Sinister Clown in Renaissance Context (…To be able to work with such a person is a true pleasure.)

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Photographer Richie Smith Jr

Sinister Clown 1/125 sec at f/7.1 ISO 50 88mm
Model Nicole Gallagher, Makeup Artist Jade Alexandra Brown, Photographer Richie Smith Jr

Sinister clown shoot is done! Yay team! Yes it was a team effort as it should be and it was a lot of fun. Our model Nicole Gallagher sat through an intense and extensive 3 hour makeup process. Our makeup artist Jade Alexandra Brown and her assistant Jordan applied a stellar HD look that was nothing short of amazing. The look was exactly what I wanted.

So the look was inspired by the images of the new “Pennywise the dancing clown” that will appear in the remake of the Stephen King novel titled “IT” that will be released in 2017. However in my conversations with Jade I stated that I wanted to make it our own look and not an exact replica. Jade did exactly that and I was awe-struck.

The wardrobe was a renaissance period piece that was rented from OSF Costume Rentals out of Talent, OR. Bruce hooked me up and the personal service was nothing short of amazing. He helped me with shirt choice and shoes. Although I ended up pulling boots from my own model wardrobe stash. The inspiration behind the renaissance  look came from Sacha Goldberger a photographer who had shot all the superheroes and villains in period renaissance attire. I thought it would be nice to bring that little piece of inspiration to this project as well.

The shoot started with portrait lighting and meandered through different creative lighting styles, some as simple as one speedlight placed on the floor. Other styles were more complex using strobes & colored gels, softboxes with grids and more. There was a short outdoor portion that used available light and some fill flash using a hand-held speedlight.

But once back in the studio things kicked into high gear and the really creative shots started to come together. Side lighting achieved with strip boxes & grids and was the most awesome shots of the whole session.

The shoot was not without incident; Jade’s airbrush crapped out half way through her application, although she worked her magic and recovered quite well. I on the other hand dropped a Paul C Buff Einstein 640 strobe while I was removing it from a softbox. I could not catch it, although I did slow the fall enough to dampen the blow. However it loosened the Pyrex dome that covers the flash tube and then the dome fell and shattered. $10 for the dome is not too bad vs $500+ for the strobe. The strobe worked fine just a little brighter lol.

In the end we were all ready to call it a day and we did. Kudos to Nicole for sitting all that time without as much as a whimper and huge props to Jade & Jordan. Jade is a true creative and a talent. To be able to work with such a person is a true pleasure. Thank you Jade and Nicole. Also many big thanks to “Tiny” my assistant who is like having not one, but two right arms. Tiny would always be there when you need him, the perfect assistant.

Please enjoy the image and there will be more and hopefully an image that will have some “pink” for breast cancer awareness. Thanks so much for reading.

Sinister Clown Project Shoot (As far as looks Nicole is everything Pennywise is not. )

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I am just a week away from my most planned out project shoot of 2016. I had set a goal at the beginning of the year to “create images with impact” and unlike the typical new year’s resolutions that fall by the wayside a few weeks into the year, my goal still haunts me. It has been a struggle; however I have created a few images that are portfolio worthy. When it comes to my portfolio it is like a game, there are self-imposed rules. First rule is that there are a certain number of images in the portfolio and in order to add an image I must take an image out. So essentially the new image has to dethrone another… and that is the hard part, deciding what goes and what stays and what new images are worthy to add. So this first rule really does dictate most everything.

With all that said I started the year off pretty good with the close distorted facial shot of Nixlot Dameus, it was different, it was creative and it was planned. I hit my mark and I was happy. I could also say the same with the “Ice Princess” look I did with Kendall. Although the shoot was cut short due to time spent on makeup I was able to get an image that was worthy of making a composite that was then worthy of portfolio contention. Then came Ryan McNally and his shoot while being more of a test shoot, it still yielded a good image worthy of gracing the portfolio pages. Many times people helping me with a shoot such as an assistant or even the model are often surprised to hear me say “well… if we come away with five good images today I’ll be happy.” They usually look at me like “he’s got to be kidding” or “he must be a horrible photographer,” when in reality I’m totally serious. Hell if creating portfolio worthy images was that easy, life would be no fun.

So this leads us to the present day turmoil of the “Sinister Clown” shoot. I spoke about it in my latest video update on the YouTube channel, but I will elaborate a little more here.

So to recap; Stephen King wrote a short novel of 1156 pages called “It” and there was a movie or rather a TV mini-series created in 1990. The book is impeccable and King is at his best. The movie was not so great. In my opinion the movie started off great but it started to falter about midway through. In all fairness putting King’s writing into a visual form like a movie is extremely hard to do. So when I see the new revamped images of Pennywise the dancing clown that will appear in the remake of “It” due to be released in 2017, I was really taken back and became very interested. So much so that I decided to use those images as an inspiration for a detailed project photo shoot. Pennywise is one of the many forms that “It” takes on while in our universe and he feed on the flesh and fear of young children. …I know …King is a master at this kind of stuff. So I called the shoot the “Sinister Clown” shoot and proceeded. Now truth be told I had already had an idea for a clown shoot and my original idea was very much the same although not as intense.

So there were many things to plan. Who would be the model, who will do make up and where the hell can I get decent wardrobe. After all I want this to be… as makeup artist say “an HD look” meaning “high definition.” “HD” is the big buzz word these days in the makeup and FX world. We used to say “movie quality” and now it is HD… Whatever!

So I asked a cosplay model who dresses up as a clown often and she was all in. Well until her personal life took a turn and she was relocating. So here we go we are hitting barriers before the race even starts.

I put a casting call out on Model Mayhem. Well let me tell you there is a reason why it is called “Model Mayhem” and that Mayhem part is a wild ride. I specifically asked for models that had experience in “cosplay” and it resulted in getting hits from models who clearly can’t read.

Then I get one model that looks valid and appears to be creative, says “yes” and she can do her own makeup and I tell her what the inspiration is for the shoot. She agrees and then starts adding her own inspiration that is not in the same direction as mine. Essentially what turns me on about the new Pennywise is that he does not look like a standard clown. In the 1990 movie the clown was very standard Claribel-ish or Ronald McDonald-ish. The new Pennywise scares me… and I’m not afraid of clowns at all. So this model wanted to go in a different direction AND… after all that she tells me she will be free in a few weeks. Hello…

Here again it is hard to convey your passion, inspiration and importance to others. So when you do find that special person that clicks it is like being in love, two creatives on the same level is rare and amazing all at the same time. I have to stop and say that every one of my project shoots gets treated as if it is a paid shoot. That my friend is how you learn and how you get better. My projects have deadlines and must meet my expectations to be considered a success in the end. Sure it creates stress, but I always say “no stress, no success” and that is how I roll. Now I don’t always transfer that stress to a model because I want him/her to be relaxed and natural. All the while I’m the one stressing over the shoot.

So two years ago a young lady by the name of Jade left a really nice heartfelt comment on my Mayhem page after viewing my work. I reached out to her and thanked her. We had a wonderful phone conversation and I got the feeling she was a true creative person. I ran off to Thailand a few weeks later and we lost touch. But I remembered her and I found her again. I presented the idea to her and she was down with it, so I commissioned her to do the Sinister Clown look. She has given me a hope of confidence that she can create an HD look.

So now for the model… Oh the model? So I changed direction and went 180 degrees the opposite direction. This cannot be a Time For Print model, this has to be someone who can take direction, someone I can trust to show up and someone I like to work with. So I asked Nicole Gallagher the beautiful face you see on the opening page of my website. As far as looks Nicole is everything Pennywise is not. She is pretty, elegant, female and just a really sweet person to work with. Pennywise on the other hand… well is an evil rotten clown with fangs. But Nicole holds all the qualities to make for a great shoot. On time, takes direction well and is a cool person to work with. So I asked and she said yes, yes to sitting for 2 plus hours while Jade applies the FX makeup that will be composed of a special prosthetic head-piece that Jade will custom make.

Now we have a model and a makeup artist, all we need is wardrobe. So I got an idea to shoot the Sinister Clown in a “Renaissance” context. I had seen it done with Batman, Robin, The Joker, and The Cat Woman and so on. This then entailed many hours of searching on the internet and those hours turned to days and finally I found a rental place in Oregon that had something that I hope will work.

And lastly I will say that I am currently working on lighting diagrams for all the different shots. So yes this shoot is complexed. Will it turn out great images? Time will tell. And as a side project I hope to shoot a time-lapse of the makeup application as well as behind the scenes video.

Please stay tuned and I will be talking more about this project in the coming days & weeks.

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