact replica. Jade did exactly that and I was awe-struck.

The wardrobe was a renaissance period piece that was rented from OSF Costume Rentals out of Talent, OR. Bruce hooked me up and the personal service was nothing short of amazing. He helped me with shirt choice and shoes. Although I ended up pulling boots from my own model wardrobe stash. The inspiration behind the renaissance  look came from Sacha Goldberger a photographer who had shot all the superheroes and villains in period renaissance attire. I thought it would be nice to bring that little piece of inspiration to this project as well.

The shoot started with portrait lighting and meandered through different creative lighting styles, some as simple as one speedlight placed on the floor. Other styles were more complex using strobes & colored gels, softboxes with grids and more. There was a short outdoor portion that used available light and some fill flash using a hand-held speedlight.

But once back in the studio things kicked into high gear and the really creative shots started to come together. Side lighting achieved with strip boxes & grids and was the most awesome shots of the whole session.

The shoot was not without incident; Jade’s airbrush crapped out half way through her application, although she worked her magic and recovered quite well. I on the other hand dropped a Paul C Buff Einstein 640 strobe while I was removing it from a softbox. I could not catch it, although I did slow the fall enough to dampen the blow. However it loosened the Pyrex dome that covers the flash tube and then the dome fell and shattered. $10 for the dome is not too bad vs $500+ for the strobe. The strobe worked fine just a little brighter lol.

In the end we were all ready to call it a day and we did. Kudos to Nicole for sitting all that time without as much as a whimper and huge props to Jade & Jordan. Jade is a true creative and a talent. To be able to work with such a person is a true pleasure. Thank you Jade and Nicole. Also many big thanks to “Tiny” my assistant who is like having not one, but two right arms. Tiny would always be there when you need him, the perfect assistant.

Please enjoy the image and there will be more and hopefully an image that will have some “pink” for breast cancer awareness. Thanks so much for reading.