1920s Flapper Girl (Soon the project turned into an onion of sorts with many layers.)

Nicole Gallagher 1/160 sec at f/3.2 ISO 320 160mm. Hat by Patricia Josephine Antique Style, Dress & gloves from Unique Vintage Makeup by Ambre Baxter

My latest photography project has many layers to it. It started out as a straightforward project themed around the stereotypical 1920s Flapper Girl. Soon the project turned into an onion of sorts with many layers. I really don’t know where or how the idea it started; but I think it was when I was looking at some old silent film footage and seeing women dressed in the cloche hats and stockings rolled at the top.

In the past I had read much about the women of the roaring twenties. Although it was way before my time, the one thing I always remembered about it was that it was a “time of big change” for our country and women were part of that change. The 19th amendment to the constitution ratified on August 18, 1920 gave women a right to vote. This certainly was a time of change and the “Flapper” came to life. Flappers were already on the rise and there is also much debate as to where the term flapper was born and to what it actually meant. Wikipedia describes Flappers as such; Flappers were a generation of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles, and otherwise flouting social and sexual norms.[1] Flappers had their origins in the liberal period of the Roaring Twenties, the social, political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.”

So as I do with all my projects I started off with hours of research and reading, and to some this may seem boring however for me it serves a purpose. It gives me time to relax and read (I love research reading) and while reading it gives me ideas and also helps me solidify my thoughts of a specific look. It also helps me find what looks I don’t want to do. For example I did not want to go with a Gatsby style look. At first I did want the Gatsby look and then as I researched I realized the look would be rather generic at this point do to the movie being out a few years back and… well I just wanted a different look and feel. I think the biggest obstacle was wardrobe. While there is so many websites that offer so called 1920s style dresses, they are not at all 1920s style. Any moron can Google 1920 era images of women and easily see that the wardrobe offered today that is listed as Flapper style is hardly that. Hats were the hardest to find. Finding a hat that actually looked like a true 1920s style is practically impossible if you want “just an everyday” hat. Fancy hats were easier to find. Subsequently I had to compromise; I used three hats and one turban. The turban looked authentic and while two of the hats looked amazing they still were not authentic to the time period. Shoes were easy to find, that was not a problem.

I chose to go with a “day dress” look rather than the evening or party attire of that period. In the beginning I was going to shoot two looks with one model. I then thought; why not add another model and shoot one look on each. As for dresses I found Unique Vintage, a website that had dresses that fit the budget and they really looked pretty close to 20s era dresses. Although the fabric would be different it would not a big deal at all.

As for models; Kallie was my first choice because she is new and I wanted to give her camera time. But when I thought of Smithville Mansion as the location and I also thought of Nicole Gallagher. She is the one who first introduced me to the location and she is perfect for the shoot. Her posing is awesome and she has a rounder face (as opposed to angular) that was classic to the Flapper look. Flapper makeup techniques purposely made their face appear rounder as opposed to most current makeup techniques that give an angular look. So I used both Nicole Gallagher and Kallie Pyatt. This worked perfect because of the hot weather I was able to shoot each model separately without the heat & humidity killing the look. It damn near killed me, but the models did fine.

Kallie Pyatt 1/125 sec at f/6.3 ISO 640 155mm Makeup by Ambre Baxter, dress by Unique Vintage, hat by Patricia Josephine Antique Vintage

For a makeup artist I reconnected with Ambre Baxter and she was amazing. Doing makeup on location in the heat is truly a challenge. However both models looked amazing and again not 100% true to the period, but good enough.

Project goals: This project had several layers to it as I had stated at the opening of this post. First was to create a Flapper Girl look, using day dresses. I wanted the looks to be as if she was a 1920s girl out and about in the daytime. Kallie’s look was a little more reserved than Nicole’s look and neither girl looked as if they were heading to the party or jazz club.

Second goal was to shoot a good portion of this shoot on 35mm film. As of this writing I still have not received my 35mm scans, but I’m hoping for the best. I used CineStill 50 Daylight in two cameras, a Canon EOS 650 film body with an f/1.4 50mm prime and a Pentax Spotmatic with a f/1.4 50mm prime. I also used Ilford Delta 100 (B&W) with a Canon EOS 650 mounted with an f/1.8 85mm prime. I have had the film just waiting for a project and this was the project.

Third goal was that I always wanted to shoot Nicole at Smithville Park because our very first test shoot was supposed to be at that park. However the day we went to shoot there was a huge event taking place and we couldn’t even get close to the park, let alone into the park. We opted for a second location and went on with the shoot. However Smithville Park is a place that is very near & dear to Nicole for personal reasons and I always said to myself “someday we’ll shoot there.” And now we did.

Fourth goal was to give Kallie more camera time. She is new and she is advancing I see her getting better with each shoot. She fun and easy to work with so why not.

Fifth goal was I needed a new cover photo for my business Facebook page and as crazy as it sounds I take cover photos very seriously. Your cover photo and profile photo are your first impressions when a newcomer first visits your page. “First impressions are lasting ones” as they say (whoever they are lol).

Sixth goal was to get at least one portfolio quality image out of this shoot and I can safely say this was accomplished.

In closing I would like to say the shoot could have been better… it can always be better, but I’m very happy with what I did get from it.

I will write another post when I receive my scans and I discuss shooting with film and the techniques I used.

Thank you for stopping by and reading. Have a great day.

 

 

 

Energy Failure (…bounding through the door hyped on two lattes, one espresso and a bottle of 5 hour energy)

Chevy Corvair

“It is all about energy and without energy life is flat.” That statement holds more meaning than one could begin to interpret or write about in a single blog post. Sure you don’t get enough rest and you wake up lacking energy and your day runs kind of flat. But it gets much deeper that; Why I’m gonna bet that if you thought about the most memorable concert or music performance you ever attended, it was packed full of energy. That was one of the key components that made the performance so memorable. Sure you may have like the band or the performer/singer, however if the singer came out on stage and just sat on a couch and performed… well I think you see my point.

On a photography level and speaking in the realm of photo shoots energy is paramount to capturing great images. Even if the mood of the shoot is meant to be somber and there is no smiling, there still needs to be energy. And this is the very reason I have chosen this topic to write about today. Because I feel that energy is the key component (or lack of) that is missing in many photo shoots. The truth be told, lack of energy is missing in a lot of areas of our lives and I’ll talk about that later. But for now let’s break it down by each individual who is part of the photo shoot.

So does the photographer really need to have a lot of energy? Isn’t he/she the one who should be capturing the energy? Ok, so the answer is “yes and yes.” Sure the photographer’s job is to capture the moment (oh god here comes the clichés) but at the same time the photographer is the leader and the catalyst between this world and the eternity of the world where the frozen moment of the image will live. As much as capturing images and the technique of lighting the scene the photographer needs to draw the energy from the talent/model and this is not always easy if the talent is not at a professional level.

Scenario; your hired to for a private shoot, the subject is not a professional by any means. It is a girl, she somewhat shy, she has never had a professional birthday photo shoot before. She looks like a deer in the headlights… what do you do to get energy injected into this shoot? I’m not going to go into a long detailed synopsis, which would be for another post. But rather I just want you to see in your mind how those images are going to look. “Flat & boring” are just two words that come to mind.

Makeup artist… really? They need to have energy too? Sure it is the whole positive vibe thing, you know how infectious a smile can be and having energy to go with that smile will really help any job, photo shoots included. Now I’m not saying the makeup artist needs to come bounding through the door hyped on two lattes, one espresso and a bottle of 5 hour energy drink, that might be a little (or a lot) too much. And I am using the makeup artist as an example for anyone who is working the shoot. So the same goes for lighting assistants, hair stylists, wardrobe, and art directors and so on. I know it sounds hokie , but it is so true, everyone needs to project a positive vibe.

While all this sounds so obvious it still really is in my opinion why many photo shoots fall short of capturing great images. You could have the best of the best camera equipment, lighting, location ect… but if the energy is not there you’re on a sinking ship. And just the opposite; you do not need $10,000 of equipment if you have good energy.

The model; Ok so if he/she is a professional most likely they are bringing their own energy to the shoot. After all I said they are a professional and that is most likely one of the key things that has raised them up to a professional level… they have drive and they have energy. However what if your model is new to this, they are nervous, they lack experience and they just don’t project that energy. Again I’m not going to go into how to solve this problem; this post is more about identifying and understanding how lack of energy is a huge problem. Many new photographers fall short of identifying this missing component in the beginning. New photographers are focused more on camera gear, lighting and just hoping the talent and makeup artist show up on time.

The biggest way I have found to keep the energy level up and flowing is by “planning” and more planning. Having a plan gives you comfort and this will add or keep energy flowing. Many times I will deviate from my main plan, but not by much. Some things are obvious such as everyone knows the time, date and location of the shoot. However it is the little things that can mean big problems. Now I could go on a long tangent of “what ifs” but for an example; the shoot is an outdoor location and we had to walk to it from the parking lot. Only a fifteen minute walk, but what if a rain shower comes? It only rains hard for ten minutes and passes. Where does everyone take cover? If everyone and everything is wet… well I’m betting energy level will be in the negative lol. And again that is just one “what if” that could have been easily avoided with proper planning. There are many things that can tax the energy from the shoot.

How about your energy? Your personal energy level is important. Did you get enough sleep? Seriously for me this is a big one, because I seem to most times stay up later that I should working or just watching Netflix. But when I think about how important the job is and how good I feel when I sleep early and wake early. Waking early after a good sleep for me is such a good feeling, not to mention the fact of how relaxed life is when you’re not in a rush. I have time to sit a drink that morning cup of coffee, maybe walk a little extra with the dogs, rather than racing around with the dogs and drinking the coffee on the go in the car. I never eat a large meal before a big shoot, but I do eat something. A large meal will slow me down and having no meal is even worse. I tend to snack and I try not to drink too much so I don’t have to keep taking bathroom breaks. After the shoot a nice sit down meal is so nice and enjoyable.

Look around and give it some thought, energy truly is the key thing to all performances. And a photo shoot is just that, it is a “performance.” You’ll know you’re doing it right if at the end you are tired, depleted and spent. And that holds true for pretty much anything, whether it be an athlete running a race, a stage performer or someone looking after children all day. To do any job right you need to expend energy, to create something you need to expend energy, both physical and mental. And when you expend energy you project energy and a vibe. Projecting good energy is like projecting a smile, it is infectious and contagious. Or it scares people, positive vibes and good energy make some people uncomfortable and they just can’t handle it, and that is ok. Either they come on board or they leave or avoid it. If your smile can not make another person smile it is ok, maybe they’re having a bad day or they are a miserable person. I have no problem with them personally; however they cannot be part of my photo shoot.

Your energy comes from more than one place or maybe I should say there is more than one kind of energy. You have your personal energy, you slept well, you have a plan for what you’re doing, and you have confidence. Confidence is like a smile, if you are confident about what you’re doing and you’re the leader the vide goes out to everyone. Then there is your reputation and as they say “you’re only as good as your last performance” although I tend to not believe that whole heartedly because we all have a bad day or a bad performance at some time or another. However I think more over it is the fact that others had a good experience working with you and therefore more people want to be part of whatever your next project is. I call it the “Tom Sawyer” effect. Although I am not being punished to do something as Tom Sawyer was being punished to paint Aunt Polly’s fence. I do find that if you project a good vibe, have lots of confidence and you generally seemed happy about what you’re doing, people will join in… Of course money always helps lol. Money is a motivator but it is not an energy maker. Money will get people to show up to work as millions go to their daily jobs every day. But do they go to work with energy? Hell no! People of all skill levels from doctors to janitors (no disrespect to either) go to work each and every day just waiting for the day to be over as soon as it started. While I’m not a big fan of this thing called “work” I am a big fan of feeling good about what I do. Sure I have days when I just feel down and not so… full of energy. But if I have a big job (photo shoot or otherwise) I know the key to completing the job with a successful outcome is energy.

Many times when I see a local band playing I will see a huge lack of energy. They’re playing a good song, they’re all in key and they sound good, but they don’t sound great… something is missing. They lack energy. They lack that pure raw power or energy that a great performer can put out. And again it is not all physical it is also mental in most cases it is a synergistic effect that comes from both. Think of any good entertainer that ever took to the stage whether it be Billy Joel sitting at a piano or Mick Jagger, Steven Tyler and of course the list could go on and on, but you get the point. I am a huge AC-DC fan and I am also a guitar player and I can play a few AC-DC songs pretty damn good. But could I ever project the energy that Angus Young projects while he is performing? Just watching him makes me tired and again I am just using him as one small example. But when I walk into a club or a bar and I see somebody covering an AC-DC song… sure the song sounds good, the singing, the guitar, but most times the energy is not even comparable. This just confirms the difference between one who has learned how to play the guitar and one who has learned how to play the guitar and use it to master the art of performing while playing a guitar.

Ok, so let’s apply this concept to photography. There are millions of camera geeks out there that know all the tech specs of their cameras and their neighbor’s cameras. They can even tell you all the specs of the cameras that haven’t even been released yet. They spend hours, days and months reading the camera gaga on the internet. So while they have this vast data base of knowledge filling up their brain, subscribing to every tutorial site and taking in every camera expo, they still cannot create and to them energy is something that comes from a rechargeable battery. They’ll never “get it” and some don’t really “want it.” “It” being the ability to use a camera to find energy and capture it or to pull energy from the model or subject and capture it. I’m not here to say it is easy nor am I saying I have mastered it. What I am saying is “without it, you’re just another Saturday night bar band chugging away at playing a tune someone else created.”

So I will say it again “it is not about high dollar gear or fancy cameras” but rather the ability to create energy and capture energy. Learn how to use your tools, your camera and your lights, learn how to pose and after all of these things are in place create some energy and capture it.

Thank you for reading and have a great day.

 

Summer Fun (Most important thing was keeping air in the bicycle tire and playing in the creek.)

Summer Fun Model Kallie, Styling by Lenzwizard
1/125 sec at f/3.2 ISO 100 80mm

Nothing says summer in the country like “playing in the creek.” As a small boy I can remember so many good times (and some bad ones) of playing in the creek in the summer time. I can also remember playing in the creek in the winter time, but that is a story for another day.

Ah summer time, no school, no shoes, no shirt, not a care in the world. Most important thing was keeping air in the bicycle tire and playing in the creek. It might be swimming in the creek that would most likely be the case if it was scalding hot and dripping humidity. But just playing in the creek was where all the real fun was at. Walking along the edge or in the water, it really didn’t matter. Muddy legs and little cuts and scrapes that you never realized were there until later that night.

Skipping flat stones, lifting rocks just to see what was under them, trying to catch a fish with your hands… or just walking the creek to see where it goes. Slipping and falling and getting back up as if nothing ever happened. When I think back about it, and I mean really think back, past all the nostalgic surface memories and dig down deep… still I remember it as fun, just good ole fun.

So cut to 42 years later I’m still playing in the same exact creek. I’m at a spot working a project shoot with a model. While she is walking in the water to position herself, my mind is drifting back to how many times as a small boy I waded that same water with my childhood friend. Talk about surreal and “Déjà Vu” to the tenth power… I never dreamed as a boy I would be back there as a photographer. But still the best thing about all today was… summer fun. The weather was absolutely amazing, not too hot, not too many bugs, no snakes… No snake is always a good thing lol. After the shoot I felt just like that little boy who rode his bike there 42 years ago… I didn’t want to go home; I just wanted the day to last forever. But we had the shots we needed and we reviewed them, we were done. I’m sure Kallie will remember this day too. She looked amazing. Here is one of the looks from the shoot.

Thanks for reading and have a great day.

 

Game Changer (5 years ago I never thought I would have a way of capturing images like this… )

Hagedorn 1/470 sec a f/2.2 ISO 100 Mavic Pro

Today was a great day. I had most of the early part of the day free so I decided to do what I almost always do when I have total free time and that is go out and find something or someone to photograph. So today it was something, it was an old abandon psychiatric hospital up on a mountain top. One of those creepy places where people say it is haunted and of course yes I was trespassing there is no way of denying it. And actually that is always my plan of action if the police arrive. I never try to deny the obvious. If an officer/s shows up I (in a natural way) use a lot of “yes sir-no sir” and when asked what I’m doing I just tell the truth. So far when caught I have most times been asked to leave and that’s it. Today I did not venture in the in the building, because that would require another person and would surely not be good to get caught in there.

What was most exciting was the fact I had something new to work with… a new camera you might ask? Well yes as a matter of fact it is a new camera, but it is attached to a drone. This is a true game changer when it comes to photography and video; however I just want to focus on the photos for this post.

Hagedorn 1/900 sec f/2.2 ISO 100

The camera is not all that great as far as cameras go. You can see my video rant about the camera here. https://youtu.be/xx_wBBsx-7E Really it is only two-thirds of a camera because the aperture is fixed. This leaves only shutter and ISO for adjustments. Simply put it is a cell phone camera attached to a really nice gimbal that is attached to really nice drone.

However if you work a cell phone camera well enough you can capture some amazing images. The main thing is “stabilization” and this Mavic Pro drone is utterly amazing how it can hold position even in wind.

So that’s my day, I spent the morning working with the drone taking aerial photos and then editing them. It was very peaceful up on that mountain so quiet, just me and the deer and a buzzard dodging at my drone. 5 years ago I never thought I would have a way of capturing images like this, unless of course I was in a plane or helicopter. Now it is as easy as finding a place to take off and a clear line of sight. I was about ¾ of a mile down-range from the buildings; I never went near them at all. I let the drone do all the work.

I’ll have more drone shots soon. Thanks for reading and have a great day.

Morning Smile ( Beauty & youth are synonymous and when you add a natural smile it just melts my heart.)

1/1000 sec at f/2.8 ISO 320 140mm

 

Ok so “street photography” is supposed to be for the most part an unmediated chance encounter.

While it borders on being “candid” there is still a difference. And for those who may not know; no you do not have to be in the street while capturing street style photography.

So let me talk about these two photos because they both are at the top of my all-time favorite street style shots.

I have blogged before about the morning in 2012 when I created a project where I would stand in the village street at the busiest time of the morning and I photographed everything that passed by or that came within 3 meters of me.

It was a lot of fun and I captured some real interesting images. Now first let me say that while most photographers will show their “street style” photography in black & white and I love my black & whites. However I have always had the mindset that because

Thailand is one of those places in the world that is so vibrant in color I personally feel I need to show the color. For street I try to refrain from using “saturation” but sometimes I will break that rule too.

1/640 sec at f/2.8 ISO 200 90mm

Ok so I love this image for mainly one reason and it is her smile. Her smile is so “in the moment” and natural. I did not know her nor did I think she was actually seeing me.

It is kind of hard to miss a big white guy standing in the middle of the street with a full frame camera and a 70-200mm lens.

With that said; many of the people who passed me by that morning never even looked my way, and again I was no more than 3 meters away.

So while I was shooting the burst of about 3 to 4 shots I remember seeing her smile in the view finder and I instantly thought “unusable” I’ll have to delete them because most times when people know your taking their photo… well it just doesn’t look natural.

But this was different because she was not moving slow and as she was approaching I was face away from her shooting something that had just went by. When I turned I had the camera already up and in position, essentially the total time was like 3-5 seconds.

So for her to see me and crack such a beautiful smile (and a peace sign) so quickly while her front passenger is more than clueless just adds to the excitement of these images. Beauty & youth are synonymous and when you add a natural smile it just melts my heart.

While the images are a little soft on focus the content more than makes up for the lack of sharpness, this is the case with many great street style shots.

 

So for those of you who know me personally and hear me talk about the village my wife is from… well this is a typical morning scene right outside our front door.

 

 

I Did It! (…not just sit on a porch smoking cigarettes and posting countless selfies. )

So I guess it is official… As of today I am a web entrepreneur. I received my first payment from my Amazon Associates account. I opened my associates account well over 10 years ago and never did anything with it. Actually at the time I had no idea what to do with it, but I knew one day I would find something or someway to make it work.

I started a blog several years back to complement my photography website. Why? Because that is what someone (who is a whole lot smarter than me) told me was the right thing to do. They also told me that if I ever wanted to have a chance at making any money from the web in any way form or fashion that I needed to learn how to use social media and not just sit on a porch smoking cigarettes and posting countless selfies. She also told me to stay on top of social media with it ever changing tide. So I did.

I also started blogging for a second reason and that was to better my typing skills and work on my writing and composition skills. I have to say my typing has become somewhat faster, composition is better as well as grammar. I said “better” not perfect.

I proclaim that I am the world’s worst blogger and I would never recommend anyone ever to follow my blog, but somehow almost 200 people from around the world subscribe and actually read what I write. I never wanted to fill my blog with advertisements because I feel that it makes your content seem forced, like your writing stuff just to get people to click on it so you can get a few pennies for the click. After all this is where fake news comes from… people who write bullshit just so other people will click on it. Over half of the people on my Facebook friends list are bait clickers. There other half on my friends list seem to know what click bait is and stay away. The bait clickers are also the ones who have a ton of malware in their computers and their phones lol. Either way as of now my photography blog will remain ad-free other than posting links on where to buy or review a product that are photography related.

My soon to start up BBQ blog will also remain for the most part ad-free other than product links. This blog will support my catering business website.

My photography YouTube channel is where my Amazon revenue is generated. The power of vlogging is awesome if you know how to do it. I started off with making instructional videos for beginning photographers to learn how to navigate Adobe Lightroom. Three years ago I placed the videos on Vimeo where they were ad-free and made me no money at all. Then I placed those same videos on YouTube and monetized them. I also started making new Lightroom videos. Then I started actually vlogging, but on a very amateur and sporadic level, not to make money, but to have video content to edit… so I could learn how to edit. However while making the video content I thought it would be nice to make something meaningful such as review the gloves I wear when using a camera in the winter time. This would give me a video that I can link to a product on Amazon and also give me content I can use to learn how to edit using Adobe Premiere Pro. This in-turn lead to making little short videos that let me work on camera technique and storytelling. I received a lot of positive feedback from my short video “Autumn Day at the Temple (4:35) https://vimeo.com/144312373 . It was actually very easy to make because I had a 100% vision of what I wanted and I shot the whole thing myself with no help at all. If only everything I did was that easy. But before Autumn Day at the Temple, came the behind the scenes video of a photo shoot I did with Kendall. I shot a few of the opening scenes and the rest was shot by Kendall’s mother Cheryl. I handed her my camera and asked if she would shoot while I worked. She did and I edited it, put it all together and it again became a huge hit with young girls. Nearly every young lady (16 to 25) I meet who has seen that video wants to be the girl in the video (Kendall). Why? Because Kendall looks like she is having so much fun and truly she was. I was having fun too, but truth be told here for the first time… I was actually dying that day. I had a high fever and walking pneumonia, I knew it, I had been sick for a week leading up to that shoot, but wanted to keep going because we had postponed it once or twice already. I just kept telling everybody my voice was messed up because I had allergies. After it was posted not much happened, but as time passed and girls seen the video I started to get more and more calls. Just the other day I had a girl ask me “can I hire you to do a shoot like the girl in the chair in a field?” https://vimeo.com/143212998

I also follow other bloggers and vloggers. Casey Niestat is all the rage for the past few years and I do follow Casey. I feel a lot can be learned from how he works and his style, I feel he is one of the greatest creators of our time. However I would never try to duplicate him as tens of thousands are doing at this very moment. But the big thing I learned from Casey is that you can make money from placing product links in your video description.

Instagram… oh how I love thee. I only have just fewer than 600 followers but they are a rock solid core group. From them are several people who are actual fans of my photography and they really like what I do. They are people from all over the world from all walks of life. Some are school kids, movie stars, news reporters, champion cyclists, journalists, moms, dads, book writers, doctors and a few friends thrown in along the way. At the same time I follow and interact some of the most interesting people… like a surgeon who takes us on his journey to the make-shift operating room in a third world nation while he saves young children’s lives and then photographs the stars at night. Very powerful photography! Or seeing the strongest teenager in the USA set a weightlifting record. Or my friend in Africa who cares for wild animals. Yeah I love my Instagram, very little drama and very little click bait.

So will I get rich & wealthy from the web? Most likely not, but if I can make $26.59 cents in 4 months I know I can make more. Funny thing is anybody can do it. It is a true testament of how easy it is to make money with a video camera and a little creativity.

Color Grading (…while others are looking at you like your asking if you can sell their child on the black-market.)

Model Nicole Gallagher 1/160 sec at f/2.8 ISO 50 88mm Color Graded

Color grading has been around for a very long time, used both in photography and cinematography. The names have changed as time and technology advance. What some refer to now as “color grading” was on once called “color timing” during the film era and was accomplished in a laboratory or darkroom by adjusting the exposure process during the developing stage of the film. Mostly used for color correction and not so much as an artistic tool. In the cinematography world it was primarily for color correction although the process was a lot more complex, requiring vast knowledge in dealing with correcting color for television tube screens. So todays “color correcting” has become a lot easier and nearly all is performed digitally making life a lot easier. I do color correcting using the X-Rite Color Checker and correct everything from camera to the monitor I use for editing. So what I now refer to as “color grading” is more of an artistic tool rather than a correcting tool.

So why color grade? Because it can lend an artistic value to your images or video work. Both photographers and videographers like to use color grading as a way to give an image or a video scene a certain vibe, feel or mood. Color grading is important because it could be what sets you apart from the crowd when it comes to editing. It is very common in movies to create a “look” for the overall movie that in-turn creates a “feel” or “mood” for the whole feature and individual scenes will vary from the main look based on the lighting, color, time of day ect… Examples are movies like Manchester by the Sea that has a rather soft and somber vibe due to the nature of the plot dealing with a lost loved one. As opposed to Hacksaw Ridge that has a very “high contrast” look do to the fact that most of the scenes take place on a battle field during intense fire fights.

So let’s step back a few years to when I was a beginning photographer and like most I was obsessed with “trying to make my images look professional” and could not figure out why I was failing. First let’s describe “professional” because a nice fashion shot certainly has a different look than say a nice sport shot. For me it was fashion photography. I would look at a magazine (remember them?) ad or editorial and fall in love with the image’s vibe. Not so much the content of the image, but more so with the way the image looked… the feel. Sure the image may contain a nice looking person in wondrous wardrobe (or lack of wardrobe) or it could be an advertisement with just a wrist watch. Either way I would sit and wonder what they did to make the image look the way it did. So when Photoshop found its way into my photography I already had several things in my mind I wanted to learn how to do. Sure basic editing comes first, along with just figuring out how to navigate through the universe that is Adobe Photoshop. But soon I was trying my hand at color grading although I had no clue what I was doing. Then I started asking other photographers their techniques and ideas on color grading. …of course as always the case with photography some photographers are more than willing to share while others are looking at you like your asking if you can sell their child on the black-market. Then of course there is the “oh just go to my website and download my tutorial” for a mere $99. So I basically continued on my own and bought a $10 automated (prerecorded) Photoshop Action or two along the way. I would analyze the layers of the action and it soon became apparent that I was doing it that way all along. But I had other ways to color grade that were sometimes so much easier than creating layer after layer in Photoshop. Adobe Lightroom has some really nice tools for creating awesome color grades and saving them as presets. This of course leads to photographers and websites selling Lightroom and Camera RAW presets, and this is fine, but I would suggest finding free downloads over paying for them.

So for my workflow I always start in Lightroom and if needed I head over to Photoshop and I finish back in Lightroom. I would say for me; 80% of the images I color grade I do in Lightroom, the rest are done in Photoshop. Also with the power of having Adobe Camera RAW as a filter in Photoshop I could technically do everything in Photoshop; however I like to save my master file without a color grade and make a separate file with the color grade.

So day we still see color grading as a strong artistic tool in both photography and cinematography. It was always said that “Instagram is for photographers” and nothing could be truer with all the filter choices IG has to offer. After all the IG filters are nothing more than preset color grades. And now that drone video is getting easier for the average person and vlogging is all the rage we start to see the color grading moving in to the mainstream. Not only do the top vloggers create trends with how they hold their camera or their scene transitions they also create trends of everybody wanting to color grade their video content to look like they’re favorite vlogger. With all this said color grading isn’t always as easy as an Instagram filter. There truly is an art to it, and in video what looks good in one scene looks horrible in another. Photos can be a lot easier to color grade, however I find that when editing a series of photos it can at times be challenging when the series contains images from different looks of light. Look for a vlog post in a few days where I will walk through a few of my techniques on color grading.

 

Thanks for reading.