Subjectivity (…like walking in the dark with a dim flashlight. .)

By The Sea

By The Sea


Art is subjective and photography is art. I once had to sit through a three hour meeting about sexual harassment. I was working at a company and all the employees were corralled into a general assembly and given bagels, sugary pastries and coffee. Then the meeting started as a well versed speaker took the stage and proceeded to tell us all the evils of sexually harassing a fellow coworker. I felt as though I was missing something… as if something was going over my head. I certainly know the difference between right and wrong and as a man I certainly know how to not be disrespectful to a fellow employee be it male or female. But where’s the line? Where is the definitive line? Certainly the behavior the speaker was describing and some of the scenarios were explicit descriptions of things I had seen people (both men & women) do many times in the workplace and no one ever got in any trouble at all. But I sat silent trying desperately to grasp something I had missed. Maybe it was the sugar high from the bagels… I must have missed something. So at the end the speaker asked if anyone had questions and I certainly did. I asked back (in a perplexed way); “While I understand most all of what you spoke of here today, I still do not understand when a person has actually been harassed? Where is that definitive line? The speaker quickly came back with the answer “there is no definitive answer, it is subjective.” Some people may like the behavior and others may find it harassing.” I said nothing, but I wanted to kill someone. You mean I had to sit here for three hours to learn that sexual harassment is subjective. Oh well the bagels were free.

So as a photographer and creative person who loves to produce images that fall somewhere between real and not real this topic of “subjectivity” for me is like walking in the dark with a dim flashlight. Like most all people I know I want to create images that are pleasing to others… but how? How and the hell do you accomplish this task if everything you do is “subjective?” So my answer is “I gave up trying a long time ago” and now I just have fun with it. I rely on composition skills such as rule of thirds, leading lines, rule of odds and so on. The rest is “whatever mood I’m in at the moment and what I have to work with as far as elements. As for; “does anyone else like it?” If someone is holding a print in their hand and they proclaim they like it, sure I take them seriously. If someone is paying me money to create something for them, then I truly believe they like my work… or they’re blind lol. If someone follows me on social media, keeps following me and comments in a heartfelt way, then again “yes” I feel they like what I do. But for all the followers who just push the red heart or hit the like button… that doesn’t mean dittly squat to me. And for sure, to the Time for Print models that come strolling along and fawn all over my work… just save your time and breath with all the honey tongue comments about how much you like my work. Just get to the point and ask if you can have free photography. I know that all sounds a little harsh, but I’m just laying out the facts and these words come without anger, but they do come with reality. Remember it is all subjective and money is what pays the bills, not hearts & likes and sweet comments.

However I am very happy with these two images and I would like to unveil them here on my blog for the first time. Thanks for reading and have a great day everybody.

Stadium Game Face

The Iron Factory Collection (…for some images I used an Asian broom for a background)

Model Kendall Strample

Model Kendall Strampel

So nice to see a project come to completion and on schedule, this is a great feeling. The overview of the project is to take the images of the two models that were shot at the very end of last summer and make final composites using images as background that would be captured while I was traveling in Thailand in November & December. My goal was to create about ten final images that would be named the “Iron Factory Collection.” Named after the studio in Philadelphia where the images of the models were captured. Completion was set for late January.
Capturing the backgrounds was difficult to a certain degree and I did not want all the composites to be comprised of “a model with a scene behind her.” Although scenes with building or landscapes are nice, I also like to use objects and make them abnormally large. For some images I used an Asian broom for a background and for another I used a large leaf from a plant and I still have a few other objects that I have not edited yet.
The goal of making a collection is really secondary to the other objectives of this project. I wanted to prove to myself that I could lay out a photography project that focused on compositing and follow it through to completion. Along the way there would be collateral benefits, meeting new people, experimenting with new techniques and most of all gaining more experience with my compositing skills.
I’m very much drawn to the art of compositing. I always knew photography would be a mere stepping stone to something of a higher level. The joy for me is found in the ability to create something and have the freedom to take it higher and away from the standard portrait of a person. The freedom is good; however there is the challenge, the challenge of keeping it within the realm of not making the scene something of pure unbelievable fantasy. I do like to create pieces comprised of crazy abstract scenes that one may call “art.” But compositing is the focus of my direction at this time.
So at this time I still have a few Iron Factory Pieces to finish and I’m already in the planning of the next compositing project. No rest for the weary? Hardly… When you’re doing something that excites you and challenges you it almost seems effortless.


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